4289 pistas de audio libre de derechos para "Midi"

Herr, gib Frieden diesem Menschen; Gotteslob (1975) Hildesheim 893; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 923

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

Ich will dich lieben, meine Stärke (Gotteslob (1975) 558; Gotteslob (2013) 358)

O Mensch, bewein dein Sünde groß (Gotteslob (2013) 267); Herr, deine Güt ist unbegrenzt (Gotteslob (2013) 427)

Lob und Ehre sei dir, Gesalbter, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 769

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Das Heil der Welt, Herr Jesus Christ, wahrhaftig hier zugegen ist (Gotteslob (1975) 547; Gotteslob (2013) 498)

O Lamm Gottes unschuldig; Evang. Gesangbuch 190.1; Gotteslob (1975) 470; Gotteslob (2013) 203

Verleih uns Frieden gnädiglich, Gotteslob (2013) 475; Gotteslob (1975) 310; Evang. Gesangbuch 421

In dieser Nacht sei du mir Schirm und Wacht, Gotteslob (1975) 703; Gotteslob (2013) 91

Der Tag der ist so freudenreich, Evang. Kirchengesangbuch 18, Evang. Gesangbuch Regionalteile Baden/Elsass/Lothringen, Nordelbien, Pfalz, Württemberg

Vergiss nicht zu danken dem ewigen Herrn (Evang. Gesangbuch Bayern-Thüringen 602; Gotteslob Würzburg 811)

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Christi Mutter stand mit Schmerzen, Gotteslob (1975) 584; Gotteslob (2013) 532

Ihr Christen, hoch erfreuet euch; Gotteslob (1975) 229; Gotteslob (2013) 339Christus, du Licht vom wahren Licht; Gotteslob (2013) 546

Heilig, heilig sei gepriesen, Gotteslob (1975) Hildesheim 802; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 720

This tune is called Winchester New in English hymnals.Zum Mahl des Lammes schreiten wir; Gotteslob (2013) 642

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Hymn tune Duke Street ("Jesus shall reign where'er the sun") Jesus hat seine Herrschaft bestellt, Evang. Gesangbuch (Rheinland/Westfalen/Lippe) Nr. 610

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Wir wollen alle fröhlich sein (Evang. Gesangbuch 100; Gotteslob (1975) 223; Gotteslob (2013) 326)

Jetzt ist die große Gnadenzeit (Gotteslob (1975) Hildesheim 819; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 753)

Heilges Kreuz, sei hochverehret (Gotteslob (1975) Diözesananhang Hildesheim 823; Gotteslob (2013) Diözesananhang Kirchenprovinz Hamburg 759)

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Auf, Christen, singt festliche Lieder, Originalmelodie Fulda 1778

Heilig, heilig, dreimal heilig, Gotteslob (1975) Hildesheim 801; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 718

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Ehre sei Gott in der Höhe, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 816

Send deinen Geist, Herr Jesus Christ, Gotteslob (2013) Paderborn 764; Gotteslob (1975) Hildesheim 836

Bells, drone and soft pad played on a usb midi keyboard triggering through a daw non sample based soft synths with non default parameter settings.

Alt version of a melody i came up with in midi shifting notes around. The sound is from an acoustic guitar note sample of mine with effects, ran through structure free in pro tools.

A rhythm midi made at the keyboard then processed through the dn-e1 virtual synthesizer in magix music maker daw.

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

When you complete the level. The sound is created with reason 4. 0 and m-audio midi controller, recorded with reason 4. 0. It is made in 16 dec. 2014 in estonia.

Christe, du Lamm Gottes (Evang. Gesangbuch 190.2; Gotteslob (1975) 482; Gotteslob (2013) 208)

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8.

Christe, du bist der helle Tag (Erasmus Alber nach Christe, qui lux es et dies), Evang. Gesangbuch 469

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Sliding bassline in wet format, check my account for the dry signal. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Christus, du bist der helle Tag (Friedrich Dörr nach Christe, qui lux es et dies), Gotteslob (2013) 90

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Wir rühmen dich, König der Herrlichkeit, Gotteslob (1975) 483; Gotteslob (2013) 211; Es sungen drei Engel ein süßen Gesang, Gotteslob (1975) 186