1412 pistas de audio libre de derechos para "Modular"

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.

A dark/eerie alien-like atmosphere for background ambiance. This sound was created using my modular synth, more specifically the black wavetable vco from erica synth and a mutable instrument clouds.

Yeah! more sounds made with jupiter storm! oh yes and a feedback loop too. We are approaching jupiter - the magnet storms are haunting our radio.

A strange beat. Might be hard to use? it has go something. . .

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrute. 80 bpmkey of dm. Doctor dreamchipportland, orapril 2019.

Sounds made with the legendary vcs3 synthesizer in the lindblad studio at gothenborg academy of music and drama, 2011. 11. 06. The charactere of the sound is like a bouncing ball.

A minimal drone. Might need some eq-ing. The frequency analysis reveals an extreme graph. A both extreme and minimal sound. Will anybody download it?.

8 seconds from this soundhttps://freesound. Org/people/gis_sweden/sounds/483638/mixed with thishttps://freesound. Org/people/gis_sweden/sounds/415237/and you get some thing else.

Dystopia cityscape alien siren. Bg noise for sci-fi film or game. Bronze model 11 synth. Share and enjoy!🄯.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): i don't wanna go (back 2 the old skool)note: c#2midi note: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): you'll clean that up before you leavenote: c1midi note: 24.

Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

Improv jam created using:teenage engineering po-400 modulararturia drumbrutearturia minibrute. 124 bpmkey of em. Doctor dreamchipportland, orapril 2019.

This is a file prepared for being used with makenoise's morphagene eurorack module. It is a pierre schaeffer interview cut with markers in files directly. It is a nice mise en abîme if you use it for musique concrète works as it is an interview about musique concrète.

3 chain connected looping envelopes slowly finding a rhythm. At the start of the recording i set the tree envelopes at random loop length. Slowly they work their way to a more simple rhythm. Why? at about 2 minutes the rhythm is rather short phrase.

It is what the title says "modified doepfer a-124 vcf5 wasp filter"listen and you will understand ;-)i the middle of the sound/beat i turn up resonance. I have connected cv2 to the bass pitch signal. Funny effect.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

First 4 seconds from the title song of the kids program "fem myror är fler än fyra elefanter". The song was made by bengt ernryd. For some reason i recorded in mp3-format. . . 128 kbits/s? i use make noise phonogene. Reverb by zoom ms-70cdr.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

I made this impossible beathttps://freesound. Org/people/gis_sweden/sounds/431437/but timbre managed to cut out a nice loophttps://freesound. Org/people/timbre/sounds/431456/i almost like my sound. . . Great job timbre!!!tried to add some drums in audacity. The beat is about 148bpm. Deleted_user_38815 had a 148bpm beathttps://freesound. Org/people/deleted_user_38815/sounds/52892/not perfect but still a loop. . .

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.

A 4 cvlfo-ring with injection. . . With some fm-modulation. . . Will try to do this on my physical modular synth. . . Some processor related glitches. . . Will not happen on/with the real thing!!!.

Formatted for use in the make noise morphagene. This is the modulated and demodulated vocal track demonstrated in the video "demodulating signals with moddemix" available at https://youtu. Be/b3kt1fguq74.

Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

Patch consiting of- jupiter storm- jerkoff- filter- 2 x lfo- mixer- (spring reverb). Jupiter storm and jerkoff is in a "weak feedback loop". . . Purpose with patch is to evaluate the quality of the generative sounds/musicit will never repeat it self but there is some cyclic repetitionone cycle is about 50 sec - goodonly short sounds - badamplitude variation - badpitch variation - goodtimbre variation - okaymusical value - low to mediumentertaining - medium.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Patch on my doepfer a-100 modular synthesizer. Recorded in early 2015 using my google nexus 5 with a class-compliant audio-interface and the soundcloud app. I called it "babysteps" at the time. Denoised with audacity. Cut and normalized using ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

Now finally! my two neuron patch idea has a sound. It's like music to a graphic score. My score is this:https://www. Muffwiggler. Com/forum/userpix2/27319_2_neurons_not_so_small_1. Jpg. Maybe both score and its sound is bad. . . But i'm happy :-).

Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Sound of a teleportation device. This sound was created using my modular synth, more specifically a black wavetable vco from erica synth and an mutable instruments clouds. Going through a focusrite scarlet 2i4 and finally, through pro tools.

These drums were created by chris whitten using a vintage buchla modular and compiled into a morphagene reel by me. A description of how they were made can be found here-https://www. Youtube. Com/watch?v=zvpbpv-vx5cenjoy!.

Another one with 1 looping envelope and 2 vclfos in a dance. I start the recording with the looping envelope in non looping mode. After about 33 sec i switch to looping-mode. Records and hope that a pattern should emerge. So, what do you think? one more time i switch looping mode off and then on. Cool technique.

I tried to remake this sound:. Https://freesound. Org/s/135110/. This time in caustic using modular synth, hpf of course, phaser & flanger. I'll probably try to make it again in 8 years. Very different but still similar.

Had a short relaxing session with my modular. I wanted to use the "divide by 64" patch and make some generative sounds/music. I added some mixer feedback. This is a patch for 2 voices.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

I'm getting to know a comparator. Why haven't i used it before?here i'm using, let's say, 2,5 comparators. Extremely electronic. Yes!look at those waves i'm creating!no filter! this is addative synthesis. Long loop.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.