766 pistas de audio libre de derechos para "Proceso"

Processed through ableton. Taken from a field recording one day at the palm beach park.

It starts with a little click i've recorded, then processed through a granulator called dropout, + a little layer of reverb.

Mp3 version of chimes on our lanai.

Mp4 noise filtering in live.

Drumloops with heavy effects on it, somewhat idmish. 130 bpm, but also sounds good played in other speeds. Slicing in recycle or some other slicer can also give interesting results.

Slice of heavily processed snare with a flanged body, crisp attack & reverb'd tail.

This is the sound of a group of harp strings being excited using the hairs of a violin bow, but processed in two iterations.

Initially this was a recording of the back of an old cathode ray tv.

Just a tweaked bit of electric bass.

This is a sample i made from a piano through a variety of processors. It sounds to me like a texture you may hear in a boiler room or some kind of ventilation system.

These are string samples used in the ccmixter track, corrina (film noir mix).

Multisampled reese made with massive+cyanphase vdist+various other stuff.

A noise that i managed to somehow create in windows sound recorder a long, long time ago.

Another noise that i managed to somehow create in windows sound recorder a long, long time ago.

Omnisphere engine start.

Up to you to describe.

Gas boiler in my kitchen starts up, you can hear the piezo ignition inflaming the gas and the subsequent burning gas. This version is processed (compressor, eq). Recording by a zoom h2n.

A distorted 808 bassline.

Funny name for a beat-induced track, cool licks though. . .

I really don't know how this one happened????.

Processed acoustic guitar. Loops at 120 bpm.

Same as kaleido-preset 1, processed in effects and filters at 120 bpm on reaktor.

Heavily processed (with pd - phase vocoder) rhythmical loop. Mono. :).

Eerie synth phrase created with an excellent sound generator.

Eerie synth phrase created with an excellent sound generator.

Horribly distorted horn sound.

Alex eliot plays guitar through the amp into the microphone.

Alex eliot plays guitar through the amp into the microphone.

Rough, dirty, disrhythmic snareloop processed through a few effects.

Rough, dirty, snareloop with a steady rhythm processed through a few effects.

Fuzzy mid-pitch lead sound with an electrical quality to it in a stuttering kind of rhythm.

1 2 3 4 syncopated kinda beat.

Muted metallic tapping rhythm.

Akg 535 pt le 7,1.

High tom sound. The reverb is actually filtered noise. 44100 16 bit mono made with microtonic drumsynth.

Loud and heavy hh hi hat.

Heavily processed, strong-punching tr-909 kick drum.

Fx glitch sound.

Created by adding echo-reverb changing pitch and reversing guitar strums.

Beast whoosh zoom processed growl.

Two modulating squarewaves with distortion and reverberationhardware: virus rack and tc powercore.

Sunny cities and who they remind me off that i have been too in the past 5 years. Ambient backgrounds and processed to a t.

Percussion is a diagnostic procedure that helps determine density, position, and size of underlying body structures, done by firmly tapping the body surface with fingers to produce a sound.

A loop of distorted stabs with some delay and reverb.

I used the sound of a brush scraping as the source, added the sound you get when you twist a russian doll (already convolved with itself), and this was the result. To me it sounds a little bit like wind.

A beat loop i remixed from two other freesound files (btn006. Wav by junggle and light-switch. Aif by dropthedyle). I changed the speed slightly, and pulled together the rhythms so that i could copy-paste or repeat it in audacity without having to trim out hiccups. It's 4/4 time, just a little faster than 60 bpm.

A scene from a session made with my modular synth system.

Various samples manipulated and put into patterns for you listening pleasure. Dark room and headphones. Press play and repeat.

Output waveform from the assessed lab for speech processing (lasc11065). The wave was created using the festival speech synthesis system version 1. 96 beta (july 2004), with one of their own available voices (male, scottish english).

A rising pitch modulation starting in d and ending in a higher octave d.