25.072 pistas de audio libre de derechos para "Tos"

This is a loop that you can use to add tension or fear to any work you do. Feel free to use it with total freedom for what you like. Credits like: alex rmz.

My food sounds recording is meant to be an experiment for me to create an onomatopoetic (written sound).

Fun horn thing i made, tuned to c feel free to use :).

My voice and vocals for background track welcome to use just give a shout out to me.

Greetings from scandinavia to lakotah members. Of course not true lakotah, but an attempt to overbridge culture llimits.

Rubbing a marker over the lid to a cookie tin to make a swirling metal scraping noise.

I am not asking you to like my loops just to help you in your creativity.

A piece of sonic fiction that have the objetive to evoque diferent emotions to the receptor.

The bees fly to work and collect pollen to survive the winter. Long live the bees!.

Pigs and chickens and sheep anxiously waiting to be fed in the morning.

A short hapi drum phrase converted to 16-bit 44100 hz wav format to match coursera sms-tools restrictions.

Early morning standing in a forest close to noisy highway, listening to hundreds of singing birds. What birds?.

Congratulations to someone.

Hit to wood.

To destroy your listeners speakers.

Fart.

Tractor to plow.

A classic countdown clip where i count from 5 to 1. Recorded with an akg condenser mic & mastered in fl studio. I'm open to requests for submission to games, animations, or videos. . Hit me up if you want to try & collaborate. There's another file i loaded, this exact file *without* fx. More info on my site: jenninexus. Com.

I made this using my alto recorder. It is quite long but can easily be shortened. I just realized that i forgot to take the breath sound out at the end!! sorry! i will do better next time. This is my first time contributing to freesound. I like this site and am happy to finally be able to contribute to it. Enjoy!.

I made a good comparison to jacksepticeye's videos and what happens in his house. Took about an hour to make because i was repeatedly adding 250% more gain to the intro(on audio mass) but i added so much that when i downloaded it it came out sounding like just static so i added way less gain. I recommend going to audiomass. Com to try this out if you like.

This is sound was designed to start out loosely spaced, in conjunction with other sounds, and tighten up to build tension before a drop. I use it in offset pattern as a "call response". I had to keep it under 2 seconds to remain viable at the precipice. Soloed, sequenced, or combined to create a new sound. Have fun with no string attached!. Key: a♭ minoralt key: 1abpm 107.

Wasn't going to upload this, but it was pointed out to me that it sounds like the intro to a song in a minor key. Not sure i see that, but the suggestion is that some composer will seize on it as an opening to an instrumental that fits it. I want to see if that will happen. If that's not practical, i feel sure someone will find a use for it.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

Made in a conservatory in london summer 2013.

Me taking cd out from it's jewel case, then putting it to cd-player and pressing play buttorn.

Old truck drives up to dock or factory. Brakes squeak, horn beeps. Then men start yelling orders in disapproving way.

A quiet high speed train starts from a stand-still and gradually gathers speed. Recorded from interior.

This is me trying to sing a note with as little background noise as possible without any editing software. This is my first time attempting this for a class; i sat under my desk with my phone with pillows on all sides and a blanket to try to absorb even more background noise. Ran the video through mediaconvert to make it a. Flac.

Volkswagen golf passing on a gritty country road at medium speed from left to right. Recorded with a schoepps ms-setup on a sound devices 722 @ 24bit 48 khz. Decoded to l-r.

Multiple takes of a train passing by. Hard stereo, recorded with built-in zoom h4n mics (120 degrees), 48khz 24bit.

Double decker bus then car pass by on empty urban street at night in lockdown - so pretty clean recording!. Recorded on zoom h4n - 96k, 24bit.

Rhythm guitar, lead guitar and bass.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

Ode to Joy (a version of "The Hymn of Joy" or "Joyful, Joyful We Adore Thee") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 15 from Christmas from the Rockies (1993).

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

To the Colors performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 1 of Ceremonial Music (2005).

A simple piano melody created for the music stock of canes produções. It's an easy-to-edit loop, a beautiful and simple melody, can fit many emotional scenes. You can use this sound in any way you want, as long as you give credit to 'kleber kgf'. Good luck with your projects!. "who edits the editors?".

Adjutants Call, To Honor with Dignity performed by the Concert Band of the United States Air Force Band. Track 6 from Esprit de Corps (1997).

This is from a fan audio recording of the 1967 doctor who episode "tomb of the cybermen". The sound is now in the public domain. In 1967, these cybermen were voiced by peter hawkins using a vocoder or an electro-larynx, a device used to restore speech to those whose vocal cords are damaged by detecting vibrations of the throat. At the very end of part 2 of "tomb of the cybermen", the cyberman controller is awakened and says "you belong to us, you shall be like us!" to the cast.

A few pumps of a mossberg 12 gauge shotgun. Can easily cut up the pumps to sync to video if you need to.

Wrinkled a plastic bag (home to rubber bands, who played no part in this recording) on my desk to try to make an ice freezing sound. Instead it sounds like stepping on cracking ice.

Awesome hi quality demonic horror monster sound effects. And feel free to request something for me to do? i will not charge for sound effects so feel free to ask for custom sound effects.

Ter french train passes left to right at middle speed. Microphones close to the railway. France, 2013. Recorded with schoeps oct set up reduced to stereorecorded on sounddevice 744t24 bits, 48khz, stereo.

Recorded with the microphone of mars gaming headphones. I was trying to create an element of tension to the climate of a short film. I didn't get to use it but hopefully, it can help you.

It was created in audacity, using a chirp from from a2 to g3, then using phaser, echo and tremolo effects to create the end result. Finally, it was normalized to -8db. Hope you enjoy!.

This is a sound that my wooden floor makes in a certain side of the room. I edited it and i added some depth to it to add a kind of a creepy vibe to it.

Collection of inharmonic noise samples. Created and processed with a variety of reverbation, granular and spectral techniques. Useful to layer in a pad, make risers or drums. Will continue to add to this pack.