4 445 Images gratuites de Calligraphie

Shosan jodo butsu shoju kyo (Sutra on Pure Land and salvation through the Grace of Buddha), Nara period, 8th century, ink on paper, view 2 - Tokyo National Museum - DSC05659
Shosan jodo butsu shoju kyo (Sutra on Pure Land and salvation through the Grace of Buddha), Nara period, 8th century, ink on paper, view 1 - Tokyo National Museum - DSC05657
Five Sencha Cups, by Tomioka Tessai, Imao Keinen and Tajika Chikuson, Honolulu Museum of Art
Hoke kyo (Lotus sutra) Vol. 8, attributed to Sugawara no Michizane, Heian period, 9th century, detached segment, gold ink on purple paper - Tokyo National Museum - DSC05784
Interior of Former Library of ROCAF HQ Renai Camp for Special Exhibition 20140405
Bowl with calligraphy, waterweeds, and inscription repeating the word 'Glory', Iran, Kashan, probably 13th century AD, composite body, painted under turquoise glaze - Huntington Museum of Art - DSC05009
Letter by Yashiro Hirokata, Japan, Edo period, 1800s AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC09408
Door, probably from North Africa, 16th century, HMA
Tile from Iran, 13th century, glazed stone-paste, underglaze-painted, overglaze-painted luster, Honolulu Academy of Arts
This Letter written by Mi Fei, Mi Fu
Pedestal bowl with band of calligraphy on spiraling floral sprays, Iran, 18th century AD, tinned copper - Huntington Museum of Art - DSC05075
Bird bathing, Ten Bamboo Collection of Calligraphy and Painting, vol. 5 and 6 (birds), leaf 11, editor Hu Zhengyan (c. 1582-1672), China, Nanjing, 1633 AD, woodblock print - Ethnological Museum, Berlin - DSC01976
Heart Sutra section, Japan, Nara period, c. 755 AD, ink on paper - Freer Gallery of Art - DSC04784
Candlestick with incised broad band of calligraphy, Egypt or Syria, Mamluk dynasty, about 1346 AD, brass - Huntington Museum of Art - DSC05041
Letters in cursive script, by Wen Zhengming, China, Ming dynasty, 1500s AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC08331
Storage jar for shipping oil or spices, with stylized calligraphy, Syria, Raqqa, 12th-13th century AD, composite body with turquoise glaze - Huntington Museum of Art - DSC05006
Sand Container in the Form of a Crocodile, German, c. 1575-1600, silver gilt - Busch-Reisinger Museum, Harvard University - DSC01359
Stone, bag, album & screen by Tomioka Tessai, Tanaka Hakuin, Tajika Chikuson & Hashimoto Kansetsu, Honolulu Museum of Art
Lyon 8e - Institut français de civilisation musulmane - Espace d'expositions Nasreddine Etienne Dinet - Exposition L'écriture une calligraphie du sacré au profane 2
Illuminated panel of verse from Rubaiyat of Hafiz, Mir Ali al-Heravi, calligrapher, Iran, Safavid period, 16th century, Persian text in Nastaliq script, ink, gold, color on paper - Cincinnati Art Museum - DSC04240
Dream record (Yume no ki), Myoe Koben, Japan, Kamakura period, early 1200s AD, ink on paper - Freer Gallery of Art - DSC04792
Lyon 8e - Institut français de civilisation musulmane - Espace d'expositions Nasreddine Etienne Dinet - Exposition L'écriture une calligraphie du sacré au profane 3
Chinese-style quatrain in seven-character phrases and a comment, by Kameda Bosai, Japan, Edo period, 1800s AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC09405
The Battle between Shah Ismail and Abul-Khayr Khan, Muin Musavvir, circa 1688
Kalamat (Utterances) of 'Ali, signed 'Abd al-Haqq Muhammad al-Sabzevari, Iran, 16th century AD, watercolour, ink, and gold on paper - Aga Khan Museum - Toronto, Canada - DSC06893
Painting on Zen Enlightenment (Sanping baring his chest and Shigong stretching his bow), attributed to Kano Motonobu, v1,Muromachi period, 16th century, panel from Daisen-in temple - Tokyo National Museum - DSC05830
Rustam rescues Bijan from the well, from the Shahnama by Firdawsi, probably Iran, Mongol period, dated February 1341 AD, watercolor, ink, paper - Freer Gallery of Art - DSC04684
Calligraphy in cursive script, three Chinese-style poems, by Kameda Bosai (1752-1826), Edo period, 1819, six panel folding screen, one of a pair, ink on paper - Asian Art Museum of San Francisco - DSC01463
Painting on Zen Enlightenment (Sanping baring his chest and Shigong stretching his bow), attributed to Kano Motonobu, v2,Muromachi period, 16th century, panel from Daisen-in temple - Tokyo National Museum - DSC05824
Preface to the Lanting Gathering, by Kameda Bosai, 2 of 2, Japan, Edo period, dated 1824 AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC09397
Preface to the Lanting Gathering, by Kameda Bosai, 1 of 2, Japan, Edo period, dated 1824 AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC09394
Mirror of the Hand, calligraphy album, Japan, fragments from the Nara through Edo periods, compiled c. 1750 - Jordan Schnitzer Museum of Art, University of Oregon - Eugene, Oregon - DSC09359
History Gallery of Chien-Chiao Air Force Academy in Axiation Museum 20130928
Kahmseh (Quintet) by Nizami, signed Mahmud al-Shirazi, probably Iran, late 16th century AD, ink, watercolour, and gold on paper - Aga Khan Museum - Toronto, Canada - DSC06962
Writings of Du Fu in running script, by Zhang Zhao, China, Qing dynasty, 1600s-1700s AD, ink on silk - Tokyo National Museum - Tokyo, Japan - DSC08325
Chinese-style quatrain in five-character phrases, by Maruyama Okyo, Edo period, 1700s AD, ink on paper - Ishikawa Prefectural Museum of Traditional Arts and Crafts - Kanazawa, Japan - DSC09524
Album leaf (muraqqa'), signed Muhammad Husayn (Mulla Muhammad Husayn Tabrizi), Iran, Qazvin, c. 1575 AD, ink, watercolour, and gold on paper - Aga Khan Museum - Toronto, Canada - DSC06883
Wakan roei shu poetry anthology segment known as 'Hase gire', by Fujiwara no Norinaga, 1 of 2, Japan, Heian period, 1100s AD, ink on paper - Tokyo National Museum - Tokyo, Japan - DSC09332
Tuhfat ul-Ahrar (The Precious Gift of the Spiritually Free) by Jami, copied by Mahmud b. Ishaq al-Shihabi al-Haravi, Iran, 1553-1554 AD, ink, watercolour, gold - Aga Khan Museum - Toronto, Canada - DSC06972
Album leaf (muraqqa') of nasta'liq, signed Imad al-Hassani (Mir Imad al-Mulk Qazvini Hassani), Iran, Qazvin, c. 1600 AD, ink, watercolour, and gold on paper - Aga Khan Museum - Toronto, Canada - DSC06877
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