4 094 pistes audio libres de droits pour "Après Midi"

8-14A octachord on C

9-1 nonachord on C. Chromatic nonachord.

3-1 trichord on C: [0,1,2]. Chromatic trichord.

5-25A pentachord on C

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

5-32A pentachord on C

Alexander Scriabin: opus 42.05

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

6-16B hexachord on C

7-32A heptachord on C

8-19A octachord on C

4-6A tetrachord on C

5-7B pentachord on C

interval unison melodic

4-23 (quartal) tetrachord on C

7-10A heptachord on C

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

7-23A heptachord on C

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

The most basic ride pattern in rock and other styles.

Post-punk drum pattern.

Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.

Reggae one drop drum pattern, sixteenth note variation.

Pierre Boulez's Second Piano Sonata series. Created by Hyacinth (talk) 01:57, 19 October 2010 using Sibelius 5.

Berg's Lulu Schoolboy tone row on C.

Synthesized MIDI rendering of chanson "Belle bonne sage" by Baude Cordier, early 15th century, after manuscript File:CordierColor.jpg

Four measure ii-V-I progression in C with Coltrane substitution.

D-beat drum pattern 1.

The 'D-Beat' in musical notation.

D-beat drum pattern 3.

Characteristic rock drum pattern with rimshot in place of snare

D-beat drum pattern 2a.

Wagner - Tannhauser, Zu dir wall'ich.

The tone row from the first movement of Alban Berg's Lyric Suite, according to Wolfgang Stroh.

D-beat drum pattern 2b.

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Opus posthumous 66

A MIDI file of "Offertorium de Sanctissimo Sacramento," by Leopold Mozart.

*10 steps in 17 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 210/17:1 = 705.88 cents. MIDI pitch bend: 113,65

*2 step in 17 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 22/17:1 = 141.18 cents. MIDI pitch bend: 23,77

*105th subharmonic on C = E♭-. Just: 128:105 = 342.91 cents. Limit: 7-limit. MIDI pitch bend: 94,77

10-tet scale on C. MIDI pitch bend matches intervals.

Just augmented sixth on C. 225:128 = 976.54 cents.

*Square root of 7 on C. √7/1 = 1684.41 cents. MIDI pitch bend: 1,59

*19th subharmonic on C = A. Just: 32:19 = 902.49 cents. Limit: 19-limit. MIDI pitch bend: 102,64

*Square root of three on C. √3 = 950.98 cents. MIDI pitch bend: 40,48

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.