4 094 pistes audio libres de droits pour "Après Midi"

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Fifty-seventh harmonic on C = B♭. Just: 57:32 = 999.47 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 19-limit. MIDI pitch bend: 106,95 on M6

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44

*79507th harmonic (H43/H43/H43) on C = E♭-. Just: 79507/65536 = 334.55 cents. Limit: 43-limit. MIDI pitch bend: 7,75

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68

*14 steps in 17 equal temperament on C = B♭ (Easley Blackwood's notation). Equal-tempered: 214/17:1 = 988.24 cents. MIDI pitch bend: 30,60

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Hundred-fifteenth harmonic on C = A♯+. Just: 115:64 = 1014.59 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 23-limit. MIDI pitch bend: 86,68

*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.

*Two-hundred-third harmonic on C = A♭+. Just: 203:128 = 798.40 cents. Limit: 29-limit. MIDI pitch bend: 62,95 on P5

*1331st harmonic on C = E↑↑↑♭-. Just: 1331/1024 = 453.95 cents. Limit: 11-limit. MIDI pitch bend: 33,113 on m3

Subminor third on G. 7:6 = 266.87 cents.

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.

*Hundred-sixty-first harmonic on C = E+. Just: 161:128 = 397.10 cents. Limit: 23-limit. MIDI pitch bend: 9,95 on m3

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.

*Just augmented third on C = E♯. 125:96 = 456.99 cents. Limit: 5-limit.

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

*Acute minor sixth on C = A♭+. Just: 81/50 = 835.19 cents. Limit: 5-limit. MIDI pitch bend: 33,75

A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Midi file of BWV 601 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Details of the voice leading in m. 3-7 of BWV 941: original

Einigkeit und Recht und Freiheit

Half diminished scale on C.

Just perfect fifth on G = D. 3:2 × 3:2 = 1403.91 (203.91) cents. Midi pitch bend on 80,64 for 701.953125 cents and 32,65 for 1403.910002 cents.

Shuffle pattern with staggered thirds played on piano.

Šur Daramad

*Drobisch angle on C. Equal-tempered: 21/360:1 = 3.333333 cents. MIDI pitch bend: 9,65

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

Midi file of BWV 639 from the Orgelbüchlein adapted with different instrumentation and ornamentations from lilypond file on Mutopia

Midi file of BWV 611 from the Orgelbüchlein adapted with different instrumentation and ornamentation from lilypond file on Mutopia

Midi file of BWV 640 from the Orgelbüchlein adapted with new instrumentation from lilypond file on Mutopia

Midi file of BWV 607 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Midi file of 3rd Variation of Canonic Variations of J. S. Bach, produced using lilypond

Midi file of BWV 644 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Diminished seventh chord on B.

*5 steps in 13-et on C = ??. Equal-tempered: 25/13:1 = 461.54 cents. MIDI pitch bend: 88,51

Šur Forud

*4 steps in 11-et on C. Equal-tempered: 24/11:1 = 436.36 cents. MIDI pitch bend: 81,75

通りゃんせ Tōryanse

The symmetry of Webern's tone row from Variations, Op. 30, is apparent from the equivalent, P1=IR1 and R12=I12, and thus reduced number of row forms, two, P and R, plus transpositions. Consisting of three related tetrachords: a and c consisting of two minor seconds and one minor third and b consisting of two minor thirds and one minor second. Notes 4-7 and 6-9 also consist of two minor seconds and one minor third. Created by Hyacinth (talk) 23:25, 19 October 2010 using Sibelius 5.

Šur Daramad