4 094 pistes audio libres de droits pour "Après Midi"

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

*15 steps in 16-et on C = B (Easley Blackwood's notation). Equal-tempered: 215/16:1 = 1125 cents. MIDI pitch bend: 0,72

*19-limit seventh tone on C = C (Ben Johnston's notation). Just: 57/56 = 30.64 cents. Limit: 19-limit. MIDI pitch bend: 103,73

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.

*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

*Pythagorean augmented third on C = E♯+++ (Ben Johnston's notation). 177147/131072 = 521.51 cents. Limit: 3-limit. MIDI pitch bend: 113,70

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

Lobet den Herrn, alle Heiden (BWV 230) for voice (SATB) and continuo by J. S. Bach (1685–1750) from Edition Peters, 4592.

*Pythagorean major sixth on C = A+ (Ben Johnston's notation). 27:16 = 905.87 cents. Limit: 3-limit. MIDI pitch bend: 112,65

*Ditone (Pythagorean major third) on C = E+ (Ben Johnston's notation). Just: 81:64 = 407.82 cents. Limit: 3-limit. MIDI pitch bend: 64,66 81st harmonic.

*Pythagorean augmented sixth on C = A♯+++ (Ben Johnston's notation). 59049/32768 = 1019.55 cents. Limit: 3-limit. MIDI pitch bend: 33,70

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

*Pythagorean major seventh on C = B+ (Ben Johnston's notation). 243:128 = 1109.78 cents. Limit: 3-limit. MIDI pitch bend: 16,67

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

*1 step in 7-et on C. Equal-tempered: 21/7:1 = 171.43 cents. MIDI pitch bend: 110,54

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.

Leise rieselt der Schnee

Nun freut euch, ihr Christen (Gotteslob (1975) 143; Gotteslob (2013) 241/242)

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

Das amerikanische Volkslied She'll Be Coming 'Round the Mountain als MIDI-Datei. The American folk song She'll Be Coming 'Round the Mountain as a MIDI file.

Tri martolod

Sarie Marais

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

MIDI file of 1901 Cuckoo Waltz by Australian composer Thomas Bulch

Run, Nigger, Run from Slave Songs of the United States (1867)

Die Himmel rühmen des Ewigen Ehre

Jacob Regnart: Venus du und dein Kind

Period (two phrases) in Haydn's Feldpartita.

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

Im Holderstrauch

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

9/8 drum pattern.

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond

Danhauser (13. Jahrhundert)

Hänschen klein

Da Uf'nbank

Vårvindar friska

Example of an altered chord progression in jazz.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Limerick song Fünf leichtsinnig hüpfende Zeilen, die eilen und reimend verweilen – die längeren drei, die kurzen nur zwei – und eine Pointe anpeilen: das ist eine Kunst, die von Schweden bis Kapstadt beglückt, doch nicht jeden; so mancher, der’s möcht, mehr schlöcht oft als röcht, begann schon in Reimen zu reden.