4 094 pistes audio libres de droits pour "Après Midi"

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Londonderry Air

Hintertupfer Bene, Moritat

The Coventry CarolThe Coventry Carol, englisches Weihnachtslied zum Tag der Unschuldigen KinderÜbertragung (R.F.): Schlaf ohne Pein, mein Kind, schlaf ein! Gott gebe sanften Traum! Kein Weh berühr die Seele dir, kennst ja das Leben kaum. Schwestern, was tun? Wer hilft uns nun? Hört ihr die Mörder schon? Herodes flucht, Herodes sucht euren und meinen Sohn. Angst um die Macht hat ihn entfacht, Weissagung dumpf bedroht. O Bethlehem, Jerusalem färbt deine Wiegen rot. Wer hat ein Wort für solchen Mord? Wer stillt die Tränenflut? Ihr Himmel weit, kein Jammer schreit wie dieses Kinderblut.

L'homme armé

Spannenlanger Hansel

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Jacob Hintze: Kanon In te, Domine, speravi: non confundar in aeternum (Schlussvers des Te Deum)

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

La Espero, Lied der Esperantobewegung

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Rule, Britannia

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Four on the floor on the high hat.

Dar Vuglbärbaam

Z'Lauterbach hab i mein Strumpf verlorn

Bublitchki (song)

Johann Löhner: Wunder-Anfang, herrlichs Ende

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Diminished triad on B, as MIDI

Pierlala

Tomatensalat, Kinder-Scherzlied

Á Sprengisandi

Bernermarsch

Ајде Јано - Ajde Jano

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Frère Jacques

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

Schlaf, Kindchen, schlaf

Muirsheen Durkin

Vetter Michel

Gretel Pastetel

Wiegenlied aus Edo (Tokio)

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars; made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures : fait avec LiLypond

Backbeat pattern on snare drum. Created in Sibelius. en:Image:Backbeat pattern snare drum.png

Baby Shark

Suo Gân

The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.

Las mañanitas

Gaudeamus igitur

Synthesized midi rendering of first Kyrie movement of Missa prolationum by en:Johannes Ockeghem. Created with Lilypond. See File:Ockeghem Prolationum Kyrie full.pdf for score.

Sari Gelin

La Carmagnole

Alouette, French folk song

Waltzing Matilda

Actual score to accompany an analysis by Czerny (simplified) of the first measures of Chopin Study op. 10 n. 1.

The chord progression of the ostinato from "Creep" played with block chords with each chord in root position within one octave.