273 pistes audio libres de droits pour "Connecter"

00:00
08:59
I have many reasons to be motivated trying to give thanks to him. I happened to focus one day on the prohet ezekiel. The book starts with describe kinda dream hje had. He he ard a tremendous roar and he saw god's "spacecraft" landing somewhere in today's iran. He described a vehicle that god uses for importantr matters. My sound is maybe better to be connected with 500,000 ton oil tanker. However, i decided to make the feeling 0f a enormous powwer, coming from the lord himself. So, enjoy this several minutes long file. I could see a smile in god's face, b ut he said nothing.
Auteur: Vumseplutten
00:00
36:47
This recording was done early one morning in may 2012 in the middle of scotland. You can hear the usual sounds of the countryside at this time of year and day. The two front microphones were facing the river tay, the two back ones drummond hill. This is the sound those front ones captured. All of them microphones were audio technica at-3031 ones, connected to the rme quadmic preamp into an edirol r-44 recorder. To get a quadraphonic or surround sound you have to download both tracks (they are next to eachother on the list) and alter them the way you want. If you compare them, then it shows what a difference it makes where you point those microphones.
Auteur: Inchadney
00:00
09:15
A diesel flatbed tow truck idles for two minutes, moves the truck into position,backup warning beeps, moves the car back, adjusts the position of the truck once more, extends the rollback tilt-tray, connects the car, winches the car up, retracts the rollback tilt-tray, secures chains to the car, then drives off. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.
Auteur: Rodincoil
00:00
11:26
The stuttgart rack railway (german: zahnradbahn) is an electric rack railway in stuttgart, germany. It is the only urban rack railway in germany. Affectionately called zacke (spike) by the residents of stuttgart, the line was opened on 23 august 1884. It connects the urban districts of stuttgart south (marienplatz) and degerloch (albplatz). The route runs along the alte weinsteige, which was historically the main route to the filder towns until the neue weinsteige was built in 1826. Over it’s 2. 2 km route the line climbs a height of 205 m (from 260 m to 465 m amsl). The maximum incline on the route is 17. 5% (between liststrasse and pfaffenweg). On the branch line to the depot of the (old) rack railway yard, the maximum incline is 20. 0%. Between the stops at pfaffenweg and wielandshöhe there is a view of stuttgart's city centre.
Auteur: Ohrwurm
00:00
01:41
Sound sources: make noise mysteron (high energy excitation and depth, type and gen extreme cw) and white noise doepfer a-118. High red and blue mixed output. Maths- controlled: mystery excitation; dynamic and adsr. Maths triggered by stepped make noise richter wogglebug. Sound signals passed through 2 channels of make noise dynamix. Summed output to soundhack make noise erbe-verb. Decay controlled by internal feedback loop. Size controlled by wogglebug woggle output. Erbe-verb output into morphagene. Straight playback into reaper. 32bit 48khz rendering. Totally synthetic with no prerecording. Grateful to make noise company (shared system and other modules) and those "awfully compelling" instructional videos on youtube. No financial connections.
Auteur: Jim Bretherick
00:00
02:17
A second attempt at recording the deep mud i keep finding myself walking through each morning on walthamstow marshes. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics (connected to a bent wire clothes hanger and positioned about 30cm above my feet). Processing: normalize -1. 0db, low cut filter 100hz, minor noise reduction to reduce background traffic/train noise. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.
Auteur: Walthamstow Walker
00:00
00:12
This is the sound heard when the telephone from the cbc (upf) is used. This telephone connects the researcher (which is outside the experiment room) with the person who is taking the experiment (which is inside the experiment room, and he/she is not able to hear anything from outside). As researchers of the center for brain and cognition, we work to advance our understanding of how experience influences the emergence of structure and function through computational and experimental investigation. We are also interested in understanding how mechanisms regulating brain development interact with the effects of experience to produce the structural and functional characteristics of the brain. These lines of research clarify how specific biological mechanisms routinely support the emergence of cognitive functions, leading to insights into why experience is so important for normal brain development. Learn more at: https://www. Upf. Edu/web/cbc.
Auteur: Soundsofscienceupf
00:00
00:55
A close up recording of an overheating usb slot-loading cd/dvd drive that repeatedly tries to spin up, but fails and makes some clicking noises. Note on low frequency sounds: i recorded this with a zoom h1n recorder at about 2cm distance from the drive slot. I held the recorder in my hand and rested my hand on the surface the cd drive was resting on, so there is somewhat of a mechanical connection between the drive's vibrations and the recorder. I believe this led to the low frequency parts of the recording. About halfway through the recording, i lifted the drive up with my other hand and held it at a 30degree angle to the surface and recorder. As you can hear in the recording, this made it spin up a little longer before failing and spinning back down.
Auteur: Conath
00:00
01:31
Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
Auteur: Gis Sweden
00:00
03:01
This sample consists of noise recorded via a hondo strat electric guitar resp. The guitar's neck pickup. Throughout the sample there is a low hum. In the beginning, a mobile phone was moved in front of the pickup. The noise might have been created by the clock of the phone's cpu or the backlight of the phone. After that, one crt display is switched on resulting in a buzz. Later on, a second crt display is switched on, again resulting in a buzz followed by additional noise in higher frequencies. Then, a neon light is switched on, creating even more noise. Towards the end, again the mobile phone. . . The guitar was connected to a scott&noble ht25r amplifier which was recorded with a t. Bone sc450 condenser and a behringer ddx3216 digital console directly into ardour.
Auteur: Drni
00:00
01:54
Coucou !. Some day in octobre 2020 i had to perform as a musicianfor an iraqi theatre play of adel jarallah,they asked me gently & politely to also dosome voice over or guiding voice of the protagonistat a certain moment in the play. . . Which i gladly did, with, you'll never guessthe philips 50's oldschool vintage microphone, that's right !. That sound is something else. I connected the mike to my pedals & amplified itthrough a nice, vintage oldschool farfisa tube guitar ampi had been getting from charleroi, some week before. Charleroi what a city ! farfisa what a sound !. - - - here i'm just testing out the sound devices mix prepreamps together with the philips 50s mike - - - with theexact monologue of the theatre play. / / /// // // ////// / /// // //// /// //// // /// //// // /. 11 december 2020,jj il pensatore.
Auteur: Antwerpsounddesign
00:00
15:12
This is a recording made in the room of my apartment in italy in the province of rieti, while i am testing a drone dji phantom 4 pro clone, purchased 3 days ago on the vova site, only during the test it suffered two accidents. The first 5 minutes for 3 flights everything went well, then on the fourth flight, as the drone was also without para-propellers, the first small accident happened, on landing he fell to the ground from the bed, then resumed flying for another two times. On the third flight there was a second bigger accident: first he started spinning the propellers against the wall for a while, then he fell to the ground rolling until he hid under the bed. This time, however, even after this great accident, the drone resumed flying normally as if nothing had happened. This recording was done with my iphone connected to the shure mv88 plus microphone.
Auteur: Andreauomogatto
00:00
01:51
In hinduism and its many derived views of life, there are a number of "realms", each with their own forms of consciousness. The oldest of these is the realm of the minerals, the stones. This is followed by plants, animals, humans, angels and gods. Each kingdom is divided into layers, in the human realm the "caste's" or social layers. Hindus believe that through good works you can be born in a higher caste or even realm in the next life. Among the people who belong to the caste of brahmans, the priestly caste, it happens that some have memories of many past lives. This track represents the connection between the heartbeat of a brahman priest during his meditation and his energetic vibrations, long time ago, as crystal. He discovers that time is an illusion and that all his lives are layers one on another creating a building, the shape of his eternal existence. He has yet to build further but is well on his way. Right now, he should not be proud, or in the next life he will be certainly no angel but falls back to a previous level.
Auteur: Huggingbear
00:00
03:34
Title: en:Roland MC-202 Creator: Sven Buresch for Wikipedia Description: simple song arrangement using en:Roland's en:MC-202 for the filter hookline, en:SH-101 for the bass and en:TR-808 for drums; no additional effects. Sequencing was done with en:Steinberg en:Cubase SX 2.2; MC-202 and SH-101 had been connected via Harms en:MIDI/CV-Interface, en:TR-808 (Kenton MIDI modified) via Steinberg Midex8. Copyright dispute? Re: MC202 audio exampes Hi. http://en.wikipedia.org/wiki/Image:Mc202example.ogg and http://en.wikipedia.org/wiki/Image:Discobotter.ogg both were written, performed and recorded by myself. I am the copyright owner and I chose to have it PD for Wikipedia as there were no listening examples. If you doubt we can make music at all check out our myspace: [1] - another tune with a 202 on it or go to [2] - loads of noise with 202,303,404's and so on ;)) Hope this helps. Cheers, Sven. --audioschotter.net 13:38, 31 May 2007 (UTC)
Auteur: Audioschotter.net at English Wikipedia
00:00
11:56
I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.
Auteur: Gis Sweden
00:00
07:35
I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.
Auteur: Gis Sweden
00:00
00:05
I used audacity to synthesize the five-tone chime made by the montreal metro's jeumont train element 41. Backstory: the train itself was an mr-63 type train modified by canron circa 1971, adding a current chopper to the train's started system. The chopper produced an 'idle' tone at around 45 hz, and as the train departed, five tones at frequencies of 90, 120, 180, 240, and 360 hz. Originally there were 3 'elements' (a set of 2 motor cars and 1 trailer car) with the jeumont-schneider current chopper (element 40, made up of cars 81-579, 80-040, and 81-580; element 41, made up of cars 81-581, 80-041, and 81-582; and element 42, made up of cars 81-583, 80-042, and 81-584). During the early 2000s refurbishments, element 40 was retired from service to provide spare parts for the other elements, which were then connected with elements of 'normal' mr-63 trains. Only the 81-579 car remains from element 40. Element 41 and element 42 were then retired in 2018 when the other mr-63 trains were retired.
Auteur: Chungusa
00:00
01:47
A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.
Auteur: Keithpeter
00:00
02:12
A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.
Auteur: Makenoisemusic
00:00
02:60
Cct110: found in translation (show notes). Hosted by lily yu. This podcast gives a brief overview of youtube’s recent update on the on-site comment translating software and examine how it is beneficial in establishing contact with other youtube communities. We will also look at who this change affects the most, how the comment section influences youtube and how this change is part of a global movement for connection. Podcast contentsintroduction 0:00 – 0:11imagine you are reading the comments 0:12 – 0:50history of the translate button 1:01 – 1:09what it does 1:10 – 1:13errors in translating 1:14 – 1:24benefits 1:25-1:40who uses it 1:41- 1:53importance to youtube 1:54 – 2:26importance to the world. 2:27 - 2:43conclusion – 2:44 - 2:59. Song credits (listed in order of appearance). “winsquare. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/527650/. "piano, bach fantasia, a (h1). Wav" by inspectorj (www. Jshaw. Co. Uk) of freesound. Org. “upbeat theme loop. Wav” by mrthenoronhahttps://freesound. Org/people/mrthenoronha/sounds/506893/. “jingle_achievement_00. Wav” by littlerobotsoundfactoryhttps://freesound. Org/people/littlerobotsoundfactory/sounds/270404/“parallel universe” by andrewknhttps://freesound. Org/people/andrewkn/sounds/404458/. “winfretless. Wav” by fupicathttps://freesound. Org/people/fupicat/sounds/521644/. Podcasts discussed. 23 youtube stats that matter to marketers in 2022. Social media marketing & management dashboard. (2022, february 14). Retrieved march 3, 2022, from https://blog. Hootsuite. Com/youtube-stats-marketers/r/timeworkssubmissions - youtube's comment translations are very broken. Reddit. (n. D. ). Retrieved march 3, 2022, from https://www. Reddit. Com/r/timeworkssubmissions/comments/rnte1g/youtubes_comment_translations_are_very_broken/.
Auteur: Chocolatelilac
00:00
01:58
Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.
Auteur: Gis Sweden
00:00
00:37
A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Auteur: Kbclx
00:00
07:20
Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.
Auteur: Kbclx
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