136 pistes audio libres de droits pour "Timbre"

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00:12
Walking up and down an older wooden staircase wearing flat clogsrecorded using voicememo on iphone 12se.
Auteur: Aebttny
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00:46
New plastic stamp, various stamping (slow, fast). Recorded mono with a directional microphone. Not processed.
Auteur: Queensize
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00:11
Seal.
Auteur: Sbaneat
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00:02
Sound of an hospital card being stampedrecorded with dictaphone on iphone 8. Edited with twistedwave. Com, online sound editor.
Auteur: Coniela
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00:01
/////description de base ////////. A bubble explosion. //////////typologie (p. Schaeffer)///. V' : impulsion variée. ////////morphologie////////////. - masse:son seul / varié. - timbre harmonique:éclatant. - grain:le son paraît rugueux. - allure:pas de vibrato. - dynamique:son composé uniquement d'une attaque violente. - profil mélodique:variation scalaire. - profil de masse:présence d'un filtrage des sons graves.
Auteur: Univ Lyon
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00:04
/////description de base ////////. Crackling fire sound. //////////typologie (p. Schaeffer)///. X : continu complexe. ////////morphologie////////////. - masse:groupes de sons : nodal. - timbre harmonique:clair, éclatant. - grain:pas de grain. - allure:pas de vibrato. - dynamique:attaque abrupte et redondante (multitude d'attaque). - profil mélodique:variation scalaire. - profil de masse:étouffement des sons graves.
Auteur: Univ Lyon
00:00
02:45
A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.
Auteur: Gis Sweden
00:00
01:42
College classroom environmentstudents in class, whispering and writing. Chairs and backpack zippers are heard, the bell rings. Ambiente aula escuela. Alumnos en clase, susurran y escriben. Se escuchan sillas y cremalleras de mochila, suena el timbre.
Auteur: Elenalostale
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00:03
/////description de base ////////. A galloping horse//////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse:groupes de sons / nodal. - timbre harmonique:terne. - grain:présence de grain. - allure:vibrato dans l'allure. - dynamique:attaque graduelle. Le son est de plus en plus fort. - profil mélodique:variation en escalier. - profil de masse:filtrage des aigus.
Auteur: Univ Lyon
00:00
01:07
Low, metalic drone in f# made by time-stretching some voice sample ran through vocoder (using paul's extreme sound stretch). It has some digeridoo timbre, but just a little bit :) enjoy.
Auteur: Slag
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00:01
Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.
Auteur: Joachim Mohr
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01:01
Cicadas of south city at summer night recorded from a window. Hi-pass filtered of various car sounds, and so timbre is not so natural — but maybe it’s what you are looking for?. Recorded by nokia 700, processed in audition.
Auteur: Arseniiv
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00:05
/////description de base ////////. A sound of a futurist guitar. //////////typologie (p. Schaeffer)///. V : variée continu. ////////morphologie////////////. - masse : groupe nodal. - timbre harmonique : acide. - grain : lisse. - allure : allure naturelle qui necomporte pas de vibrato. - dynamique : l’attaque est douce et graduelle. - profil mélodique : les variations sont glissantes. - profil de masse : calibre.
Auteur: Univ Lyon
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00:35
College environment students in classroom, teacher enters, goes to his desk and sits down, while students remain silent. Ambiente clase escuelaambiente escuela alumnos en aula, suena el timbre, abre puerta y profesor entra, va hasta su mesa y se sienta, mientras los alumnos guardan silencio.
Auteur: Elenalostale
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00:27
Recorded 100 + people stamping their feet on the theatre floor gives off a lot of reverb and bass.
Auteur: Paul
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00:24
Stamp sound. Recorded with behringer c4 and focusrite scarlett 2i2.
Auteur: Vladnegrila
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00:02
A traditional rubber stamp free for all. Enjoy!.
Auteur: I
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00:05
This sound is a synthesized sound where the loudness and the timbre (weights) of the harmonics are derived from a short excerpt of carnatic music. The original sound from where these parameters are derived will be soon linked here in the description.
Auteur: Sankalp
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00:02
Description :sound of audacity : pluck. N' : itération tonique. Morphologie :- masse : son seul tonique- timbre harmonique : net et clair- grain : pas de grain texture lisse et rigide- allure : pas de vibrato- dynamique : attaque franche et dure, le son commence au plus haut. - profil mélodique : variation scalaire- profil de masse : équalisation des son aigus. .
Auteur: Univ Lyon
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00:03
/////description de base ////////. Key sound of cellphone. //////////typologie (p. Schaeffer)///. N'' : itération tonique. ////////morphologie////////////. - masse : groupe tonique. - timbre harmonique : eclatant. - grain : grain rugueux. - allure : allure qui comporte un vibrato dans le son de chaque 'bip'. - dynamique : l’attaque est violente pour chaque 'bip'. - profil mélodique : les variations sont en forme d'escalier. - profil de masse : site.
Auteur: Univ Lyon
00:00
07:20
Same patch as in electronic minute no 226 but on my real modular. I'm using a wave folder. Thats why i call this version additive. I'm adding timbre to a sinus wave. I will do an subtractive version next.
Auteur: Gis Sweden
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00:03
A sizzling effect made from close proximity xy (diaphragm) recording of oil on a high heat dropped onto a heated frying pan. Careful doing this, as this spits very hot oil back at you. It however will also create this rather high timbre sound very suited to those get scalded.
Auteur: Magnuswaker
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00:07
I recorded my voice, layed it out on the track and increased the pitch quite drastically. I layered this with a chirp track so as to contrast the downward rhythm with an upward one. Descriptiftypologie selon pierre schaeffer : vmasse: son "cannelés"timbre harmonique: ternegrain: lisseallure: contient un aspect "vibrato"dynamique: l'attaque est abrupteprofile mélodique: serpentine.
Auteur: Aoiferobbins
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00:05
This is a very short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. A synthesized melody sound and a monotonized version of that sound will be soon linked here in the description.
Auteur: Sankalp
00:00
00:57
I dont know the name of this instrument but it is a flute that you control with a stick while blowing in it. Often heard in older cartoons :). Enjoy and it would be fun to receive links with your application of the sounds!.
Auteur: Frosthardr
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00:05
/////description de base ////////. Vapor train which is passing. //////////typologie (p. Schaeffer)///. X'' : itération complexe. ////////morphologie////////////. - masse : son « cannelés ». - timbre harmonique : terne, étouffé. - grain : grain d’itération. - allure : allure mécanique qui ne comporte pas de vibrato. - dynamique : l’attaque est abrupte. - profil mélodique : les variations sont en forme d’escalier. - profil de masse : impression qu'il n'y a pas d'aigu.
Auteur: Univ Lyon
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00:01
Sound of the button on the tv with an increase of the sound. V' : impulsion variée. Morphologie :- masse : son seul complexe- timbre harmonique : terne et claquant- grain : un peu de grain, son rugueux- allure : un léger vibrato- dynamique : attaque abrupte et graduelle. - profil mélodique : variation scalaire- profil de masse : bruit seul hauteur son augmenté.
Auteur: Univ Lyon
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00:04
Amplified fake silence. Enregistrement avec un micro d’ordinateur portableamplification : +15dbfondu en ouverture et en fermeture. Typologie : x, continu complexe. Morphologie :. - masse:son « rappeux » et présence d’un parasite continu aigu. - timbre harmonique:tendance inharmonique…. - grain:beaucoup de grain, texture « rappeuse ». - allure:bruit continu. - dynamique:attaque finition en courts fondus mais son continu abrutissant. - profil de masse:du bruit, un aigu mais peu de basses. .
Auteur: Univ Lyon
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00:04
Sound of water flowing from a tap with fades in and out created with audacity. X : continu complexe. Morphologie :- masse : son cannelés mélange de sons complexes et de sons toniques- timbre harmonique : éclatant et clair- grain : son rugueux- allure : pas de vibrato- dynamique : attaque douce et graduelle. - profil mélodique : variation glissante sans séparation nette- profil de masse : calibre : equalisation.
Auteur: Univ Lyon
00:00
00:09
Stamping foot in an underpass [interesting sound!]. Donate: https://www. Paypal. Com/paypalme/andrewweigh. (i’m a student and would love to upgrade my audio gear, so if you like/download any of my audio then that would be greatly appreciated! no worries if not). Looking for more audio?. Try:. Youtube: https://www. Youtube. Com/channel/uc8xefgqlw-rrbz0up9v4m8w. Freesound: https://freesound. Org/people/sounddesignstuff/.
Auteur: Sounddesignforyou
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00:05
Using a self-inking stamp.
Auteur: Sellos Empresa
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00:01
Recording of a stamp being applied to a piece of paper. Recorded in stereo with a tascam dr-100mkii.
Auteur: Kermite
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00:01
Recording of a stamp being applied to a piece of paper. Recorded in stereo with a tascam dr-100mkii.
Auteur: Kermite
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00:01
Recording of a stamp being applied to a piece of paper. Recorded in stereo with a tascam dr-100mkii.
Auteur: Kermite
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00:05
This is a synthesized melodic contour of a short excerpt of carnatic music. This sound is basically used for a demonstration of the importance of loudness and timbre in melody. The original excerpt from where the pitch was extracted and the monotonized version of this sound will be soon linked here in the description.
Auteur: Sankalp
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00:04
I modified the attack and cut the silence at the beginning and the end. Masse:groupe tonique. Timbre harmonique:clair et creux. Grain:assez rugueux. Allure:pas de vibrato mais la cuillère vibre un peu dans le fond. Dynamique:attaque progressive et redescente pour finir. Profil mélodique:pas de mélodie mais un rythme irrégulier. Profil de masse:changement des niveaux au début et à la fin.
Auteur: Univ Lyon
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00:04
Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
Auteur: Anjds
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00:04
Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
Auteur: Anjds
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00:03
A raw audio recording of a sword being slowly drawn from a leather sheath. (this is a replacement audio for a sound i had made earlier, with the background noise at the beginning and end taken off. ) see timbre's noise reduction remix of the sound for a much cleaner version without background hissing noise - https://freesound. Org/people/timbre/sounds/417194/#comments.
Auteur: Funwithsound
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00:04
Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
Auteur: Anjds
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00:04
How i did it? --------------------------generate a wistle sound (sinus) at 440hz, 0,8 db, 1 secapply effects : fade in, repeat x3. How can i describe it? (french)----------------------. // typologie (cf. Pierre schaeffer) :n + x’. // morphologie (cf. Pierre schaeffer) :. 1- masse: son cannelé2- timbre harmonique: terne3- grain: lisse4- allure: simple5- dynamique : attaque douce6- profil mélodique: pas d’hauteur différente7- profil de massesite : une seule hauteur de soncalibre : pas de filtrage ni équalisation.
Auteur: Univ Lyon
00:00
01:01
This sound was recorded halfway up to the castle santa barbara in the city of alicante. Signal that carries a connotation of alert. His tone and timbre are characteristic of this element. "possessed by almost all modern cities and whose use is reserved for that fateful day when the sound will be followed by the disaster. " (schafer, 2013). Recorded by a zoom h5 recorderrecorded in 48khz 24bit wave. .
Auteur: Camiloiriarte
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00:02
Pulling up a stamp from a coffee maker. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 228954106252644lon: 10. 399385690689087. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Auteur: Soundscape Leuphana
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00:02
I stomped my feet in a concrete stairwell. 24 bit stereo, great natural reverb.
Auteur: Stomachache
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00:05
Transitional sound we termed a "quick zoom" sound. Sounds like something slowing down or powering down. Created with this tool:http://www. Superflashbros. Net/as3sfxr/and this sound:http://www. Freesound. Org/people/timbre/sounds/109213/. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.
Auteur: Bevibeldesign
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00:04
Output sound obtained after frequency scaling and stretching along with time scaling of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) using transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,0. 6, 1. 5, 1. 2].
Auteur: Anjds
00:00
00:36
It's a sound you usually can hear in a horror movie. It makes your blood freeze if it wasn't ice already. It has medium attack and very long decay. The sound's timbre is similar to what a metal gong could do when hit inside a cathedral. Synthesized with zynaddsubfx inside lmms. Rendered as 96khz/32-bit. Edited and normalized in audacity.
Auteur: Unfa
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00:12
A mid-sized waterfall flowing into a gentle stream. This is near the road by the grand prismatic spring in yellowstone. The timbre of this smaller fall is higher than the roar of the large waterfall. And you can just make out the gurgling of the stream. But, in general, this kind of thing sounds a bit like static. Sorry it's so short, there was a lot of wind and people talking. Recorded on a dslr and edited in audacity. Production-now. Com - shout-outs welcome.
Auteur: Productionnow
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00:03
Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .
Auteur: Univ Lyon
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00:04
An example where this sound might be useful could be a post office employee who stamps a letter.
Auteur: Abstraktgeneriert
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