397 jogdíjmentes hangfájl a "Patch" számára

Layered synth pads, sampler patch, strong processing. Dmin7 chord. 100% homegrown.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Another cut of patch 11 part 2. Made with a casio lk-300 tv, acid music studio 6. 0b, and lfobia mocheese - synthedit vsti. Part 3 of 3. Cut apart to work with more easily.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

Reel made for the makenoise morphagene. These are sampled from noodles/self generating patches i've made on the the nord modular g2.

I got the zynaddsubfx-patch from a member of the audio4linux. De-community, named zettberlin. Sounds great, so i have to record and publish it. Processed with the "fast lookahead limiter" ladspa-plugin.

Time for electronic minute no 301. A relatively structured sound and patch. It's not exact, not exactly repeating. Sometimes an electronic high-hat sound i heard.

This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.

Sound is from reason 6, combinator patch lonely computer world. Spooky science fiction atmosphere. Metallic sounding noises / echoes over cracking noises.

It's ben a hard day. I have been an official at an big youth athletics competition. I chill down (or off?) with a modular synth moment. . . . I will not try to explain the patch.

After some confused techno days i'm back with machine composition. This is a basic patch on my analog modular synth.

Bass made for dnb or dubstep. Waw, sound was made in fm8 synth by native instruments, i uploaded the waw format, because i can't upload ksd patch for fm8 here.

A cut of patch 11 part 2. Made with a casio lk-300 tv, acid music studio 6. 0b, and lfobia mocheese - synthedit vsti. Part 2 of 3. Cut for your easier looping and editing. Midrange.

Sounds generated by a generative patch on my modular synth. Cool, isn't it? loads of samples to find here.

I recorded this on my roland electronic patch 'monster' right off the roland cube monitors to my yamaha pocketrak recorder. Use it as you like but comment what you will use it for. Thanks. :^).

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Same as thrumbeat-volume re-leveled and length trimmed for a better loopambiguous beat pattern produced with a heavily cross-modulated sample and hold patch on the studiofactory/synfactory soft synth.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

I programed a patch on the arturia jupiter 8 demo and made a improvisation out of it.

The sounds of walking through muddy/mucky patches after rain within a forest in howard county, maryland. This sound was recorded on a zoom h6 handy recorder with a sennheiser shotgun microphone.

Complex patch made with ni massive.

An evolving bass/pad i patched using subtractive synthesis. Convolution reverb added as well as some subtle distortion and post synth filtering. Please give me a mention if you use this :-).

Recording of a synthesizer loading patches from tape storage, made by placing a magnetic pickup next to the digital port during the load operation. (i don't recall specifically which synth was involved, sorry!).

Recording of a synthesizer loading patches from tape storage, made by placing a magnetic pickup next to the digital port during the load operation. (i don't recall specifically which synth was involved, sorry!).

This is a krell patch from my modular. Using the e352 and rings to generate the sound. And peaks, ultra-random, maths and the disting mk4 to modulate. There are no slices, part of the fun is to slice. I hope you enjoy the reel.

Some sounds from my analog modular synthyou my notice the typical ring modulation sound :-)a self playing (generative) patch making noise. . . .

Created using a patch on the roland mc-505. I recorded it through a m-audio fast track pro into sequel 2.

A morphagene-formatted reel of typing and tapping sounds on a vintage apple iie desktop computer. These sounds were recorded using a zoom h6 and cut into splices using reaper. Download, retitle the file as mg1. Wav (or whatever number is next available on your morphagene's sd card) and start patching!. For more information on the morphagene, check out its manual on our website: http://makenoisemusic. Com/modules/morphagene. . . . As well as a playlist of morphagene videos on our youtube channel: https://www. Youtube. Com/playlist?list=pl0jgfc0fwqshzzpzdtucojgcrgy4h0jsr. Happy patching!.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

I created this with a custom rakarrack patch and an epiphone explorer guitar. Captured with jack_capture commandline program.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

This was an experiment running a yamaha tx81z through a korg ea-1. The fm is a grand piano patch decimated and warmed up with analog oscillators. Sampled into an mpc. 44. 1k, 16-bit.

This is an artificial lifeform. The sound of a worm striving to be free in a hostile ambient. Done for video game sound design , sine tones pitched up and down randomically , then ran through a max granular patch.

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.

Typical cmaj - fmaj - gmaj - cmaj chord progression played with the "space rez" patch i self-programmed in ichiro toda's synth1, with some heavy tal-reverb 4 applied over it.

A patch around the build of a complex wave form. Creating an interesting timbre is challenging and fun. I have not tried but i think this sound will loop well!.

Original patches for native instruments ‘massive’ in combination with original foley samples. A small, initial sample package for various science fiction style sounds.

An engine sound (propeller plane maybe?) that i synthesised using my modular synthesiser and a complex fm patch. It is thunderous. Hope you enjoy and please send me a comment if you use it in one of your projects :).

A patch in the eventide dsp4000 kept bugging out on me and this was the result. I couldn't be mad about the glitch because it sounded so cool when it did it's thing. I was just lucky enough to capture it.

A blues improvisation with a lounge lizard patch i've made. Free to use! don't forget to check out my soundcloud if you like my sounds: http://soundcloud. Com/beverlyhillsboy/ cheers!.

Two quantussy cells interacting. My goal is five cells. Now i have four. But i cant patch them up! i need stackablesand/or a lot of mults.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.

A self generating patch going though the zoom ms-70cdr. The synth generates weird noises etc and the fx adds reverb anda strange clipped pan fx. I recorded 5 minutes.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

A simple patch on my modular going through zoom ms-70cdr spacehole reverb. The effect is based on the famous eventide space blackhole.

Modular patch ending up in the zoom ms-70cdr multi effect. 2 voices, noise and very much reverb :-). Shoutout to cabled_messhttps://www. Freesound. Org/people/cabled_mess/.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Sound made from a random sample of https://freesound. Org/people/gis_sweden/sounds/413306/ i just applied paulstretch to it. Proves that my painting a yellyfish patch is useful. . .