169 file audio bebas royalti untuk "1920 An"

3-2 rumba clave.

Freude, schöner Götterfunken

Augmented scale on C.

Pictures at an Exhibition - x. la grande porte de kiev - allegro alla breve. maestoso. con grandezza. Tableaux d'une exposition - N° 10 « La Grande Porte de Kiev », en mi bémol majeur, Allegro alla breve. Maestoso. Con grandezzade, de Modeste Moussorgski.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Der Donauwalzer. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: The blue danube.

Pictures at an Exhibition - viii. catacombae. sepulcrum romanum - largo

Augmented dominant seventh chord on C

An der Saale hellem Strande

Polyphon Spieldose: "Donauwalzer" von Johann Strauss (Sohn), 1890Polyphon Musicbox: "The Blue Danube" by Johann Strauss II

Augmented major seventh chord on C

Ein neues Lied wir heben an, Melodiefassung in Johann Walters Geistlichem Gesangbüchlein (Schluss auf der Dominante)

6-8 clave in 4-4.

Ein neues Lied wir heben an, Melodiefassung des Erfurter Enchiridions (Schluss auf der Tonika)

3/4 version of Image:Characteristic rock drum pattern.png.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Chord progression with diminished seventh chords added.

Aeolian mode on C. No pitch bend.

Aeolian mode on A. No pitch bend.

Symphony No. 9, movement 4, Op. 125

Du holde Kunst

Pictures at an Exhibition - i. gnomus - vivo

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

Ascending melodic minor scale on A.

Alternate augmented ninth chord on C.

Alles ist an Gottes Segen, Evangelisches Gesangbuch 352

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

Da Jesus an dem Kreuze stund, Gotteslob (1975) 187

Wir glauben all an einen Gott (Evang. Gesangbuch 183)

Tritone substitution (for V) notated as Italian sixth.

Neapolitan sixth in C minor.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

A harmonic minor scale ascending and descending. No pitch bend.

A melodic minor scale ascending and descending.

A natural minor scale ascending and descending.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

A-sharp melodic minor scale ascending and descending.

*Classic augmented eleventh on C = F♯'. 25/18 = 1768.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53 MIDI.

A-sharp harmonic minor scale ascending and descending.

A-flat harmonic minor scale ascending and descending. No pitch bend.

A-flat melodic minor scale ascending and descending. No pitch bend.

Ode to Joy (a version of "The Hymn of Joy" or "Joyful, Joyful We Adore Thee") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 15 from Christmas from the Rockies (1993).

B♭ natural minor scale ascending and descending.

G♯ natural minor scale ascending and descending.

*Minor third on C = E♭. Equal-tempered: 23/12:1 = 300 cents. MIDI pitch bend: 0,64

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: An der schönen blauen Donau Erstveröffentlichung: um 1927

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.