19 file audio bebas royalti untuk "Alien Machinery"

Synthetic noise that sounds like alien machinery(weapons/ships).

An experiment in mashing up some voices/machinery into a musical (ish) soundscape.

Offbeat, mechanical, robotic.

Hum machinery power synthetic machine sci-filoopable sound generated and modified in adobe audition. I wanted it to sound like a space ship hum or exotic power station.

A random arpeggio of sine waves with some reverb + ping-pong delay. Can be used for sci-fi purposes (control panel, alien machinery, etc. ).

Sound of a fictional hall full of noises, voices, metal strokes and a subtile activity.

Sound fx for a machinery seal door. With air effects as the seal tightens.

Space machinerecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

Alien machine loop grain noise masteredi transformed the sound of my cat and added effects, then mastered it. Recorded tascam dr-05xedited: adobe + fxs + mastered.

Machine steampunk factory.

Space machine pulse sfxrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.

Dark dramatic repeating motif over stretch organ chorus. Transition or interlude maybe for a sci-fi or horror or suspense.

Strange phaser distorted organ with weird breathing effect. Interlude or background for horror or sci-fi. Organ and shaker percussion to get the breath effect through audacity.

Created using my own original foley recordings and processed using multiple sound-design and mixing techniques. Free for any use including commercial works but not for resale as it's own product. Enjoy!.

A short chord that would suit perfect for something strange, eerie, spooky and mysterious. Did it in garageband for something called victors crypt. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

A short melody with a spacy weird synth-sound. Made it in garageband for something called victors crypt. This would fit something alian-like, sci-fi i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).