7.063 file audio bebas royalti untuk "Alien Voice Modulation"

Modulation von Heinrich Schütz aus SWV 379

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chopin's Prelude in C minor modulates within the first three measures.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Example of modulation to the dominant from vocal music (1836).

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Alien female and animals voices modulations and sound effects fragment 01.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

A sample made by myself (Paul Nasca) using ZynAddSubFX and Praat that will be used to show the RingModulation effect. This is the a sample ring-modulated by a sound of 2500 Hz.

Diminished seventh chord's use in modulation.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Haha, I was just recording myself using vibrato while in chest voice. This for educational and useful purposes, feel free to use it.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р.Дриго. Балет "Эсмеральда", вальс. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record"

Антонио Бадзини "Танец шалунов". Исп.: Я.Кубелик (скрипка) The Dance of the Goblins (La Ronde des Lutins), Scherzo fantastique, Op. 25

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р. Дриго. Балет "Эсмеральда". Пиццикато. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record".

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Details of the voice leading in m. 3-7 of BWV 941: original

Композитор П.И.Чайковский. Опера " Евгений Онегин". Дуэт Няни и Татьяны ""О чем же, Таня" Исп.: М.А.Михайлова (сопрано) (ум. в 1943), Е.И.Збруева (контральто) (ум. в 1936) в сопровождении оркестра

Alien girls voices modulation chorus.

punk-dark italian band Maybe the first band in Italy to completely refuse copyright on own self-produced work - record label stated permission to copy and distribute music contained.

Alien voice.

Дж.Верди. Опера "Риголетто". Песенка Герцога "Сердце красавицы". Исп.: Д.А.Смирнов (тенор) (ум. в 1944). Выпуск фирмы "Amour Gramophone record"

Alien modulated voices and/or voice-music alien language in technical sounds environment.

Non human girls voices modulations or alien singing language.

Warlike alien issuing an ultimatum in their language. Heavily processed by me using audacity.

Alien voice 2.

Hamilton College Choir performs Hamilton's alma mater, Carissima, at the Home Concert at the end of the Spring Choir Tour of the Northeast.

Bahnhof Kronstadt (RO), Ankündigungsmelodie für Lautsprecheransagen (ora Brașovului, Ciprian Porumbescu) Esperanto: Braŝovo (RO), stacidomo, enkonduka melodio por laŭtparolilaj anoncoj (ora Brașovului, Ciprian Porumbescu) Română: Gara Brașov, melodia introductivă de anunțuri pe difuzorul (ora Brașovului, Ciprian Porumbescu)

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Electronic generated sonic object non human female voices modulations sample 1.

A cartoon alien voice. Speaks several phrases.