99 file audio bebas royalti untuk "Chromatic Modulation"

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-VI-I.

Created by Hyacinth (talk) 03:09, 23 June 2011 (UTC) using Sibelius 5. [Description from image: From the Minuet of Wolfgang Amadeus Mozart's String Quartet in G major, K. 387. The music this excerpt comes from is public domain. My selection of this excerpt is GFDL.]

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭vi-I.

Chromatic hexachord (hexad) on C. Forte no.: 6-1, Martino's letter: A.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-♭III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Successive (non-overlapping, skips F♮) chromatic hexachords in John Dowland.

Simplest type of metric modulation in Bach. Slow introduction followed by Allegro, traditionally taken twice as fast. Eighth notes in the new tempo prepared by sixteenth notes in the old tempo ( = ).

Modulation von Heinrich Schütz aus SWV 379

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Chromatic mediant, A♭ (♭VI), in Brahms Op.90, II, mm.128-134.

Nono- Il Canto sospeso all-interval series, as Midi

Principal forms of Webern's tone row from Variations for piano, op. 27, movement 2.

An OGG file that plays a C chromatic scale

Sequential modulation in Beethoven, Sonata, op. 53, movement I

Common chord modulation in Mozart, Sonata in D Major, K. 284, III, m. 1-8.

Phrase modulation in Mozart's Sonata in A Major, K.331, III (Alla turca), mm.6-10.

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

Chromatic scale ascending on C. Created by Hyacinth (talk) 22:25, 7 October 2010 in Sibelius. See: :Image:Chromatische toonladder.png

Chopin's Prelude in C minor modulates within the first three measures.

Common-chord modulation in Tchaikovsky, Mazurka Op. 39, No. 10.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Chromatic scale descending on C.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Chromatic mediant from Tchaikovsky's (1840–1893) Chant sans paroles.

Example of modulation to the dominant from vocal music (1836).

Chromatic scales down, played on a digital piano (Yamahe CLP-470) Chromatische Tonleitern abwärts, gespielt auf einem Digitalpiano (Yamaha CLP-470)

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

Harmonic Scale chromatic on C.

Diminished seventh chord's use in modulation.

A sample made by myself (Paul Nasca) using ZynAddSubFX and Praat that will be used to show the RingModulation effect. This is the a sample ring-modulated by a sound of 2500 Hz.

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Thirteenth chord CMA13(sharp11).

Modulation with subsidiary chord (in blue). Created by Hyacinth (talk) 02:10, 15 November 2011 (UTC) using Sibelius 5.

Chromatic tetrachord in pythagorean tuning. MIDI pitch bend appears to match intervals (0,64; 112,65; 64,61; and 80,64). Created by Hyacinth (talk) using Sibelius 5.

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

A chromatic harmonica recorded in mono with my akg c214 on my stairs.

Low-pitched. Mono. Dry. Ascending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Low-pitched. Mono. Dry. Descending chromatic scale played on the theremin. Saw-tooth, buzzy, giant robot steps. Recorded dry so you can add the effects you wish.

Chromatic sequence of inverted minor chords played on a digital piano. Panto villain signifier.

Recording of a toy keyboard with cat sounds.

A chromatic scale on a small metal xylophone.