1.078 file audio bebas royalti untuk "D 899 – 4 Impromptus"

Schubert Impromptu in E flat

Quintfallsequenz in Schuberts Es-Dur-Impromptu op.90,2

Українська: Шуберт. Експромт №3 op,90 (запис з концерту в Миронівці, 2 грудня 2016) Schubert Gb Impromptu #3 op.90 (live recording from Myronivka in 2016)

Schubert, Op. 4 n. 3.

Schubert, Op. 4 n. 3.

Mahler 4 1st movt Fig 5

Mahler 4 3rd movement Fig 13

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Mahler Symphony No.4 in G major 4. Sehr behaglich (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Symphony No. 4 in A Major, Op. 90 'Italian' - II. Andante con moto

Italiano: Terzo movimento della 4ª sinfonia di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham durante il suo tour europeo con la Royal Philharmonic Orchestra nel 1957. Wagram Hall, Paris, France (10/08/1957 - 11/03/1957); Kingsway Hall, London, England (04/16/1958)

Mahler Symphony No.4 in G major 3. Ruhevoil (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Mahler Symphony No.4 in G major 1. Badachtig Nicht ellen (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Symphony No. 4 in A Major, Op. 90 'Italian' - IV. Saltarello (Presto)

Mahler Symphony No.4 in G major 2. In gemachlicher Bewegung (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Symphony No. 4 in A Major, Op. 90 'Italian' - I. Allegro vivace

Symphony No. 4 in A Major, Op. 90 'Italian' - III. Con moto moderato

Beethoven: Piano Concerto No. 4, slow movement

Italiano: 4ª sinfonia di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham durante il suo tour europeo con la Royal Philharmonic Orchestra nel 1957. Wagram Hall, Paris, France (10/08/1957 - 11/03/1957); Kingsway Hall, London, England (04/16/1958)

Italiano: Introduzione del primo movimento (Andante sostenuto—Moderato con anima) battute 1-26 della Sinfonia n.4 di Pëtr Il'ič Čajkovskij, diretta da sir Thomas Beecham con la Royal Philharmonic Orchestra nel 1957.

Istrian scale in Schubert's Symphony No. 8 in B minor (1922), 1st mvt., bars 13-20.

*4 steps in 31 equal temperament on C. Equal-tempered: 24/31:1 = 154.84 cents. MIDI pitch bend: 70,49

*4 steps in 41-et on C. Equal-tempered: 24/41:1 = 117.07 cents. MIDI pitch bend: 59,69

*4 steps in 72 equal temperament on C. Equal-tempered: 24/72:1 = 66.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 75 for 65.625 cents rather than 66.668. New version a PU on 42,85 for 66.6503906250 cents rather than 66.668.

*4 steps in 5-et on C. Equal-tempered: 24/5:1 = 960 cents. MIDI pitch bend: 25,51

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

The 'D-Beat' in musical notation.

D-beat drum pattern 2a.

D-beat drum pattern 2b.

D-beat drum pattern 3.

D-beat drum pattern 1.

Symphony no. 4 in a major 'italian', op. 90 - ii. andante con moto

John Philip Sousa's 1908 march "The Fairest of the Fair" as performed by the United States Marine Band. Track 66 from the band's 2018 album entitled The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conductor: Lieutenant Colonel Jason K. Fettig

D chord in all fourths tuning.

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

D harmonic minor scale ascending and descending.

D natural minor scale ascending and descending.

D melodic minor scale ascending and descending.

John Philip Sousa's "The Free Lance" (1906) as performed by the United States Marine Band. Track 64 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "America First" (1916) as performed by the United States Marine Band. Track 74 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Glory of the Yankee Navy" (1909) as performed by the United States Marine Band. Track 67 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Jack Tar" (1903) as performed by the United States Marine Band. Track 62 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

*4 steps in 19 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 24/19:1 = 252.63 cents. MIDI pitch bend: 108,48

*4 steps in 15 equal temperament on C = D↑ (Easley Blackwood's notation). Equal-tempered: 24/15:1 = 320 cents. MIDI pitch bend: 51,70

John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hands Across The Sea" (1899) as performed by the United States Marine Band. Track 56 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Diplomat" (1904) as performed by the United States Marine Band. Track 63 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "From Maine to Oregon" (1913) as performed by the United States Marine Band. Track 69 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.