3.711 file audio bebas royalti untuk "Demodulation And"

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

Shave and a Haircut in G with chords. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

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Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

Primay triads in c, as MIDI

Sound of steel chisel 8th (octave)

Sound of steel chisel (tritone)

Formatted for use in the make noise morphagene. This is the modulated and demodulated vocal track demonstrated in the video "demodulating signals with moddemix" available at https://youtu. Be/b3kt1fguq74.

Sound of steel chisel 5th (fifth)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Brahms Intermezzo Op 118 no. 4

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

A Major Scale, Triads, and Fifths Just

From Schubert, "Erlkonig"

Schumann Prophet Bird from Waldszenen

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Contrapunctus VII from Bach's Art of Fugue

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Haydn Symphony 82 1st movement bars 51-63

Leitmotif transformed in Hagen's Watch