103 file audio bebas royalti untuk "E Chords"

Minor seventh chord on e iii7 in C.

E major acoustic chord.

E major acoustic chord.

Mu chord on E, for guitar. Created by Hyacinth (talk) 22:45, 22 December 2011 (UTC) using Sibelius 5.

From e to e. Note-5th-8th (power chord).

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Supertonic diminished seventh chord in C (D♯=E♭).

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

E-piano chord on the yahama psr-295.

E flat minor9 chord on acoustic guitar.

E flat minor7 chord on acoustic guitar.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

III+7M chord in C minor.

Elektra chord: E B Db F Ab.

Viennese fourth chord.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

It's a short e. Organ loop i made. Nothing all that interesting. The chord progression is:fmaj7 bm7b5 em7 a7 dm7 g7 cmaj7 gm7b5.

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

120 bpm midi synth chords in e-minor, 8 measures and loop-able.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

La Monte Young - Magic opening chord: E♭, E, F, A, B♭, C, D, E♭, E, F, G, A, B♭ = 2:3:7:9:21:63:567:189:567. The opening chord (left), E, F, A, B♭, D, E, G, and A, and the magic chord (right), E♭, B♭, C, E♭, F, B♭.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Fifteenth chord from Perry on C

Open a (5th) and d (4th) strings in a chord. Sounds like a d 5th chord when used with e 5th.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Full diatonic fifteenth chord from Listz on B

5 7 9 chord on E, eight steps in the octave. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include eight steps in the octave, based on 5:7:9 and of which only the just version would be used. Traditional notation: E B♭ D.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Dominant ninth chord in fourth inversion: G,A,C,E♭,F. It then resolves to I: B♭, D, F.

Standard open a major bar chord (e major formation). Down strum. If any of these samples have any errors or faults, please tell me.

♭III+ chord in just intonation. Pitch bend matches intervals.

5:6:7 = E, G, B7b = C, Eb, G7b.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Have fun using it!.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Crunchy electric guitar chords, played with single coil pickups.

Crispy chords from the e major scale.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Different minor 9th (neo-soul) chords, inverted. E-piano.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

This is an original composition i created in sibelius 6 using traditional music theory guidelines ( i. E circle progressions, chord progressions, aba structure. )the instruments used to create this are : chords - acoustic guitarmelody - electric guitar-xbkyboox xd.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).