2.958 file audio bebas royalti untuk "Es"

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Recording of a 1995 compaq computer desktop hard drive. Features electronic whirring, powering up / down sounds, whirring, clicking, "memory access" noise. Could be used for e. G. A movie scene with computers in the background, glitchy techno, etc.
Penulis: Jaegrover
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Gravação feita em estúdio. Foi utilizado um grampeador. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv einternet, universidade anhembi morumbi. São paulo-sp. Brasil. Studio recording. A stapler was used. Recorded for the course of audio capture and editing of the course radio, tv andinternet, anhembi morumbi university. Sao paulo-sp. Brazil.
Penulis: Juliaotto
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A dark chime rings in appearing an invasion e. G. By zombies, some breath can be heard from malefic creature. My sounds are free. I'm always happy to see how they are used in your artworks. Please enter https://freesound. Org/people/neolein/ in your references.
Penulis: Neolein
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)
Penulis: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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The name says all. It's a take of a quill pen writing on an hard paper. I begun to write slowly and then increasing the speed. La nome dice tutto. E' il campionamento di una penna d'oca che scrive su cartoncino. Ho iniziato a scrivere lentamente per poi aumentare progressivamente la velocità.
Penulis: Marcoman
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In this recording you can hear birds singing, soft footsteps and wind. Recorded in may in lessinia (griez area), verona. //. In questa registrazione si possono sentire uccellini cantare, dei leggeri passi e delle folate di vento. È stato registrato in maggio in lessinia (zona griez), verona.
Penulis: Hejminivan
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Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as "Estudio en Mi de Rubira" (Study in E by Rubira), "Spanish Romance", "Romance de España", "Romance of the Guitar", "Romanza" and "Romance d'Amour" among other names. Also used in René Clément's 1952 film Jeux interdits (Forbidden Games). Authorship is disputed (see WP article).
Penulis: composer unknown; performed by Jim Greeninger
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Recording of the tires of a flat bed trailer going over a gravel path. This was from a hayride where i was sitting in the back with a bunch of kids being pulled by the tractor. Recorder was just a couple of feet from the wheel so most of the kids noises and even the tractor engine get drowned out, but still somewhat audible in spots. There are two recordings, one taken from the side with the mic at the wheel and one with the mic under the trailer while recording. (this is the one with the recorder off to the side. ). The sound could also (maybe) be used to mimic a hailstorm. Recorded with a sony icd-px312.
Penulis: Obxjohn
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Recording of the tires of a flat bed trailer going over a gravel path. This was from a hayride where i was sitting in the back with a bunch of kids being pulled by the tractor. Recorder was just a couple of feet from the wheel so most of the kids noises and even the tractor engine get drowned out, but still somewhat audible in spots. There are two recordings, one taken from the side with the mic at the wheel and one with the mic under the trailer while recording. (this is the one with the recorder under the trailer. ). Recorded with a sony icd-px312. .
Penulis: Obxjohn
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06. 22. 16: a dogsled passes by, left to right, down a hill. Composed by combining extracts from the following sounds:. Https://freesound. Org/people/robinhood76/sounds/88011/ https://www. Freesound. Org/people/betchkal/sounds/258326/. Made for a title sequence featuring a dogsled.
Penulis: Newagesoup
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Some wind was blowing through some wooden blinds in my house and making this obnoxious howling sound, so i captured some of it :p. Recorded with a rode nt1.
Penulis: Jsilversound
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This sound was made with a little rock being dragged on a wooden box. It is perfect for giving the impression that something heavy is being dragged on the floor, or maybe a rock is being dragged. It can also be used as if someone is being asphyxiated. (esse som foi produzido com uma pequena pedra sendo arrastada por uma caixa de madeira. É perfeito para dar a impressão de que algo pesado está sendo arrastado no chão, ou que apenas uma pedra está sendo arrastada. Também pode dar a impressão de que alguém está sendo asfixiado. ). Recorded for the subject of audio capture and edition, from the tv and radio course of university anhembi morumbi, sao paulo – sp. Brazil. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.
Penulis: Gigibatagin
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Dance the Night Away performed by the Silver Wings of the United States Air Force Band. Track 4 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]
Penulis: Composition: Travis James Humphrey; Performance: United States Air Force Band, Silver Wings; Recording: United States Air Force
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Invictus performed by the Concert Band of the United States Air Force Band. Track 15 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2]
Penulis: Composition: Karl King; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935
Penulis: Carl Flisch
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Ch'ella mi creda from La fanciulla del West performed by the 561st Air National Guard band of the West Coast and the 562nd Air National Guard Band of the Southwest. Track 6 from Flag of Stars (2010).
Penulis: Untitled
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A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.
Penulis: Klangfabrik
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This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.
Penulis: Cinematiclaboratory
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There's definitively a weak signal there, but not much to write home about. This is a recording of an eberline e-120 geiger counter, which makes the "classic" geiger click sound. Recorded with a røde nt-1 at about 4 cm (1. 6") from the speaker. Click here to check out the full geiger sound pack. . . .
Penulis: Cookies+Policy
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First upload. Recorded with zoom h4n. It's flax seed in an empty plastic spice container. It's a 16th note rhythm amd it loops perfectly at 130 bpm. It has some fairly subtle panning effects. Eight quarter notes long, but also works really well every 4 quarters, every three etc. I. E. When doubled and even tripled on itself in a sequencer.
Penulis: Sycopation
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Large gate being unlocked. The sound is standard. For mood that want to give it, just edit it with special effects, echos or appropriate volumes and so on. -------------------grande portão sendo destrancado. O som está standard. Para o mood que se quizer dar a ele, basta edita-lo com efeitos especiais, echos ou volumes apropriados e etc.
Penulis: Leossom
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See title &. . . Https://freesound. Org/people/strangehorizon/sounds/668910/. This is a ~50:50 mix of timbre processed & adobe processed,i. E. Adobe enhanced version is a reinforcement of speech. Https://podcast. Adobe. Com/enhance (currently does not have wet/dry or other controls).
Penulis: Timbre
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:9
Penulis: Untitled
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Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland
Penulis: MFbay
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Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. I Andante - II Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. I Andante - II Andante
Penulis: author: Pyotr Ilyich Tchaikovsky director: Paul van Kempen, directing Concertgebouw Orchestra (Amsterdam) reencoded by Ruthven
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They Died for You, They Died for Me performed by the Silver Wings of the United States Air Force Band. Track 2 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]
Penulis: Composition: Travis James Humphrey; Performance: United States Air Force Band, Silver Wings; Recording: United States Air Force
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21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.
Penulis: Hyacinth
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Serenade in E♭ major for 13 wind instruments, Op. 7, performed by the Concert Band of the United States Air Force Heartland of America Band. Track 11 from Fancies, Toyes and Dreams (1994).
Penulis: Untitled
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Italiano: Sinfonia numero 5, op. 64 di Tchaikovsky, Paul van Kempen dirige la Koninklijk Concertbouworkest. III Allegro - IV Andante Tchaikovsky's Symphony No.5, op. 64. Paul van Kempen directs the Koninklijk Concertbouworkest of Amsterdam. III Allegro - IV Andante
Penulis: author: Pyotr Ilyich Tchaikovsky director: Paul van Kempen, directing Concertgebouw Orchestra (Amsterdam) reencoded by Ruthven
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This is a sound effect i generated that simulates the background noise of a vhs tape from ca. 1991. It is basically pink noise at approx. 0. 01 dbs and sawtooth wave at 60 hz, both combined with audacity. It is ideal for adding to video projects on i. E. : sony vegas to recreate the effect of vhs. Enjoy this sound effect.
Penulis: Jacobzeier
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Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.
Penulis: Untitled
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Someone eats an apple, turns on the radio and the news radio program begins. The original sounds used are from these lovely people:chewing: freesound. Org/people/luthien22/sounds/467625radio knob: freesound. Org/people/joao_janz/sounds/477704;and not least, the news program music: freesound. Org/people/connum/sounds/23874. I only combined them, added some hissing to simulate radio quality and ended the news music early, without the final effect, to be more subtle. Please use the licence (give attribution) to the the main sound, the last linked from connum. Thank you. _____. Port: alguém come uma maçã, liga o rádio e toca a música de abertura do programa de notícias. Eu apenas os combinei os sons dos links acima, adicionei chiado do rádio e terminei o som da música antes, sem o efeito final mais destacado, para ser mais sutil. Por favor utilize a licença (atribua ao autor) do som principal, o último link de connum citado.
Penulis: Deleted User
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One of the most famous opera of Eric Satie (1866-1925), French composer and pianist. It was published in Paris in 1888. Italiano: Una delle opere piu celebri di Eric Satie (1866-1925), pianista e compositore francese. Fu pubblicata a Parigi nel 1888. Une des œuvres les plus célèbres d'Eric Satie (1866-1925), compositeur et pianiste français. Il a été publié à Paris en 1888.
Penulis: Teknopazzo
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Veni, Vidi, Vici (1896), a march by Robert Browne Hall. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Penulis: Robert Browne Hall (Composer, 1858–1907) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6–8, 1998 Catalog number: BOL-9807.
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Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 132 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:3
Penulis: Untitled
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Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland
Penulis: MFbay
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Playing with a noisy metal shelf to get a bunch of different sounds. Recorded with a rode ntg3 shotgun mic into a zoom f8 field recorder. * note on the license - if you'd like to use these sound effects without giving attribution, send me an e-mail at rifthead@gmail. Com and let me know the details.
Penulis: Rifthead
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Knights of the Road performed by the Concert Band of the United States Air Force Band. Track 10 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]
Penulis: Composition: Fred Huffer; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Penulis: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Penulis: Hyacinth
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Unrestored version of File:Nicola Zerola, Giuseppe Verdi, La fatal pietra (Aida).ogg. La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).
Penulis: Nicola Zerola (1876-1936) Giuseppe Verdi (1813-1901)
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Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna I nr 115 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:5:1
Penulis: Untitled
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A Warrior Bold performed by the Concert Band of the United States Air Force Band. Track 19 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]
Penulis: Composition: Frank Panella; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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The Show Boy performed by the Concert Band of the United States Air Force Band. Track 9 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]
Penulis: Composition: Will Huff; Performance: United States Air Force Band, Concert Band; Recording: United States Air Force
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:10:10 Hänvisning till tryckt/skriftlig källa: Svenskt visarkivs register över skämtvisor, nr. 192
Penulis: Untitled
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
Penulis: Hyacinth
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