10 file audio bebas royalti untuk "Eternal Father"

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The hymn "Eternal Father, Strong to Save", sung a capella by the U.S. Navy Band Sea Chanters ensemble
Penulis: Words: William Whiting (1825–1878) Tune: "Melita" by John Bacchus Dykes (1823–1876) Performance: U.S. Navy Band
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The hymn "Eternal Father, Strong to Save", played by the U.S. Navy Band's Ceremonial Band ensemble
Penulis: Untitled
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The hymn "Eternal Father, Strong to Save", sung without words by the U.S. Navy Band
Penulis: Tune: John Bacchus Dykes (1823–1876) Performance: U.S. Navy Band
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An instrumental performance of the hymn "Eternal Father, Strong to Save", by the United States Marine Band, as played at military funerals
Penulis: Composition: John Bacchus Dykes (1823–1876) Performance: United States Marine Band
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An instrumental sample of a single verse from "Eternal Father, Strong to Save", a hymn of both the Royal Navy and the United States Navy, played by the United States Naval Academy brass band.
Penulis: Untitled
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Eternal Father, Strong to SaveEternal Father, Strong to Save, englisches Kirchenlied, Gebet für die Seefahrer.Übertragung (R.F.): Gott Vater, der die Welt erschuf aus Chaosflut mit Werde-Ruf, der Strömen wies bestimmte Bahn und Grenzen gab dem Ozean: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Christus, der den Sturm gestillt, gezähmt die Wellen, tosend wild, der sicher durch die Wogen schritt zum Jüngerboot, das Seenot litt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. Du Schöpfergeist, der Ordnung schenkt und Kräftestreit zum Frieden lenkt, Gestirn, das in der Nacht aufsteigt, Leuchtfeuer, das den Hafen zeigt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Gott, dreifaltig, einzig, wahr, sei Schild und Helfer in Gefahr! Kein Fels, kein Sturm, kein Brand, kein Riff bedrohe Mannschaft, Kurs und Schiff! Dann steigt zu dir, allgüt'ger Herr, ein Danklied auf von Land und Meer.
Penulis: Melody: John Bacchus Dykes; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.
Penulis: USN Band
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Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.
Penulis: USN Band
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Performed by the United States Navy Band's Ceremonial Band. Featured on the 1990s album Music For Honors and Ceremonies.
Penulis: USN Band
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11:48
If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Penulis: Antwerpsounddesign
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