349 file audio bebas royalti untuk "Final"

Recorded with audacity 1. 2. 6, then normalized, echo (. 03,. 5), pitch (b to g#/ab, down, -15), delay (10,. 1, 10). Klaxon made using sony acid music studio 8 and sony sound loops.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte

This is a sound of me i recorded, threw on some compression, noise reduction, and some eq. Lastly, for the final effect, i threw on a chorus type effect. Feel free to use any way you see fit!.

If your reading this you probably recoiling in pain. Sorry about that. I was trying to replicate the same pitch you hear in those horror movie screams, you know the ones. The final result was more jarring than expected.

Three regular beeps of a smoke alarm, followed by one final slowly dying beep. Warning, this is super loud and ear-piercing compared to other sounds, turn your volume waaay down before testing out this sound.

The movement of someone getting out of bed was recorded. Various movements and actions were executed to result in the final recording. A zoom h6 recorded was used, with the xy capsule, inside a normal room.

My old rebuilt cj5 warming up and driving away. If you amplify the tail end you can hear thejeep faraway amidst the recorder noise. Recorded in mountain view ca with a zoom h2h recorder. Amplified, and noise reduced with audacity.

A stretched and reverberated version of the final minor 9 chord of my song for solo piano, titled fate. It had no purpose just sitting in my audio folder so i decided to upload it here. Enjoy!.

This is recorded in the morning in front of my house with zoom h2. Simply ambiental playing uke in c major tune. Feel free to use it and send me a final result if u use it.

This is a recording made with iphone. . . I found some old porcelane bowl and get inspired to make some groove on it. . . Feel free to use it and i would like to hear the final result from you!.

Did this on ableton live and played the tune on keyboard hope u like it and the sounds are free to u on free sound :d.

Little song loop made with garage band. Use it everywhere, no credits or anything boring like that needed! :). I would just love to know if you used it somewhere in the comments!.

Crazy alien talk original granular excerpt akaized 150% time factor madness, royalty free, do you!ambience field recordings, used granular sythesis and then akaized to get the final results.

This is a waveform from a boobass(flstudio) with a highpass. I put it in sytrus and made a few things. Hard to explain. :dpitch it at least 1 octave down! 2 octaves down is better for a bass. Have fun with it!.

Crowd making some noise at a sanfl aussie rules football match (sturt vs port 2017 grand final). Recorded on sony mp3 recorder, converted to wav using audacity.

Recorded may 2022 at galatsi greece with a zoom h3-vr in ambisonics a format then converted to binaural with zoom ambisonics player.

Formatted for the make noise morphagene. This reel consists of a spliced breakbeat. The final splice is the whole loop without any splices. Trashy drum kit, recorded by me, re-sequenced with elektron octatrack and played through a crappy speaker.

Kids are playing on the playground. Prague, june 2020, shortly after the first wave of the covid-19 crisis (the playground is almost empty). The children play carefree.

[not even going to annotate this one. Just look up the "staying alive" intro]just a joke voice i made for a game when i found the deus vult memes and liked them. This was the final result. I call the voice a "crusader" voice.

The final step before you make it into the duty free section. This is a recording of my hand luggage being screened at perth airport in december, 2019. The recording was done using a tascam dr-05x.

Putting on a latex glove. Know how when they resist going onto your hand, you pull the sleeve further on and let go? it makes a final li'l snap. That's in this file too. No telling for what evil or illicit purpose, one may put on latex gloves.

A snatched recording on the internal mic of an rc90 made around the millennium - as is often the case a picture of the deceased was carried down the street, she was an old lady of perhaps 90 years making her final journey. Staunton street central hong kong 23rd of august 2000.

This is a recording of an analogue bass synthesizer, made by focusrite saffire pro 26. It's a smooth sound with an instant attack and two final wobble created with an lfo. The sound has been equalized and compressed and some reverb mixed with an aux. 140 bpm. Good fun.

My attempt to replace the freedoom's final boss sound (the file is called dsbossit. Au - hence the sound name). Project's homepage:http://freedoom. Nongnu. Org. I recorded this with zoom h2 via usb into audacity. Processed it with audacity.

My formal rendition of this sound ; ). Http://freesound. Org/people/so6er/sounds/95337/. Put it through adobe audition for tempo precision. Then, ran it through fl studio (phaser, bpf delay, reverb, compression). Then back to audition for final mastering. Please enjoy and credit. Aum.

Underground subway platform recording. A man is ranting and making guttural noises for the first half. Someone audibly tells him "go home", and the man lets out a final gawp. As he leaves, a street performer with saxophone mockingly plays some bach. Recorded with an edirol r-09.

Sampled from a 20 inch k. Zildjian istanbul ride from the 1950s, and subsequently modified by master cymbal smith mike skiba for a final weight of 2220 grams. Recorded with stereo pm mics. This is a hard stick tip hit on the bell or cup of the cymbal.

Free to use royalty free. Created with line6 pod hd500 with ambient drone effects maxed out, fender telecaster black top, in studio one 3. Inspired by color out of space (final dissention scene). (free to use royalty free)if you use it in anything, let me know where so i can check it out. Thank you!.

Basically layered a 200hz snare body, similar to a 909, low-passed and saturated. Added in a transient sound, then a certain impact sound that you wouldn't expect, layered together with some high end white noise, compressed, then used a transient shaper for that final touch.

This second sound is a recorded sound of a bike chain, i modified it using some effects :1-normalize2-wahwah effect with-frequency = 3. 3 hz-start phase = 0-depth = 70%-resonance = 2. 5-wah frequency shift = 30%3-melt closingthe final sound gives an impression of a sound under water.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

For this sound i used glasses and glass bottle that i collided between them. I used first of all for this sound a bias(distortion) " mull-everthing button " then development(increase) of basses. Then i have to change the height and the tempo and added to the final effect " matrix re verb ".

An experimental sound i did. It kinda sound like some space jet or something, i don't know. But yeah, it's experimental. To make the sound, first, i recorded the wind coming from my electric fan, then i edited it in adobe auditions cs6, then audacity for the final touches.

Rhythm generated by wogglebug quantized into harmonaig root 3th 5th and 7th outputs generated using telharmonic, mysteron, plaits and final output of dpo. Maths generated envelope. Effects mimeophon, erbe-verb (output to morphagene max speed and morph slide @ 12. Rendered to 48khz 32 bit in reaper. Enjoy and stay safe!.

Brownian noise sounding like a flying plane at 3×10^4 feet above the earth. . . I created that in audacity! final peak amplitude: 0. 75000 (linear) -2. 49877 db. I applied a bunch of filter curves to make this 90 second loop, normalized to 75% volume. I started with 120 seconds, then made it 90 seconds. Estimated start pitch: d2 (75. 000 hz). Because of the 1024 mb limit, i can't upload the 108-minute version (2 channels, 24-bit, 48000 hz costs 1. 74 gib). Sorry. The final sample rate is 48000 hz, 24-bit wav. I created this myself in audacity 3. 1. 3, so no need to attribute! :). Note: this sounds like it's the 2370 screen ;o).

A one-take recording of someone trying to do a dutch approximation for a suspenseful audio drama, i tried to clean it up as best i could and final form will be cleaned up/lower volume/panned out to sides. The only microphone i had access to was a sansa zipclip mp3 player. Apparently this is german!.

Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Utilizado um microfone condensador, com uma sacola de plástico sendo mexida com a mão em algumas velocidades como no início moderadamente, meio rápido, e no final lentamente.

A very low frequency tone/drone made with the studiofactory software synth. It's a cross-mod of the perlin tone generator with a formant generator. This is about as low and loud as my current speaker/amplifier system allows. Use with care i. E. Turn down your playback systems output before you play it. Final mastering was done with audacity.

Sound recorded of an automatic door closing. Typologie (p. Schaeffer):x' :impulsion complexe. Morphologie:*masse: son seul principal accompagné d'un léger spectre musical composé de deux notes aigües correspondant chacune aux deux étapes de pré-fermeture de la porte. *allure: son final très sec quand les deux notes précédentes sont assez aériennes. *dynamique:entrée en matière très douce qui débouche très rapidement sur un crescendo brutal.

An mp3 recording of an orchestra singing out the final chords of antonín dvořák's 6th symphony, movt. I. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

An mp3 recording of an orchestra quietly floating through the final chords of antonín dvořák's 6th symphony, movt. Ii. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic resolution or success musical moment. Enjoy and god bless!.

An mp3 recording of an orchestra blasting out the final chords of antonín dvořák's very exciting 6th symphony, movt. Iv. Taken with a black sony ic voice recorder, at boettcher concert hall with the denver young artists orchestra. Use however you'd like. Could be for a cinematic ending or success musical moment. Enjoy and god bless!.

Thanks to cinematic-laboratories for the source from didge-morph. Wav and makenoise for their brilliant gear!. Morphagene settings slf full blue. Morph full cw shift controlled by tempo of o-ctrl. Mimeophon and erbe-verb used for final outputs. Rendering in reaper 48khz, 32 bit. Feel free to put in your own markers wherever you wish.

This is the unprocessed version of my "sci-fi ambient drone" upload. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. I took a quick 8-second drum loop from my teenage engineering po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. This program is based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Enjoy :).

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

Someone eats an apple, turns on the radio and the news radio program begins. The original sounds used are from these lovely people:chewing: freesound. Org/people/luthien22/sounds/467625radio knob: freesound. Org/people/joao_janz/sounds/477704;and not least, the news program music: freesound. Org/people/connum/sounds/23874. I only combined them, added some hissing to simulate radio quality and ended the news music early, without the final effect, to be more subtle. Please use the licence (give attribution) to the the main sound, the last linked from connum. Thank you. _____. Port: alguém come uma maçã, liga o rádio e toca a música de abertura do programa de notícias. Eu apenas os combinei os sons dos links acima, adicionei chiado do rádio e terminei o som da música antes, sem o efeito final mais destacado, para ser mais sutil. Por favor utilize a licença (atribua ao autor) do som principal, o último link de connum citado.

This is an attempt to recreate the sound of a gunshot. At a distant and medium distance. The sound consists of two layers. In the synthesis, white noise with different filtering by layers was used. Reverb was not used. The final processing is equalization and a bit of overdrive.

Winter storm with thunder, rain and towards the end birdsong. Recorded in cocentaina a small town in the province of alicante, in an olive forest, in spain. Recorded using zoom h1 with his own microphones. Tormenta en invierno con truenos, lluvia y hacia el final canto de pajaros. Grabado en cocentaina un pequeño pueblo de la provincia de alicante, en un campo de olivos, en españa.

To me the final effect sounded like a haunted space ship. I began with a 10 second sample of ordinary speech then lowered the pitch, stretched the wave pattern, added echo and reverb. Then i copied portions of the wave pattern to a new track and mixed the two into a mono track. Did this several times while also using noise reduction and normalization.

This second sound is a recorded sound of two plastic bottles, i modified it using some effects :. 1-normalize2-phaser effect with-phases = 24-original/modified = 195-frequency = 1. 0 hz-start phase = 0-depth = 100-return = -80%3-change the speed with percentage = -43. 000. The final sound gives an impression that we are hearing the hands of a clock. .