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Archaic hemiola.

50s progression in C major, with different voicing.

The note A440, also known as "concert A", on violin. About 8 seconds. No pitch bend.

3-4 equals 3-8 drum pattern.

The note A440, also known as "concert A", on piano. About 8 seconds. No pitch bend.

Progression en do des années 1950, finissant en do. Fichier midi.

Arpeggiation, the first technique of Auskomponierung.

All-interval hexachord triads.

3-2 son clave.

Example of a passage requiring bariolage from his Principes du Violon, p.79. Timbral effect synthesized.

Artificial harmonic on D string: G', D', and B.

Example of an altered chord progression in jazz.

Tritone substitution (for V). Created by Hyacinth (talk) 04:49, 10 May 2010 using Sibelius 5.

Ab-over-A slash chord.

6-Z44 hexachord.

Tritone substitution (for V), without (with V). Created by Hyacinth (talk) 04:48, 10 May 2010 using Sibelius 5.

Augmented triad on D.

*Augmented eleventh on C = F♯'. Equal-tempered: 218/12:1 = 1800 cents. MIDI pitch bend: none

*Augmented fourth on C = F♯. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Tone row for Milton Babbitt's Composition for Four Instruments.

Chord progression with diminished seventh chords added, without chords added yet.

3-2 rumba clave.

Add6 chord on C

Compound minor third on C (Augmented ninth), MIDI

Augmented triad on C, As MIDI

All-trichord hexachord (6-Z17). Created by Hyacinth (talk) 12:03, 22 September 2010 using Sibelius 5.

Augmented scale on C.

Augmented dominant seventh chord on C

Augmented major seventh chord on C

6-8 clave in 4-4.

3/4 version of Image:Characteristic rock drum pattern.png.

Chord progression with diminished seventh chords added.

Aeolian mode on C. No pitch bend.

Aeolian mode on A. No pitch bend.

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

*Just augmented fifth on C = G♯. 25:16 = 772.63 cents. Limit: 5-limit. MIDI pitch bend: 31,55

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

Ascending melodic minor scale on A.

Alternate augmented ninth chord on C.

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Tritone substitution (for V) notated as Italian sixth.

*Just augmented second (75th harmonic) on C = D♯ (Ben Johnston's notation). 75:64 = 274.58 cents. Limit: 5-limit. MIDI pitch bend: 111,55

Neapolitan sixth in C minor.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

A harmonic minor scale ascending and descending. No pitch bend.

A melodic minor scale ascending and descending.

A natural minor scale ascending and descending.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.