839 file audio bebas royalti untuk "Inggris"

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Movement V, "Basse et Dessus de Trompette" of Suite du Premier Ton (Suite in C major [literally "on the first tone"]) from Louis-Nicolas Clérambault (1676–1749) 1710 book of organ compositions, Livre d'Orgue. Basse et Dessus de Trompette, pièce pour orgue (for pipe organ), de Louis-Nicolas Clérambault (1676–1749)

Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.

Scherzo No. 3 in C-sharp minor, Op. 39.

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

Edison yellow paraffin cylinder recording of Arthur Sullivan giving an after-dinner speech at the "Little Menlo" in London. George Gouraud had come to London to demonstrate Edison's "Perfected" Phonograph. Gouraud demonstrated the phonograph to various celebrities in a series of Phonograph Parties in the autumn of 1888 and made recordings of their reactions as messages for delivery to Thomas Edison. Arthur Sullivan (1842-1900) was one of these guests, and it is his speech to Edison that appears here. Length: 1:34 Transcription: “

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

New York Blues, a "Rag Classical" for accordion composed and performed by Pietro Frosini. Record format: Edison Diamond Disc Matrix number: 4998-B-1-6 Recording date: 1916 Release number: 50454-L Release date: February 1918 NPS object catalog number: EDIS 41040 Aufnahme der Ragtime-Komposition "New York Blues" aus dem Jahr 1916, gespielt auf dem Akkordeon von Pietro Frosini Македонски: Снимка на регтајм-композицијата New York Blues („Њујоршки блуз“). Пјетро Фрозини на армоника (1916).

How can they tell that I'm Irish? performed by Edward M. Favor (1856-1936). Edison Standard Record #10345 from 1910 Comic song. Vocal solo with orchestra accompaniment. Composed by Clarence Wainwright Murphy (1875-1913)

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

The Star-Spangled Banner (the American national anthem) being performed in 1915 by Margaret Woodrow Wilson, daughter of American President Woodrow Wilson. This recording was made as a souvenir for the Panama Pacific International Exposition and part of its profits were given to the American Red Cross. The record plate is Columbia Records number 1685 (39764). Originally manufactured by Columbia Graphophone Company.

O Souverain, O Juge, O Pere! from Jules Massenet's Le Cid (1885) sung by Enrico Caruso on 5 February 1916 for the Victor Talking Machine Company.

Quartet: "Bella figlia dell' amore" from Giuseppe Verdi's opera Rigoletto (1851), performed by Enrico Caruso (the Duke of Mantua), Louise Homer (Maddalena), Bessie Abott (Gilda), and Antonio Scotti (Rigoletto). This is Victor Records Matrix C-4259, recorded on 20 February 1907 in New York City, and released under a variety of labels (full details) “..Bella figlia dell'amore”, cuarteto de la ópera lírica “Rigoletto” de Giuseppe Verdi. La pieza, de una grabación de la ópera de 1907 de la casa discográfica Victor Records, siendo protagonistas Enrico Caruso, Bessie Abott, Louise Homer y Antonio Scotti. Bella figlia dell'amore, de Rigoletto de Giuseppe Verdi. Enregistrement de 1907, avec Enrico Caruso, Bessie Abott, Louise Homer et Antonio Scotti. Italiano: “Un dì se ben rammentomi ...Bella figlia dell'amore”, quartetto dall'opera lirica “Rigoletto” di Giuseppe Verdi. Il pezzo, da una registrazione dell'opera del 1907 a cura della casa discografica Victor Records, vede protagonisti Enrico Caruso, Bessie Abott, Louise Homer e Antonio Scotti. Македонски: „Убава ќерко на љубовта“ (Bella figlia dell'amore) од операта „Риголето“ од Џузепе Верди во изведба на Енрико Карузо, Беси Абот, Луиз Хомер и Антонио Шоти (снимка од 1907 г.) "Bella figlia dell'amore" из Риголетто Джузеппе Верди. В 1907 студия Victor Records записала исполнение Энрико Карузо, Бесси Аботт, Луизы Гомер и Антонио Скотти. Tiếng Việt: "Bella figlia dell'amore" trích trong vở Rigoletto của Giuseppe Verdi. Bản thu thanh năm 1907 của hãng Victor Records với các giọng hát của Enrico Caruso, Bessie Abott, Louise Homer và Antonio Scotti.

An Edison "Perfected" Phonograph cylinder recording of The Lost Chord (composed 1877) by Arthur Sullivan (1842-1900), played on piano and cornet. One of the earliest surviving recordings of music; was played at the press conference that introduced the phonograph to London on August 14 1888. Cuts off slightly before the ending of the song. The recorded version is somewhat abridged (a middle section has been cut, possibly due to time constraints). Overall a well-preserved example of wax cylinder recording technology. Length: 2:07

John Philip Sousa's march "Comrades of the Legion" (1920), from "The President's Own" United States Marine Band's album "Semper Fidelis": Music of John Philip Sousa; Colonel John R. Bourgeois, Director

Lo How a Rose E'er Blooming is an English translation of the 16th/17th century German Christmas carol, "Es ist ein Ros entsprungen". Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) ca. 2010.

Le régiment de Sambre et Meuse (circa 1870), sung by Pierre d'Assy (1872 — 1911) Lyrics: fr:Régiment_de_Sambre-et-Meuse

Composer: Dieterich Buxtehude Title: Was frag ich nach der Welt BuxWV: 104 Type of composition: Sacred Cantata

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

A United States Navy Band performance of «Oh! Susanna» arranged by Senior Chief Musician Ralph Martino, Cimarron Music Press Українська: «О! Сусанна» композитора Стівена Фостера у виконанні групи ВМС США.

The second movement of Maurice Ravel's String Quartet, played by string players of the United States Army Band

Serenade for Strings by w:Edward Elgar

Chegou a hora da fogueira, performed by Carmen Miranda and Mário Reis

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

Pasquale Amato's 1911 rendition of the "Toreador Song" from Georges Bizet's 1875 opera Carmen (1875) This is Victor Matrix C-11213-1, recorded in Camden, New Jersey, on 11 September 1911, and released on a variety of labels

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

A romanized version of "w:Arirang", an unofficial national anthem of Korea.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.

Taps played on the bugle by a member of the U.S. Army Band. It is played by the U.S. military nightly to indicate that it is "lights out". Taps became an official component of military funerals in 1874. The song accompanies a funeral procession at Arlington National Cemetery, and is generally present at most funerals.

God Defend New Zealand, the national anthem of New Zealand.

w:Ave Maria, performed by The w:United States Navy Band's Sea Chanters ensemble

Por Una Cabeza, Tango by Carlos Gardel and Alfredo Le Pera. Sung by Carlos Gardel.

Vocal de psytrance.

Vocal de psytrance.

A chantar m'er de so qu'eu no volria, a 12th century Occitan language song by Comtessa de Dia. It is the only surviving music by a woman troubadour. Català: La seva cançó "A chantar m'er de so qu'eu no volria", és l'única peça trobadoresca d'autoria femenina la música de la qual sobreviu intacta. "A chantar m'er de so qu'eu no volria", ein Lied des 12. Jahrhunderts in okzitanischer Sprache von der Comtessa de Dia, ist die einzige überlieferte Melodie eines weiblichen Trobadors. "A chantar m'er de so qu'eu no volria", la única canción existente por una trovadora occitania que ha llegado hasta nuestros días con música, por Comtessa de Dia. Galego: A súa canción "A chantar m'er de so qu'eu no volria", é a única peza trobadoresca dunha muller que chegou até nos con a música que acompañaba. Македонски: „Морам да пејам за она што не сакам“ (A chantar m'er de so qu'eu no volria) - трубадурска песна на окситански јазик од XII век. Автор е грофицата Беатриса де Дија. Ова е единствената зачувана песна на жена-трубадур. Occitan : Sa cançon "A chantar m'er de so qu'eu no volria", es la sola peça trobadoresca d'una femna que se ne siá servada intacta la musica. Português: "A chantar m'er de so qu'eu no volria" por Comtessa de Dia, a única canção por uma trovadora, que sobrevive com música. "A chantar m'er de so qu'eu no volria" av Grevinnan de Dia är den enda sång skriven av en kvinnliga trobadourerna som idag finns bevarad med både text och musik.

Gesù bambino is an Italian Christmas carol composed by Pietro Yon in 1917, and translated into English by Frederick H. Martens. Performed by the chorus of the U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major), c. 2010.

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Csárdás, composed around 1904 by Vittorio Monti based on csárdás, a Hungarian folk dance, performed by the United States Air Force Band. Čeština: Čardáš od Vittoria Montiho (v podání The United States Air Force Band) Csárdás, componiert von Vittorio Monti um 1904 und gespielt von der United States Air Force Band Csárdás de Vittorio Monti, interprété par The United States Air Force Band Italiano: Csárdás, composizione di Vittorio Monti, registrazioni della The United States Air Force Band Македонски: „Чардаш“ од Виторио Монти (1904) во изведба на оркестарот на Военото воздухопловство на САД.

El Noi de la Mare, a Catalan folk song on guitar. Das katalanische Weihnachtslied "El Noi de la Mare" ("Der Mutter Kind"), auf einer Konzertgitarre vorgetragen. "El Noi de la Mare", villancico catalán del siglo XVI interpretado con guitarra clásica. Македонски: Каталонска божиќна песна El Noi de la Mare („Мајчин син“) во инструментална изведба на класична гитара.

Recording of Scott Joplin's Maple Leaf Rag

Drum Cadence A performed by the United States Navy Band

Drum Cadence B performed by the United States Navy Band

Four Flams (see w:Flam) performed by the United States Navy Band

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Frank C. Stanley's 1910 Indestructible Record performance of "Auld Lang Syne". This is Indestructible Record #1267. "Auld Lang Syne", ein Lied, das traditionell zum Jahreswechsel gesungen wird, in einer Aufnahme aus dem Jahr 1910 Македонски: Шкотската новогодишна песна Auld Lang Syne („Многу одамна“) во изведба на Френк Стенли (1910).

Ambiance sonore d'un parc anglais. Son enregistré avec un zoom h4nsp et une bonnette rycote mini wind screen. Sound atmosphere of an english park. Sound recorded with a zoom h4nsp and a rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Son d'un fleuve (tamise – londres). Son enregistré avec un zoom h4nsp et une bonnette rycote mini wind screen. Sound of a river (thames – london). Sound recorded with a zoom h4nsp and a rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Son d'une rivière en angleterre. Son enregistré avec un zoom h4nsp et une bonnette rycote mini wind screen. Sound of a river in england. Sound recorded with a zoom h4nsp and a rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).