9 file audio bebas royalti untuk "Little Gears"

The buzz of little gears inside of a little toy.

The buzz of little gears inside of a little toy.

A short clip of a recording i made from my cbf600 motorcycle gearbox and chain. You can hear gearbox wine (normal), the sound of the chain running over the drive sprocket, some gear shifts and a little wind noise. I recorded it to see what it sounded like. It can make a good reference with which to compare should you think there is a problem in the future. I like the sound of the engine running and gears, normally drowned out by the exhaust. I clipped the mic to the gear lever. If i do it again i will place it further away from the sprocket.

Gear:. Sound devices 702sennheiser 416.

This is actually the sound of me opening my little action camera 1st person camera's "briefcase" of parts and accessories for it, going through it a small bit and than closing it back up again.

Stereo recording of an old armoire door's wood creaking. It was captured in an untreated location so it's a little bit roomy. Gear:. Zoom h6 with an xy capsuleformat: 48khz 24bit stereo.

Early morning field recording of the waterfall next to the old mill in pigeon forge, tennessee. The gristmill water wheel was also in use while the recorder was approximately thirty feet from the fall. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.