4.289 file audio bebas royalti untuk "Midi"

Dich liebt, o Gott, mein ganzes Herz, Gotteslob (1975) Osnabrück 860; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 750

Deinem Heiland, deinem Lehrer, deutsche Fassung des Lauda Sion, Melodie von Michael Haydn (Gotteslob Diözesananhänge)

Aus tiefer Not schrei ich zu dir (Gotteslob (1975) 163; Gotteslob (2013) 277)

Dir, dir, o Höchster, will ich singen (Evang. Gesangbuch 328; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 830)

Hymn tune St. Anne ("O God, our help in ages past") In Christus gilt nicht Ost noch West, Evang. Gesangbuch (Niedersachsen-Bremen) 573

Meerstern, ich dich grüße; Gotteslob (1975) Diözesananhänge; Gotteslob (2013) 524

Messias, Jesus, einzger Sohn, Gotteslob (1975) Osnabrück 854; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 745

Kommt her, ihr Kreaturen all, Lied zur Sakramentsverehrung

Tag an Glanz und Freuden groß (Dies est laetitiae), Gotteslob (1975) 137; Gotteslob (2013) Essen 736, Trier 758

Alle Tage sing und sage (Omni die dic Mariae); Gotteslob (1975) 589; Gotteslob (2013) 526

Wir glauben an den einen Gott; Gotteslob (1975) 467; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 791

Aus tiefer Not schrei ich zu dir, Melodie von Wolfgang Dachstein, Evang. Gesangbuch 299, zweite Melodie

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Deutsches Kirchenlied Nun saget Dank und lobt den Herren (Gotteslob (2013) 385); Nun singt ein neues Lied dem Herren (Gotteslob (2013) 551)

Ein Lämmlein geht und trägt die Schuld (An Wasserflüssen Babylon), Evang. Gesangbuch 83

Heilger Bernward, groß im Leben; Gotteslob (1975) Hildesheim 888; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 919

Gott in der Höh sei Preis und Ehr, Gotteslob (1975) 464; Gotteslob (2013) 172; Evang. Gesangbuch 180.2

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Wahrer Gott, wir glauben dir (Gotteslob (1975) Diözesananhänge; Gotteslob (2013) Anhang Kirchenprovinz Hamburg 774)

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

German Church Hymn Gelobt seist du, Herr Jesu Christ (Gotteslob (1975) 560; Gotteslob (2013) 375Herr, nimm auch uns zum Tabor mit (Gotteslob (2013) 363 (Alternativmelodie))

Hymnus Gott, heilger Schöpfer aller Stern (Conditor alme siderum); Evangelisches Gesangbuch 3; Gotteslob (1975) 116; Gotteslob (2013) 230

Bei stiller Nacht, zur ersten Wacht; Gotteslob (1975) Hildesheim 824; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 763

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Gelobt sei Jesus Christus; Gotteslob (1975) Hildesheim 854; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 799

Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.

Bach, Sinfonia in F minor BWV 795, mm. 1-3. Created by Hyacinth (talk) 22:19, 17 April 2010 using Sibelius 5. See: :Image:Bach,_Sinfonia_in_F_minor_BWV_795,_mm._1-3a.png

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Du mein Schutzgeist, Gottes Engel; Gotteslob (1975) Hildesheim 882; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 906

John Bacchus Dykes, hymn tune Pax Dei Weiß ich den Weg auch nicht, du weißt ihn wohl, Evang. Gesangbuch (Niedersachsen) 591

In Gottes Namen fahren wir, Gotteslob (1975) 303; Gotteslob (2013) Freiburg/ Rottenburg-Stuttgart 858

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

This loop is from my new loop kit called "cloudy loop kit". You can get sounds similar to this one and a bunch of midi files as well. Here- https://www. Adamjudyproductions. Com/sound-kits/cloudy-loop-kit-25452.

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: psbassoon_a1_v1_rr1. Wavinstrument family: woodwindsinstrument: bassoonarticulation: staccatonote: a2midi note: 45midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-aperformer: p. Sauter.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: rode_man3open_01. Wavinstrument family: keysinstrument: organarticulation: loudnote: c2midi note: 36midi velocity (center): 63location: ukroom type: chapelmicrophone: 2x rode nt5 spaced pairperformer: simon dalzell.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: nt5_man3quiet_122_rr1. Wavinstrument family: keysinstrument: organarticulation: quietnote: c2midi note: 36midi velocity (center): 63location: ukroom type: chapelmicrophone: 2x rode nt5 spaced pairperformer: simon dalzell.

I was trying to make a techno song for my friend that went horribly wrong!!! i converted her voice into midi, then opened the midi into sony acid and used refx nexus to try and make a techno song, but something went wrong in sony acid during rendering and it took 30 minutes to render, and this scary suspense ambiance was what came out of the failed rendering of the song. . . This is perfect for those scary movies you need to make. . . I hope you find a use out of my failed song attempt!!!.

Admonter Krippenlied Text von Leopold Hörlezeder: Ein Kindlein uns geboren ist zu Bethlehem im Stall. Das Kindlein ist Herr Jesus Christ, drum freut, o freut euch all! Das Kindlein sieht nicht Geld und Gut, nicht Macht und Würde an. Wer seines Vaters Willen tut, der hat ihm wohlgetan. Es ist vor ihm kein Unterschied: Es bringt zu allen gleich der Heiland, der die Herzen sieht, des Vaters Himmelreich. O nieder's Haus voll Herrlichkeit! Zu Bethlehem im Stall ward aller Welt ein Segen heut, o freut, o freut euch all!

I built a pad with several multiosc synths, this is me pressing one key on a midi controller and letting it go. There are approximately 48 separate oscillators stairstepped on this one. I think it might have completed one cycle.

Das Grab ist leer, der Held erwacht Gotteslob Diözesananhang Münster

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

Was messing around on the piano and started fingering this line. Switched it over to bass. Combination of two basses and some plucking sound: all just sound card midi sounds. Tweaked the bass deeper with audacity. Peace out and enjoy.

A hip hop beat made with audacity's risset drum and a recording of a midi high hat. I don't know the bmp, i arranged it in audacity. Because of this, it may be slightly off beat, which gives it more swagga.

Pc speaker sounds, recorded by mic'ing the tower. Quite noisy, but still very funky in a beat. I used bawami to get my own midi files to play through the pc speaker in order to produce these sounds.

Kirken den er et gammelt hus Ewig steht fest der Kirche Haus, Evang. Gesangbuch (Nordelbien) 576 Built on the rock the church does stand

Nun legen wir den Leib ins Grab (Nun lasst uns den Leib begraben), Evang. Gesangbuch 520

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Gelobt sei Gott im höchsten Thron; Evang. Gesangbuch 103; Gotteslob (1975) 218; Gotteslob (2013) 328