12 file audio bebas royalti untuk "Music In 1904"

American folk song "Darlin' Nellie Gray", sing by J. W. Myers in 1904

Sung by Fazal Hussain Khan. Recorded by William Sinkler Darby in Lahore. Gramophone 2-12765. Gokul Gaav Ke Choriwa – tradycyjna hindustańska pieśń w wykonaniu Fazala Hussaina Khana zarejestrowana w 1904 roku w Lahaurze przez Williama Sinklera Darby'ego. Gokul Gaav Ke Choriwa gesungen von Fazal Hussain Khan. 1904 von William Sinkler Darby in Lahore aufgenommen. Македонски: Традиционалната песна Гокул гав ке чорива снимена во Лахор (во денешен Пакистан), 1904 г.

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Ave Maria performed by Alessandro Moreschi, the last of castratiAve María cantada por Alessandro Moreschi, el último castratoItaliano: Ave Maria cantata da Alessandro Moreshi, l'ultimo dei castrati

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Wax cylinder recording of a song of the "ujangong" mask dance of Papua New Guinea. Recorded by Rudolf Pöch (1870-1921), saved in the Berlin Phonogramm-Archiv.

Vess L. Ossman's performance of Tom Turpin's "The Buffalo Rag" (1904). Recorded January 26, 1906. This is Victor Record 16779, Matrix B-3049. (Full details) Sheet music is available at The Library of Congress

Title/Work: Cavalleria Rusticana Content: Intermezzo Genre(s): Opera terminology Author(s)/(Composer(s): Pietro Mascagni (1863-1945) Music arranger(s): none Lyricist(s): Giovanni Targioni-Tozzetti (1712-1783) and Guido Menasci (1867-1925) (adapted from a play written by Giovanni Verga (1840-1922)) Performer(s): Victor Orchestra Conductor: Walter B. Rogers (1865-1939) Place of recording: Camden, New Jersey (United States) 1st release date: February 1905 1st recording date: 7 November 1904 (B-4050: 18 June 1908)

Del ciel clemente un riso (Air de la folie de Lucia) tiré de l'opéra Lucia di Lammermoor composé par Gaetano Donizetti (1797-1848), libretto de Salvadore Cammarano (1801-1852) interprété par la cantatrice australienne Nellie Melba (1861-1931) en 1907.Del ciel clemente un riso (Lucia's Mad), Lucia di Lammermoor by Gaetano Donizetti (1797-1848), libretto by Salvadore Cammarano (1801-1852), performed in 1907 by Nellie Melba (1861-1931).

During the second half of the nineteenth century, the firm of michael welte und söhne in freiburg-im-breisgau, southern germany, achieved world renown as a manufacturer of orchestrions. Over several decades it built up a skilled workforce, both for the construction of the instruments and for the arrangement of the music rolls which caused them to play. So in 1904, it was ideally placed to develop an experimental piano playing device, with the aim of reproducing the recorded performances of the finest pianists of the day. What we now know as the welte-mignon was originally called, quite simply, the mignon, an essentially french word meaning both small and pleasing, to distinguish it from the firm's other instruments, which were all considerably larger. Http://www. Pianola. Org/reproducing/reproducing_welte. Cfm. Pianist: eugen d'albert (1864 - 1932)instrument: deutsches musikautomaten museum bruchsal (germany). Recording: tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le. .

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.