3.998 file audio bebas royalti untuk "Pomp And Circumstance Marches"

The trio from Pomp and Circumstance March No. 1, directed by Edward Elgar. Played for the opening of EMI's studios at Abbey Road.

Edward Elgar's Pomp and Circumstance in D, Opus 39, No. 1 performed by the United States Marine Band

Edward Elgar's Pomp and Circumstance, Op. 39 - No. 2 as performed by the United States Army Band

Edward Elgar's Pomp and Circumstance, Op. 39 - No. 1 as performed by the United States Army Band

Edward Elgar's Pomp and Circumstance, Op. 39 - No. 4 as performed by the United States Army Band

Nederlands: Adjudant S.P. van Leeuwen componeerde in 1961 voor het regiment de defileermars ‘Toujours en Tête’ (Steeds vooraan). De Koninklijke Militaire Kapel ‘Johan Willem Friso’ speelt de mars, beter bekend als regimentsmars, tijdens belangrijke momenten en ceremoniële gelegenheden.

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Shave and a Haircut in G with chords. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

This file has no description, and may be lacking other information. Please provide a meaningful description of this file.

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

El ataque de Uchumayo es una marcha militar peruana compuesta por el músico peruano Manuel Bañón hacia 1835. Originalmente se llamaba “La Salaverrina”, en homenaje a Felipe Santiago Salaverry, jefe del gobierno peruano de entonces, pero luego adoptó su nombre actual, en conmemoración a la victoria peruana de Uchumayo sobre los invasores bolivianos. Es una de las más marchas militares más antiguas de América, que aún se sigue tocando.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Der Hohenfriedberger Marsch. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: March of Hohenfriedberg.

John Philip Sousa's "Anchor and Star" (1918) as performed by the United States Marine Band. Track 81 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Primay triads in c, as MIDI

Sound of steel chisel 8th (octave)

Sound of steel chisel (tritone)

Sound of steel chisel 5th (fifth)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Brahms Intermezzo Op 118 no. 4

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

A Major Scale, Triads, and Fifths Just