764 file audio bebas royalti untuk "Proses"

Processed through ableton. Taken from a field recording one day at the palm beach park.

A dulcimer sample ,processed with audacity and magix.

Evolving synth. Free for use. If you like it follow me on social mediahttps://www. Instagram. Com/naumusiclab/.

Mp4 noise filtering in live.

It starts with a little click i've recorded, then processed through a granulator called dropout, + a little layer of reverb.

Slice of heavily processed snare with a flanged body, crisp attack & reverb'd tail.

This is the sound of a group of harp strings being excited using the hairs of a violin bow, but processed in two iterations.

Initially this was a recording of the back of an old cathode ray tv.

Just a tweaked bit of electric bass.

This is a sample i made from a piano through a variety of processors. It sounds to me like a texture you may hear in a boiler room or some kind of ventilation system.

These are string samples used in the ccmixter track, corrina (film noir mix).

Multisampled reese made with massive+cyanphase vdist+various other stuff.

A noise that i managed to somehow create in windows sound recorder a long, long time ago.

Another noise that i managed to somehow create in windows sound recorder a long, long time ago.

Omnisphere engine start.

Up to you to describe.

Gas boiler in my kitchen starts up, you can hear the piezo ignition inflaming the gas and the subsequent burning gas. This version is processed (compressor, eq). Recording by a zoom h2n.

A distorted 808 bassline.

Funny name for a beat-induced track, cool licks though. . .

I really don't know how this one happened????.

Processed acoustic guitar. Loops at 120 bpm.

Same as kaleido-preset 1, processed in effects and filters at 120 bpm on reaktor.

Heavily processed (with pd - phase vocoder) rhythmical loop. Mono. :).

Alex eliot plays guitar through the amp into the microphone.

Alex eliot plays guitar through the amp into the microphone.

Two modulating squarewaves with distortion and reverberationhardware: virus rack and tc powercore.

Rough, dirty, disrhythmic snareloop processed through a few effects.

Rough, dirty, snareloop with a steady rhythm processed through a few effects.

Fuzzy mid-pitch lead sound with an electrical quality to it in a stuttering kind of rhythm.

1 2 3 4 syncopated kinda beat.

Muted metallic tapping rhythm.

High tom sound. The reverb is actually filtered noise. 44100 16 bit mono made with microtonic drumsynth.

Loud and heavy hh hi hat.

Heavily processed, strong-punching tr-909 kick drum.

Fx glitch sound.

Created by adding echo-reverb changing pitch and reversing guitar strums.

Snare glitch distorted jungle fx processed heavy.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

A loop of distorted stabs with some delay and reverb.

I used the sound of a brush scraping as the source, added the sound you get when you twist a russian doll (already convolved with itself), and this was the result. To me it sounds a little bit like wind.

A beat loop i remixed from two other freesound files (btn006. Wav by junggle and light-switch. Aif by dropthedyle). I changed the speed slightly, and pulled together the rhythms so that i could copy-paste or repeat it in audacity without having to trim out hiccups. It's 4/4 time, just a little faster than 60 bpm.

A scene from a session made with my modular synth system.

Various samples manipulated and put into patterns for you listening pleasure. Dark room and headphones. Press play and repeat.

Evil horror psychedelia funk fan - kitchen fan recorded on dat transferred to fairlight mfx remixed via yamaha 02r-.

Output waveform from the assessed lab for speech processing (lasc11065). The wave was created using the festival speech synthesis system version 1. 96 beta (july 2004), with one of their own available voices (male, scottish english).

A laser sound.

A rising pitch modulation starting in d and ending in a higher octave d.

A pitch rising.

A without tremolo print of the former: http://www. Freesound. Org/people/nabz871/sounds/274608/.

Low tom or kick sound. The reverb is actually filtered noise. 44100 16 bit mono made with microtonic drumsynth.