4.437 file audio bebas royalti untuk "Spoon And Cup"

Instant mocha (double choc mocha, to be precise) being stirred using a stainless steel teaspoon in a ceramic mug. Recorded using a neumann tlm102 through a focusrite scarlett 8i6. Some noise reduction applied in adobe audition.

2-3 suspension in Lassus's Beatus vir in sapientia, mm.23-24. Created by Hyacinth (talk) 14:51, 25 February 2010 using Sibelius 5.

The porcelain teapot lid is lifted, water is poured in and the lid replaced. A cupful is poured, the liquid is stirred and the spoon returned to the saucer. A drink is taken and an appreciative 'ahhh' is heard.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (first verse only)

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses)

Tip and Ty, campaign song, text by Alexander Coffman Ross, tune traditional "Little Pigs" (all twelve verses, alternate)

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G with chords. Triplet swing.

Shave and a Haircut in G. Triplet swing.

Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

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Primay triads in c, as MIDI

Sound of steel chisel (tritone)

Sound of steel chisel 8th (octave)

Sound of steel chisel 5th (fifth)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

Intro to "One Horse Open Sleigh".

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Canter rhythm depicted by the ride cymbal of a drum set whose bass and snare play boom-chick-chick in 3/4.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano

Klangbeispiel eines kurzen Vorschlags (musikalische Verzierung); Instument: Piano

Major version of the theme, with horns playing the melody

Dufay Resvelons nous

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2

Klangbeispiel eines langen Vorschlags (musikalische Verzierung); Instument: Piano

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Agincourt carol - Deo gracias

Schutz Heu mihi, Domine from Cantiones Sacrae

Vivaldi, Summer from the Four Seasons, bars 26-30