599 file audio bebas royalti untuk "Test"

User name fmagrao's sound 80761__fmagrao__siren was stretched, put in a sampler and played at c3. Http://www. Freesound. Org/people/fmagrao/sounds/80761/. It is a modification of this. Http://www. Freesound. Org/people/guitarguy1985/sounds/57807/. An earlier version of my modification can be found at. Http://www. Freesound. Org/people/crusoe_diplomat/sounds/271132/. Thanks again to these users for providing the original samples. Regards. Crusoe.

Tornado siren in streamwood, il recorded during the monthly test. This version is heavily edited, with some filtering and compression applied, as most of the recording was distorted (i was too close to the siren!), although it should be useable with appropriate filtering to suit your purpose. The actual siren is located a short way north west of the geotag (it should be visible using google's satellite view). Recorded using a rode ntg2 into a zoom h4.

Audio sample: 'festa in autumn' (folk okinawa) testing virtual koto, shamisen and shakuhachi vst presets with shamikoto and dal flute.

I accidentally sneezed while testing audio levels but it happened to be self-contained with the right volume for an isolated sound effect! recorded on my new blue yeti nano with noise reduction applied. I wasn't really prepared when it happened so there might be some minor clicking/noise and i couldn't really remove it. Free for anyone to use and i'd love to know if anyone includes it in their projects!.

Running water into a bathtub. The faucet is audibly turned on and off at the beginning and end. The temperature of the water is tested at several intervals resulting in some variation to the water sound. Individual drips can be heard after the water is turned off. Take 2 of 2. Originally recorded for a short film where one of the characters takes an off-screen bath. Recorded (if i remember correctly) with a sennheiser mkh-416 microphone into a sound devices 302 mixer.

Laboratory atmospherechemistry lab with liquids bubbling, glass test tubes and flasks ringing, matches to light a fire. Serves as a witch's environment with magic potions brewing in the cauldron. Ambiente laboratorio científico. Laboratorio de química con líquidos burbujeando, suenan probetas y matraces de cristal, cerillas para prender fuego. Sirve como ambiente de bruja elaborando pociones mágicas en el caldero.

An mp3 recording of several musicians testing their instruments and playing musical passages, while the audience chats and converses. Starts with a solitary violin, and more and more instruments take the stage. Results in quite a discordant/tumultuous sound. Recorded with a black sony ic voice recorder, at the boettcher concert hall with the denver young artists orchestra. Use however you'd like. God bless!.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

Test subject is given two types of music to listen to, and asked to describe their difference. The color of the first kind of music is not provided, but the color of the second kind of music is orange. This is possibly a color code for the experiment, but may also be what a person with synesthesia sees when they hear it. The first kind of music is considered as merely "entertainment", hence its descriptionthe second (orange) kind of music, according to the subject, affects our spirit, to which the experimenter says "sure".

Audio sample: steel guitar rag (leon mcauliffe) made with guitartempus testing the virtual steel string acoustic guitar.

Recordings from one of my workshops at uni. Gareth stuart is playing while we test mic techniques for: interaural intensity difference, interaural time difference and which techniques and positions reduced the instruments natural hiss, but we also discovered that a lot of people like the clarinet's tuneful hiss. We used an ab split stereo pair , xy pair and then an ortf pair. Used rode's nt5 pair, veeery nice.

nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.

Recording of noise produced by unplugged microphone jack on my computer. Weird whistle sound moving from 6. 5 khz to 15 khz randomly with pink noise on background. Removed dc part of the sound and normalised with audacity. Sound was cut to make it loopable. Feel free to use it in short movies, games, etc. Just include a comment below and give me credit if used in game (i do not take a care on movies). . .

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

A description of every word that normally comes out of my mouth. Part of a few test recordings trying to figure out my microphone. The clip has been compressed and de-essed. Not fully happy with the eqing, tho. Still learning. For those interested in the technical stuff, i'm using a rode nt1 (the newer, black one), recorded with a zoom h6 at 96k/24bit, processed and edited in vegas pro at same samplerate.

This is a short radio patch from the houston fbi field office, calling to the houston dea field office. They do a radio check test every thursday night, and i recorded this from my police scanner! they call various federal agencies around southeast texas, but this is just a sample of a decent reply. If anyone would like to hear more of this transmission, or other surveillance audio from other federal agencies, please comment and let me know and i'll be happy to upload them! enjoy!.

While trying to get my microphone to work, it was having this unusual feed back buzzing pulsing sounds. Along with a strange noise. (this wasn't my voice, and the file hasn't been edited. ). "who's there?" and the "hello's" are of course me, trying to get the microphone to work. I decided to record it after i felt it was strange. The sound is of course free to use for whatever you desire, credit if you want and leave a comment below to be nice. :).

Side b from a microcassette i found in an old answering machine on 04/08/2017. A few more tones and test recordings followed by a long conversation between two women that takes up the majority of the runtime. I left in a little blank space for noise reduction purposes should anyone need to do so. ". . . You can't spend your life being unhappy, it. . . It just doesn't work. . . You gotta do what you gotta do. . . ".

Three mornings. Well. . . About 7 to 8 a'clock. Somewhere on the island tjörn, sweden. It's quiet mornings, or just bad timing. One of them a little windy. There are more birds earlier and later. Guess they are taking a nap around 8 in the morning. Recorded with a zomm h1. No editing. I just joined the files, well shorted them also. . . April 29april 30maj 1. First real test of my h1.

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

A patch with nonlinearcircuits jerkoff ("chaos circuit based on the jerk equation and its electronic implementation by jc sprott") in the center. I had a question that needed an answer. Is jerkoff a stable lfo when not using the input to disturb the rythm?my answer is. It can be relatively stable, but sometimes it is wobbling around. The recording is from a wobbly jerkoff. One output to osc cv in and another to a vcf vc in. The third output goes to a comparator. The comparator generates a trigger every time the cv is passing the threshold level.

A continuous blank record groove running almost 22 minutes in length. This is from the unused backside of a 1961 test pressing made for a commercial release on the mgm record label. Nothing is looped or enhanced in any way. The final 28 seconds of the file is the stylus riding in the lock groove near the label. For anyone curious about the vinyl source, a discogs page exists for it. Https://www. Discogs. Com/sam-the-man-taylor-sam-the-man-taylor-plays-hollywood/release/20174371.

Processed kick with good transientmade with ableton and been tested with monitors, its been eq'd and a compressed. This sound it at -0. 1db instead of 0. 0 so it's definitely not clipping. The sub of the kick is made in ni massive and then processed with all most every plugin i have. I took surprisingly long to make because it was originally meant to be secret for one of my own tracks but i never really used it so it has a lot of hidden detail that is just waiting to be downloaded lol.

I eat rice cracker and sip coffee. I tried to make as much noise as possible. This is a test recording with korg mr-1. I recorded this sound at 1bit/2. 8mhz (dsd) and converted it into 24bit/44. 1khz (pcm). If you could listen to the raw dsd file, you might think you were here with me. Unfortunately, i can't upload dsd version, so i chose 24bit pcm for keeping better quality. Reality was lost to some extent, but i think you can feel the touch of the original one.

When i first tested out my zoom h5 i began talking into the mic and then all of a sudden i needed a sneeze. I was about to stop the recording but then thought it would be good to record the sneeze to see how it handled my loudness. Well it coped very well and the recording came out perfect!so, here it is. I also played around with it in audacity and slowed it down which makes me sound like a roaring lion. Have a listen to that one too, it's uploaded here!it's called 'sneeze_male_slowed_-86%'. Enjoy!.

These are trap warbles that i made by using my dad's sound testing equipment i tried using them for a beat but it didn't work out this is my 1st pack uploaded to here! enjoy! i will upload all work from my failed projects from here on out i do a lot more than just trap i rap to all kinds of beats! you do not have ti credit me but please message me your project so i can check it out! thanks!.

Created for fun to document the first test launch of the (fictional) falkon8 space rocket to take humanity to the rings of saturn. After the countdown the engines start. During liftoff, ground control engineers talk to the pilots to help keep the rocket on the right course. The launch crew and pilots are talking in a particular regional northeastern italian dialect. The mission launched from the san marco platform, italian "luigi broglio" space center. Following sounds were used:82986: counter93078: space rocket264185: space rocket start and background386067: some radio distortions and classic nasa com. Beeps.

This is a sound of vintage soviet transistor organ junost 75. I have sampled one tone per octave in its 5-octave range, which is sufficient to re-create the original sound (tested on ensoniq asr-10, korg tr6 and casio ctk-900). But if you use only the middle sample, you can still simply create a great combo organ sound. This sample has ben recorded while all 4 registers were switched on. For succesful re-creation i recommend to slightly decrease filter cut-off, to add some resonance and fast vibrato. Enjoy!.

This is a plasma pulse engine for spaceships, hover bikes/ boards, etc. The engine starts up at 00. 000 ms. Then stage one starts at 02. 400 ms. Stage two at 04. 800 ms. Stage three at 07. 200 ms. Stage four 09. 600 ms. Then the engine shuts down starting at 12. 000 ms. To change "gears" set position to the stage start then play. To "run" in each stage loop from start time +. 144 to stage end time(next stage start time) -. 083. You may have to figit the numbers. I haven't actually tested any of this. I don't really program any more. But, in theory it should work.

Sparrows flying from branch to branch in a bare rose bush. Unintentional capture of sound as i was just out walking testing new equipment. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

El archivo. Wav fue utilizado por los alumnos:ricardo antonio argumedo jovel, carné: aj17003moisés armando navarro hernández, carné: nh17004en la elaboración de la actividad evaluada final de la materia análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador. The. Wav file was used by students:ricardo antonio argumedo jovel, card: aj17003moisés armando navarro hernández, card: nh17004in preparing the final evaluated activity of the subject análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador.

Jet engine test. Extracted from a video (http://img. Youtube. Com/vi/m1l1up6yhqc/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

When i first tested out my zoom h5 i began talking into the mic and then all of a sudden i needed a sneeze. I was about to stop the recording but then thought it would be good to record the sneeze to see how it handled my loudness. Well it coped very well and the recording came out perfect!i then played around with it in audacity and slowed it down -86% which makes me sound like a roaring lion. So i thought i'd upload this slowed down version too!.

An acoustic bass guitar synthesized using supercollider. Here's the code. Synthdef(\help_dwgplucked, { |out=9, freq=52, amp=0. 7, gate=0. 01, c3=22042,release=0. 5, pan=0| var inp = playbuf. Ar(2,buffer. Read(s, "/path/to/acoustic bass test. Flac",0,5900,action:harmonics. New(4096))); var son = dwgplucked. Ar(freq, amp, gate,0. 6,0,c3,inp,release);amplitude. Ar(inp,0. 5,2); out. Ar(out, pan2. Ar(son * 0. 04, pan)); }). Add;pbind( \instrument, \help_dwgplucked, \delta , pseq([0. 25,0. 5,0. 75,1]*1,inf), \dur , 1, \note, pseq([-3,0,3,7],inf), \stepsperoctave, 12 ). Play;.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Bird singing recorded at around 3:40 am with yinger bm 800 ldc-microphone in front of my open window, i had to add some noise reduction because of my computer fan with reafir (there isn't really much of that noise left, atleast if compared to original). You can also maybe hear ocassional space bar-click sound maybe twice, but it's still pretty useable clip in my opinion, i recorded this just to test my new microphone, and because i couldn't sleep because of the loud birds singing, and in revenge i recorded that with my shiny new yinger bm800. You are free to use this soundclip for both commercial and non-commercial audio and video work. File format: 16 bit/44. 1khz mono. Wav-file.

Testing csound's cross-synthesis opcodes on some field recordings. Orch:. Sr =44100kr = 4410ksmps = 10nchnls = 2. Zakinit 2, 2. Instr 1. A1, a2 soundin "drags. Wav"a3, a4 soundin "listerine. Wav". Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2. Zaw aconv1, 1zaw aconv2, 2. Outs aconv1*(p4), aconv2*(p4). Endin. Instr 2. A1, a2 soundin "crush. Wav"a3 zar 1a4 zar 2. Aconv1 cross2 a1, a3, 4096, 8, 99, 1aconv2 cross2 a2, a4, 4096, 8, 99, 1aconv1 diff aconv1aconv2 diff aconv2outs aconv1, aconv2. Endin. Score:. ;gaussian windowf99 0 4096 20 6 1. I1 0 34 1i1 34 34 0i2 34 34. E.

An unintended recording of me and a passerby walking through very thick and wet mud on the walthamstow marshes. I was out testing new gear and couldn't remove the mics from my rucksack strap to avoid picking up the rustle of my clothing or my occasional heavy breathing. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Coucou !. Some day in octobre 2020 i had to perform as a musicianfor an iraqi theatre play of adel jarallah,they asked me gently & politely to also dosome voice over or guiding voice of the protagonistat a certain moment in the play. . . Which i gladly did, with, you'll never guessthe philips 50's oldschool vintage microphone, that's right !. That sound is something else. I connected the mike to my pedals & amplified itthrough a nice, vintage oldschool farfisa tube guitar ampi had been getting from charleroi, some week before. Charleroi what a city ! farfisa what a sound !. - - - here i'm just testing out the sound devices mix prepreamps together with the philips 50s mike - - - with theexact monologue of the theatre play. / / /// // // ////// / /// // //// /// //// // /// //// // /. 11 december 2020,jj il pensatore.

Underhood recording of my renault 19 with oldish carburetted cleon engine (c2j). Double barrel webber 32 drt carb ~72ps engine. Start engine, tire skid, hard acceleration up to 6000 rpm and coast down to idle, several times. Throttle blips up to 7000 rpm. Mic: sony ecm-ds30p stereorecorder: sony mz-n707 mini disc, sp mode, agc: off. Wanted to test this cheap mic and custom made windscreen - this is my first car recording, and that's why i started with this cheap microphone, don't want to learn on expensive stuff. Still, i'm amazed how the recording turned out, it's $24 mic in not very silent area, yet it captured sound rather nicely. Windscreen (cost $0) turned out to be not that good :).

Note: i have created a newer version which has better looping. It is called drum beat loop 2. 0. This is a drum beating. It is 12 seconds long but can be looped. It was createdusing ableton live (including plugins like acdgen, drumbrain, and polyrandom). The files were then combined and edited using audacity. Feel free to comment your opinions on this. Note: while this did loop just fine in my tests, some software don't handle the looping as well (like groove music pauses before repeating). If the looping doesn't work the first time, try using a different software. You can easily do this on a windows pc by right clicking on the file and pressing open with (i am sure there is also a way to do this on a macbook but i have never used one so i am not sure how you would do it). Enjoy!.

Recording of parakeets being loud in springfield park in easy london at 7:30am in november. This was an unintentional recording as i was testing out some new gear, this meant that i wasn't able to unclip the mics from my rucksack straps and avoid picking up the rustle of my clothes and some breathing. A train and canal boat engines can be heard in the background. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

This was recorded during a harsh storm here i stockholm. Harsh winds blowing thru a small forest. Details such as leaves rustling and hard stormy winds are key components in this recording. It sounds like a storm is approaching what do you think?. I honestly don't remember what i did in post. . . I think i removed alot of bass/rumble, added an expander to remove some unwanted noise to help the winds and leaves to stand out. I probably used rx to clean up some unwanted noises. Equipment:zoom h5 + sony ecm 6080s condenser mic. This was a test to see how the stereo configuration on the ecm 6080s sounded like. I really like it but i would prefer an ab configuration with 2 dpa 2011 or even 2 4060. . . I like the sound it was able to capture even if it may be a little to "centered". I probably will try to use it for my future hiking trips to capture rivers and general ambiances, if i get something special i will upload them here. Hope you like it.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

Alchemical elements - sound experiences to compare. Hello sound-freaks,. In this pack i share some selected pieces of binaural beats referring to basic elements of ancient alchemy. If you listen, you should use headphone. I start with sulfur:. According to paracelsus (1493–1541), the three primes or tria prima – of which material substances are immediately composed – are:. Mercury (mind)salt (base matter or body)sulfur (spirit). (https://en. Wikipedia. Org/wiki/alchemical_symbol). Here some data for the sulfur binaural soundpieces i've worked with:symbol/atomic number in periodic table/nuclear magnetic resonance (nmr frequencies):s 16 7. 67 163,27 hz (176,01 hz: a series with this frequency may come later). You may listen to binaural variations of sulfur same nmr frequency 163,27 hz hz but different intervals:. Binaural creations of sulfur in these sounds on nmr 163,27 hzyou can read the distance to the core tone from the name of the soundfiles. For comparison with the basic or target tone, i added a sulfur stereo sound of 163. 27 hz as a audio test for you in this pack. Have a nice dayand fun with these compositions,the horst from germany. Some informations about sulfur as a homoeopathic remedy (if you are interested):. Https://www. Britishhomeopathic. Org/charity/how-we-can-help/articles/homeopathic-medicines/s/sulphur/http://homoeopathie-liste. De/mittel/sulfur. Htm.

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.

Created from roughly 256 sounds in reaper by looping and batch actions. All sounds came from a folder of freesound cc0 sounds i've been collecting. Here is the file list if you are curious:. 103117__geronimo83__elephant. Mp3107216__keithpeter__birmingham-botanical-gardens-mains-hum-from-tannoy. Wav110456__sagetyrtle__wings-121110. Wav119161__reinsamba__110419-000-sheep-bleating. Wav120107__toc1__bird-wings. Aiff134025__danielrutterfilms__necksnap-build. Wav135506__chriddof__heavenly-computer. Wav14102__adcbicycle__15. Wav146558__john129pats__hybrid-monster-growl. Wav146957__zabuhailo__systemload. Wav151641__jamesmontour__8mm-film-camera. Aiff152317__logos-chroma__arp-odyssey-wind. Flac155800__mario1298__elevator-the-sixth-floor. Wav156522__timbre__retro-video-game-sweep. Flac165486__venaportae__wild-bees. Wav16793__pushtobreak__earth1. Aiff170761__esperar__bees. Mp3178995__beatproduction__emotional-string. Wav182110__qubodup__film-countdown. Flac184700__lloydevans09__spooky-love. 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