24.831 file audio bebas royalti untuk "Tos"

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

I recorded my voice while watching and listening to funny stuff to force real laughs out of me. This way i can have real laugh clips for stock instead of trying to fake it.

My dad had an old beat-up mouth organ, which was double tuned, in micro-tones to give a shimmering vibrato effect. I loved to just explore the overtones, and recompose them to make complex chords.

Was in a pile of older stuff about to be deleted! can be applied to various styles. Slight mixing applied. An untouched download is should also be available, still learning to mix!.

A few pumps of a mossberg 12 gauge shotgun. Can easily cut up the pumps to sync to video if you need to.

4 a. M. Just before dawn. Not light enough yet. I happened to wake not to be able to fall into a sleep again. Grabbed my at835st and a recorder, korg mr-1.

Me stacking and straightening a stack of papers. Edited in audacity. Feel free to use this for any animation, game, movie, or project. You don't have to credit me if you don't want to. Edited in audacity.

Me pressing my laptops power button. Edited in audacity. Feel free to use this for any animation, game, movie, or project. You don't have to credit me if you don't want to. Edited in audacity.

Me opening my laptop. Edited in audacity. Feel free to use this for any animation, game, movie, or project. You don't have to credit me if you don't want to. Edited in audacity.

Me lifting and setting down a stack of papers. Edited in audacity. Feel free to use this for any animation, game, movie, or project. You don't have to credit me if you don't want to. Edited in audacity.

It was created in audacity, using a chirp from from a2 to g3, then using phaser, echo and tremolo effects to create the end result. Finally, it was normalized to -8db. Hope you enjoy!.

A small, multi-part cough, well-suited to denote uncomfortable silence, like a more natural alternative to using crickets to demonstrate a lack of reaction from an audience. Recorded on blue snowball for the super legit podcast.

Collection of inharmonic noise samples. Created and processed with a variety of reverbation, granular and spectral techniques. Useful to layer in a pad, make risers or drums. Will continue to add to this pack.

Ter french train passes left to right at middle speed. Microphones close to the railway. France, 2013. Recorded with schoeps oct set up reduced to stereorecorded on sounddevice 744t24 bits, 48khz, stereo.

Recorded with the microphone of mars gaming headphones. I was trying to create an element of tension to the climate of a short film. I didn't get to use it but hopefully, it can help you.

This is a sound that my wooden floor makes in a certain side of the room. I edited it and i added some depth to it to add a kind of a creepy vibe to it.

Awesome hi quality demonic horror monster sound effects. And feel free to request something for me to do? i will not charge for sound effects so feel free to ask for custom sound effects.

Sound of a whitethroat singing in spring. This recording was then played back to the bird seconds later, and this secretive warbler flew out of cover towards me, and began to sing right next to me.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Rhythm guitar, lead guitar and bass.

H.M.S. Pinafore performed with the following cast: Willie Rouse (Sir Joseph Porter, K.C.B.) Harry Dearth (Captain Corcoran/Boatswain's Mate) Walter Hyde (Ralph Rackstraw) Harry Thornton (Dick Deadeye) Alfred Cunningham (Dick Deadeye/Boatswain's Mate) W. Anderson (Carpenter's Mate) Elsa Sinclair (Josephine/Cousin Hebe) Ada Florence (Mrs. Cripps, called "Little Buttercup") Miss Burnett (Cousin Hebe) There is some disagreement about who the performers are in various parts, as explained by Mark Shepherd. Not to be confused with the Russell Hunting/Sterling selections from Pinafore dating from the same year and using some of the same performers. The performance cuts the overture, the entr'acte, "A British Tar" and part of the Act I finale. Some portions are transposed from their original keys.

Ode to Joy (a version of "The Hymn of Joy" or "Joyful, Joyful We Adore Thee") performed by the Concert Band of the United States Air Force Band of the Rockies. Track 15 from Christmas from the Rockies (1993).

GILBERT & SULLIVAN: The Yeomen of the Guard (1920) Cast Sir Richard Cholmondely - Robert Radford /Edward Halland Colonel Fairfax - Derek Oldham Sergeant Meryll - Peter Dawson /George Baker Leonard Meryll - Ernest Pike Jack Point - George Baker Wilfred Shadbolt - Robert Radford First Yeoman - Ernest Pike Second Yeoman - Peter Dawson /Robert Radford Elsie Maynard - Violet Essex Phoebe Meryll - Nellie Walker /Ruby Heyl Dame Carruthers - Edna Thornton Kate - Bessie Jones Chorus: Sarah Jones, Walter Glynne, and the soloists George. W. Byng, conductor His Master's Voice 78rpm Album D 481/5, D 496/501 Recorded in London, March 4 - October 2, 1920 Digital transfer by F. Reeder Note that F. Reeder labels his transfer as CC-BY-NC-SA 3.0. The recording is in the public domain, and the transfer does not introduce substantially original material. These transfers are therefore in the public domain in the United States. In jurisdictions where this audio transfer is able to gain its own copyright, these files may be used according to the CC BY-NC-SA 3.0 license.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

To the Colors performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 1 of Ceremonial Music (2005).

Volkswagen golf passing on a gritty country road at medium speed from left to right. Recorded with a schoepps ms-setup on a sound devices 722 @ 24bit 48 khz. Decoded to l-r.

Me taking cd out from it's jewel case, then putting it to cd-player and pressing play buttorn.

Made in a conservatory in london summer 2013.

This is me trying to sing a note with as little background noise as possible without any editing software. This is my first time attempting this for a class; i sat under my desk with my phone with pillows on all sides and a blanket to try to absorb even more background noise. Ran the video through mediaconvert to make it a. Flac.

Multiple takes of a train passing by. Hard stereo, recorded with built-in zoom h4n mics (120 degrees), 48khz 24bit.

Double decker bus then car pass by on empty urban street at night in lockdown - so pretty clean recording!. Recorded on zoom h4n - 96k, 24bit.

A quiet high speed train starts from a stand-still and gradually gathers speed. Recorded from interior.

Old truck drives up to dock or factory. Brakes squeak, horn beeps. Then men start yelling orders in disapproving way.

Adjutants Call, To Honor with Dignity performed by the Concert Band of the United States Air Force Band. Track 6 from Esprit de Corps (1997).