88 file audio bebas royalti untuk "Triad"

Just minor chord on C: 10:12:15.

19th harmonic minor triad on C. MIDI pitch bend matches intervals.

Major chord on C in 17 equal temperament (0,5,9).

♭III+ chord in just intonation. Pitch bend matches intervals.

Major chord on C in 17 equal temperament (0,6,10).

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Major chord on C in just intonation (1/1, 5/4, 3/2).

D, F, Ab = C, Eb-, Gb-

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Werckmeister temperament major chord on C.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Pythagorean major chord on C.

A large crowd is gathered outside of beijing's south railway station during one of the country's biggest holidays, national day of the people's republic of china. It is cold, raining, overcrowded and miserable. Recorded with a sony icd-ux560f. Triadtravelogues. Com. Https://www. Youtube. Com/triadtravelogues.

Loud, clunky railway noises heard within a small sleeper cabin on the world-famous trans-mongolian / trans-siberian railway, chugging through perm, a city and the administrative centre of perm krai, russia, located on the banks of the kama river in the european part of russia near the ural mountains. Recorded with a sony icd-ux560f. Triadtravelogues. Com. Https://www. Youtube. Com/triadtravelogues.

Sounds heard from within a moderately bustling restaurant cabin inside the world-famous trans-mongolian / trans-siberian railway as the train chugs steadily through inner mongolia, china, on its way to the chinese railway system at jining. Recorded with a sony icd-ux560f. Triadtravelogues. Com. Https://www. Youtube. Com/triadtravelogues.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

C triad open position.

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

Alpha scale major triad on C. MIDI pitch bend matches intervals.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

Triad in Just Bohlen-Pierce tuning (0 4 7)

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 10)

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Example of the submediant ("triad on VI") used as a dominant preparation.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

1/12/14. Dave peickert continues the 2014 piedmont triad church series of "investing. ".

My wife singing a 3-part triad as a choir of angelic voices.

General ambiance at gate 29 from piedmont triad intl. Airport in greensboro, nc on august 18, 2018, at about 9:30 am, as i was waiting for a flight to nyc. Includes some distinct conversation, announcements, background music and distant plane sounds. Recorded with a shure mv88 attached to an iphone 8.

Long and atmospheric chord sweep effect creating using a soft synth. It is played as a d# major triad at 125 bpm.

Hairy warbling to a dark step rhythm beat. O-ctrl used to make it squeal a little. Harmonaig generates triad chords, slightly offset.

* the music is a backing track, intended for practice, exploring the lydian tonality. The backing track runs through each of twelve tonal centers, starting with d lydian and moving down a fifth every two measures (counterclockwise through the cycle of fifths), ending with a lydian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.

* the music is a backing track, intended for practice, exploring the dorian tonality. The backing track runs through each of twelve tonal centers, starting with d dorian and moving down a fifth every four measures (counterclockwise through the cycle of fifths), ending with a dorian. * the audio consists of a single pass through the 12 tonalities, but the files are optimized for looping and should transition smoothly from end to beginning, given the appropriate looping software or hardware. * the tempo is 95 bpm. * i enjoyed making this track and found it useful for practicing various ideas, such as running scales in different positions, directions, and intervallic combinations, superimposing triad and tetrad shapes, voicings, inversions, and lines. And just jamming out and improvising freeform.