1.252 file audio bebas royalti untuk "William Tell (opera)"

A recording of a full orchestra playing the William Tell Overture by Gioachino Rossini

Italiano: Gioacchino Rossini: "Tutto cangia, il ciel s'abbella" - Finale dal Guglielmo Tell (1828) per sintetizzatore. Versione musicale con File audio prodotto su un banco Musyng Kite da 0,99 Gigabyte, compilato da Cose Vidal il 24 maggio 2014 con licenza CC-BY-SA

William Tell overture (second half)

Gioachino Rossini's William Tell Overture (1829) on the Grand Scenes (2000) album performed by the United States Marine Corps Band, recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia. Ranz des Vaches begins at 5:14 and finale at 7:30.

Modern Music from Psalm Singer's Amusement by William Billings (1781). Lyrics: we are met for a Concert of modern invention To tickle the Ear is our present intention Audience are seated expecting to be treated with a piece of the Best with a piece of the best & since we all agree to set the tune on E the Authors darling Key he prefers to the rest let the Bass take the Lead & firmly proceed till the parts are agreed to... let the Tenor succed & follow the Lead till the parts are agreed to... let the Counter inspire the rest of the choir inflamed with desire to... let the Treble in the rear no longer forbear but expressly declare for a... ...fuge away then change to brisker time & up the Ladder climb & down again the mount the second time & end the strain then change the Key to pen five tones & flow in Treble time the Notes exceeding low keep down awhile then rise by slow degrees the process surely will not fail to please Thru Common & Treble we jointly have run we'll give you their Essense compounded in one all though we are strongly attached to the rest six four is the movement that pleases us best that pleases us best six four is the movement that pleases us best & now we address you as Friends to the cause performers are modest & make their own laws although we are sanguin & clap at the Bang the part of the hearer's to clap their Applause to clap their applause the part of the hearer's to clap their Applause

She Weepeth Sore in the Night, four voice round by William Lawes (1602 – 1645).

Chester performed by the USMC Band

Sound file of "Chester" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Siegfried leitmotif from Wagner's 'Siegfried' (1876).

Leitmotif of Siegfried form Act III of opera.

Sohini Qawwali is a sitar solo recorded in 1904 by Imdad Khan. Sohini Qawwali – solo na sitarze w wykonaniu Imdada Khana z 1904 roku.

I'll Tell Me Ma

The leitmotif associated with Salome herself in Richard Strauss's opera Salome.

I Tell Me Ma performed by Celtic Aire of the United States Air Force Band. Track 14 from As I Roved Out (2014).

William Byrd, The Bells

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

This is "Stile Antico sings Byrd's Ave Verum Corpus" by StPaulsIndy on Vimeo, the home for high quality videos and the people who love them.

Song: I Want a Girl (Just Like the Girl That Married Dear Old Dad). Composed by Harry Von Tilzer (music) and William Dillon (lyrics). Performers: American Quartet.  

Komm, sag es allen weiter, Evang. Gesangbuch 225

Violin telugu (pallavi) played by Narayanasami Iyer Pudukottai. Recorded in Madras by William Sinkler Darby & Max Hampe . Gramophone 17934.

Byrd Pavane 'The Earl of Salisbury', 1612

Byrd, Earle of Salisbury Pavane

Berg's Lulu Schoolboy tone row on C.

Berg's basic tone row from Lulu on C.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", uwertura "Adagio sostenuto", w ostatnich taktach którego unosi się kurtyna. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Władysław Tarnowski, który także przetłumaczył opowiadanie. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, grudzień 2016.

Berg's Dr. Schön tone row from Lulu on C.

Wagner - Tannhauser, Zu dir wall'ich.

Berg's Alwa tone row from Lulu on C.

Sound file: the opening notes of "Rose of Sharon" by William Billings Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Malaysian quasim. [1]

Go Tell It on the Mountain performed by the Airmen of Note of the United States Air Force Band. Track 19 from A Holiday Sampler (2009). Track 1 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Bengali song.

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Aria from Mefistofele sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Je vous aime, Olga de l'opéra Eugène Onégine de Tchaïkovski, interprétée par Leonid Sobinov (1872 - 1934)

Snegourotchka - Choeur final

The opening bars of Dido's lament from the opera "Dido and Aeneas" by Henry Purcell.

Ô, prêtres de Baal de l'opéra Le Prophète (1849) composé par Giacomo Meyerbeer (texte d'Eugène Scribe), interprété par Ernestine Schumann-Heink (1861–1936) en 1907

Wagner - Leitmotiv du sommeil magique

Hindustani song.

Aria from Rigoletto sung by Enrico Caruso, accompanied by Salvatore Cottone on piano.

Hindustani song.

Aria from Tosca sung by Enrico Caruso accompanied by Salvatore Cottone on piano.

Thumri - Hindustani song.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

Dido's Lament ground bass, m. 1-6. See: File:Dido's_Lament_ground_bass.png

Ah je ris de me voir si belle en ce miroir (air des bijoux) de l'opéra Faust composé par Charles Gounod (1818-1893), livret de Jules Barbier (1825-1901) et Michel Carré (1821-1872) interprété par Nellie Melba (1861-1931) en 1910.Ah je ris de me voir si belle en ce miroir (jewels'aria), Faust by Charles Gounod (1818-1893), performed in 1910 by Nellie Melba (1861-1931).

Intro of Bedrich Smetana's Libuše is official fanfare of the president

Che faro senza Euridice (en allemand) de l'opéra Orfeo ed Euridice composé par Christoph Willibald Gluck, interprété par Ernestine Schumann-Heink (1861-1936) en 1907

Recording of "Méditation" from Jules Massenet's 1894 opera Thaïs