1.814 tracce audio royalty-free per "Aria"

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Pirogov Aleksandr Stepanovich: Galitsky's aria from A. Borodin's opera Prince Igor, ecorded in 1937 Пирогов Александр Степанович. Ария Галицкого из оперы А. П. Бородина "Князь Игорь". Запись 1937 года

Koshi klangspiel element luft (aria). Feinfühlige und sensible klänge, die verzaubern. . . Gewicht: ca. 130 gr. Durchmesser korpus: ca. 6,3 cmlänge korpus: ca. 16 cmgesamtlänge: ca. 36 cm. Bauweise:. Im resonanzkörper sind acht unterschiedlich lange, fein gestimmte klangstäbe, die kreisförmig auf einem metallring festgemacht sind. Durch leichte bewegung des klangspiels wird ein kleiner schlägel auf die klangstäbe angeschlagen. Dadurch entstehen sphärische klänge, die lange nachhallen und sehr angenehm beruhigend wirken. Koshi-klangspiele gibt es in den vier stimmungen (elementen). Wasser - feuer - erde - luft. Hergestellt in den pyrenäen in reiner handarbeit.

Aria from Germania sung by Enrco Caruso, accompanied by Salvatore Cottone on piano. Studenti! Udite! – aria z opery Germania Alberto Franchettiego w wykonaniu Enrico Caruso zarejestrowana w Mediolanie przez Freda Gaisberga. Čeština: Árie Studenti! Udite! z opery Germania italského skladatele Alberto Franchettiho. Jde o první nahrávku slavného Enrica Carusa, nahrál americký muzikolog Fred Gaisberg dne 11. dubna roku 1902. Македонски: Првата снимка на Енрико Карузо од изведба во 1902 г. — аријата Студенти! Слушајте! од операта Германија на Алберто Франкети.

Colline's aria "Vecchia zimarra" from act 4 of Giacomo Puccini's 1896 opera La bohème, sung by Russian bass Feodor Chaliapin.

Aria "Ancora un passo" ("One step more") from act 1 of Giacomo Puccini's 1904 opera Madama Butterfly, sung by Frances Alda in 1913. This is Victor 64334; Matrix B-13108-2. It was recorded on April 10, 1913

Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

Aria Ah! non credea mirarti de l'opéra La sonnambula Compositeur : Vincenzo Bellini (1801-1835) Librettiste : Felice Romani (1788-1865) Interprète : Adelina Patti (1843-1919) Publié en 1906

A recording of the famous Non piu' andrai aria from Mozart's Le Nozze di Figaro. Record quality was not good to begin with (gramophone), underwent a conversion into ogg, and to top it all off the singer was about 20 years past his prime, but hey it's PD

This is a fragment from the aria ah mes amis at a lower pitch and badly performed. Iintend to use it for a coursera homework (audio signal processing for music applications). The intention is to transpose it and simulate a morfing like a falseto to the true key where the tenor hits high c, which i obviously cannot hit, otherwise i wouldn't be taking coursera courses and uploading to freesound. . .

Example of figured bass in context. Implied pitches written in small, stemless type above bass voice. Taken from Beschränkt, ihr Weisen, by J.S. Bach. (Riemenschneider no. 47/69.) Final chord added.

Lydfil fra Ruben-samlingen, "Sjælden penge, prygl des fler" ; akt 1, scene 1, sunget af Peter Schram, ophav Wolfgang Amadeus Mozart, rolle Leporello Sound file from Ruben collection: Leoporello's opening aria "Notte e giorno fatica" from Mozart's Don Giovanni

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

The sound of an air freshener spray being pressed.

Recording of a fan blowing back and forth.

Outdoor hotel air-conditioning.

Hand maded reedin cane rivertrumpet folklore.

Spray from some canned air passed through a high-pass filter.

The sound of air escaping from a punctured inflatable.

Sound of an idling air conditioner. Recorded in basement. Part of intermediate sound project.

Caida.

Bass clarinet processed samples.

Bass clarinet processed samples remix.

Bass clarinet processed sample.

Bass clarinet processes samples remix.

Bass clarinet processed sample.

Fagot processed sample remix.

Howl processed sample remix.

Shakuhachi processed samples remix.

Shakuhachi processed sample.

Shakuhachi processed sample reversed.

Shakuhachi processed sample reversed.

Shakuhachi pprocessed sample reversed.

Shakuhachi processed sample.

Shakuhachi processed sample reversed.

Shakuhachi processed samples remix.

Shakuhachi processed sample reversed.

Shakuhachi processed samples remix.

Instrumento de aire.

Spray.

A stationary fan turned on.

Turning on a bathroom fan, turning it off.

Recorded from microphone. Fan's is manipulation.

Sound of a small noxious gas cloud.

The sound of an air freshener.

For the sarah belle reid opera project, a sound from my youth, the priming of an inhaler for asthma.

Viento, aire, ventisca.