2.738 tracce audio royalty-free per "Basso"

A sawbass sound recorded from the mfb synth. Very useful for stepsequencing but not only. Velocity is 127.

A sawbass sound recorded from the mfb synth. Very useful for stepsequencing but not only. Velocity is 127.

A sawbass sound recorded from the mfb synth. Very useful for stepsequencing but not only. Velocity is 127.

A sawbass sound recorded from the mfb synth. Very useful for stepsequencing but not only. Velocity is 127.

A sawbass sound recorded from the mfb synth. Very useful for stepsequencing but not only. Velocity is 127.

The words sub bass processed with the linear predictive coding (l. P. C)module of csound.

| - description - |. Bass sound and filtered noise. | - made with - |. Serum - fl studio. | - uses - |. For projects or whatever i wanted.

Random bass delay.

Small dubstep pattern without fx.

Small dubstep pattern with fx.

Resampled and stretched "tgn bang bass fx01" with chain of effects.

Clip of me practicing bass guitar from a while ago. Sorry the recording isn't the best, sorry my playing isn't the best.

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

1st release date: 1932 1st recording date: 18 May 1931 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): Gabriella Besanzoni (1888-1962), mezzo-soprano, Enrico Spada (1885-?), basso, Nerina Ferrari (1907-?), soprano, Tamara Beltacchi (1898-?), mezzo-soprano and members of the La Scala Theatre Orchestra and Chorus Vocal range: Bass, Mezzo-Soprano, Soprano, choir and orchestra accompaniment Title/Work: Carmen (opera) Content: Part 15: Act 2: Or ben, Pastià desia (Senor Pastia declares) Genre(s): Opera terminology

Re-edited sound of file 273410. Lowpassfilter / hi-cut above 60 hz and cutted sub frequencies below 60 hz. Postproduction and editing with sony soundforge, 2015.

A simple multi-sampled synthetic spacebass pack, containing 25 samples, derived from 2 octaves of a home made soft-synth patch. The original quality was 24 bits with a sample rate of 88. 2khz, which i converted with a very good src to 16 bits and 44. 1khz. Not that is was that important after all considering the fact that the patch itself has a grainy character in the higher frequencies. . . No compressing, equalizing whatsoever involved, the panning is pretty wide tho, with left and right sounding rather different, but in stereo it still feels pretty balanced i think.

Clean electric bass.

I want to incorporate this into my next song. Hopefully it will work at around 98 bpm. This one is not filtered compared to the one that has "deeper" in the title. More noise in this here version.

Bass effect from russian synth named polivoks.

Some sampled notes of base guitar.

Deep bass melody.

120bpm 4/4 bass synth & drum loop.

Powerfull bass. Enjoy!.

Sound made with ableton live 8. Zebra bas+delay+compressor.

Made some brand new loops for people to use for their youtube videos or whatever they'd like.

A quick responsive bass sound.

A high dubstep wobble-bassline.

This wasn't actually played on a bass, it's a regular strat, but i was tuned low.

One note slide of a acid. . Already distort and ready to make havoc in your song.

10th kick of me. Free to use!. Song with this kick: https://www. Youtube. Com/watch?v=jq7kkyehvrk.

Bass drum.

A bass sawtooth wave opened with a high pass filter.

Another one-shot bass kick. Made with a casio lk-300 tv, acid music studio 6. 0b, and drumatic v. 2 vsti. A one-shot sound that can be looped for a bass thumpin effect.

My second kick i posted here! hasn't that much bass in it tho. Free to use in your productions.

Just a simple kick. Free to use.

Took me very long to make this one. Free to use in your productions!. Song with this kick: https://www. Youtube. Com/watch?v=y70vio8x2sg.

Ambient rumble, low bass mix. Long sound. Suitable for ambient music.

4 measure, 80 bpm, 4/4 electric bass bassline. Key is e-minor. Midi track made on soundtrap.

Experimental bass made with subtractor synth using propellerhead reason 5.

It sounds like a deep-voiced robot saying "wommmmm!" have fun.

The sound of an umbrella opening: made for the use of project 1 in must121.

Fx sound.

Hardcore kick.

Here is a sub bass sample generated in sc.

Fl studio 12.

Feel free to use it in your productions!.

This standup bass was sampled using a direct pickup as well as stereo overhead mics for some room ambience. Articulations include a normal pizzicato, or finger plucked note; a stopped note as performed with the finger; a stopped note performed bartok style; and some miscellaneous sound effects: a slide by the hand down the strings, a slap on the strings, and a knock on the wooden body of the bass. Do enjoy; feedback is welcome!.

I designed this sound from scratch using a 20 millisecond pop of audio looped and processed heavily using ableton live's sampler instrument. The loop is 2 bars long, but it this sample file i trail off for quite a few seconds sustaining the note to show off the sustain processing on the synth.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

Double bass bowed harmonics. Bass played by houston guy, recorded with a shure ksm44, 24bit mono. I was producing a song and asked mr. Guy to give me some noisy strangness just to layer in for texture and he performed admirably.