779 tracce audio royalty-free per "Componibile"

What you dont want to hear in your helmet after landing on an alien planet. Long title. Alien sound fx made with modular synth.

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

Basicly the same patch ashttps://www. Freesound. Org/people/gis_sweden/sounds/395016/. I let it play for a while then i start "doing things". . . It's not beautiful but its what it sounds like when you playwith a modular synth. Think i'm done with this patch. Unpatching time.

. . . But kind of happy?strange thing done on my modular synth. I use a minor scale for one of the parts. Still it sounds. . . Happy/crazy/unreal. . .

Working with my spring reverb.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

Now i have downsized my shift register. 2-steps.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

Sounds nice to me. Variable tempo. Made with analog modular synth.

I'm bubbling away with my modular.

Small patch painting in sound chaos, random and music of the krells.

First patch with klangbau köln "rnd modul logistische gleichung". I got it, and i fried it, but now it's okay again - i hope. An arduino based module. Allows you to play with the logistic equation easily.

I'm trying to find a place for "rnd modul logistische gleichung" in my modular. Okay this is a to long sequence. . . ? and unstable. But interesting. Makes it a little generative.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

Nice ambient modular synth sounds on repeat.

Really simple patch. Cv from nlc sloth to quantizer (doepfer a-156), via attenuverter. Triggers from doepfer a-160(161). But a tone is only generated if there is a change in cv from sloth. Its not 100% generative :-) first there is no cv connected to the oscillators. I connect them one at a time. The noise is also controlled by the same sloth. The analog delay is connected to barton musical circuits (bmc) 4 quadrant multiplier and panner acting as a panner, controlled by nlc jerk off (still a sick name on a great module). The ehh drum sound is generated by bmc decaying analog noise.

Last one with this sample. Promise!.

A selection of glitchy drums created with the akemie's taiko eurorack module. No external processing.

Modular lab atmosphere soundscape.

Modular lab atmosphere soundscape.

Modular lab atmosphere soundscape.

Vcv rack loop.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

Exercising my switches.

Two small connected feedback systems playing for you.

You will find a pattern. . .

Some sort of poor mans quantussy x 3. Am-modulation delivers some nice sounds. Deep blurp. Beeps and nonsense. This is generative modular synth music. Machine composition. The machine is a small analog modular synth. Beep!.

Using a frozen wasteland quantussy module.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Machine composition for 3 voices and colored noise. Composers: zlob diode chaos, nlc jerkoff, nlc ff chaos and nlc genie.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

This is 2 nlc sloths. Making chaotic but nice music/sound. . . I'm glad you found this little sound. Take good care of it.

2 voices from a 5 quantussy cell vcv-rack patch.

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

One patch. A little of wiggling. Different outcome.

A krell.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Okay i', trying the "toggling sample & holds" patch athttp://www. Doepfer. De/a100_man/a100_patch. Htm. Don't know if i'm doing the right thing. . .