95 tracce audio royalty-free per "Controller"

A short instrumental piece i wrote one day when i was feeling kinda blue. Recorded with an m-audio oxygen 49 midi controller in the ignite music software.

When you complete the level. The sound is created with reason 4. 0 and m-audio midi controller, recorded with reason 4. 0. It is made in 16 dec. 2014 in estonia.

Recorded me bashing on the buttons of my snes controller, as there weren't really any sound effects on here that captured the kind of button mashing i wanted, so i did my own!.

I built a pad with several multiosc synths, this is me pressing one key on a midi controller and letting it go. There are approximately 48 separate oscillators stairstepped on this one. I think it might have completed one cycle.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

An xbox one controller's buttons being pressed and mashed, as though playing an action or fighting game, with clear separations to allow use of a variety of paces and combos. Recorded on blue snowball for the super legit podcast.

Beginning of an arrangement of afro blue using a 5/4 time signature. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

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This is a recording of me pressing buttons, flicking the stick, and making circles around the edge notches of the wii nunchuck. I do all of these things in random intervals instead of actually playing something, as the more intense sounds work better for what i recorded this for.

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

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Aethernet cc0 autocom controller unit horizon iso synchronous dual band focus lens multiplexer way flag route 40 20 10 security volume density alveolus map grid light carrier traffic raspberry pi.

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This sound was inspired by this youtube tutorial: https://www. Youtube. Com/watch?v=ke5vztfcykc on converting formula controller output into audio but instead of pitching the sound up in audio i pitched it up in real time using two instances of gross beat. It sounds like a broken synth to me.

Beginning, part ii, of an arrangement of afro blue using a 5/4 time signature --- same piano track as "afro blue five 003", but with a newer bassline. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

Just a quick loop for your consumption. Copy/sell/enjoy. This is 140bpm with the intention of sneaking this into a reggae piece. The very best of luck to you. Recorded into logic pro 9 using a casio cdp-120 digital piano as a midi controller to trigger the logic pro steinway piano. Added a little reverb with logic pro reverb designer. Best regards,.

Made with voicechanger. Io, these are all the cyberman and dalek voices!includes:- moon base cybermen- cyber controller (1967)- wheel in space cybermen- invasion cybermen (planet 14 cybermen)- revenge of the cybermen- 80s cybermen (excellent!)- cybus cybermen (delete!)- 2013 cybermen- cyber-planner- audio play cybermen (primary stage conversion is complete!)- you would make a good dalek.

My lights are actually connected into the wall with a switch that i can turn on/off with a seperate controller, and this switch makes this very peculiar sound when it switches on and off. I felt like it was a cool sound actually and would be great for other people to use as well in their projects!. Feel free to use whenever/however you want. Don't even need to credit me, but it would be appreciated! :).

*short, synthesized evolving looping ambient teaser sequence with deep reverb on distant kickdrum. Fades in and fades out. A hint of a dreamy, chilling out atmosphere. An aural echo of days of gentle hippiedom. An accidental discovery as a result of feeding ni massive through flstudio's effector vst. An x-y controller is attached to effector with asychronous ramping of the x and y gains via two control tracks. Strangely produces phantom instrument sounds, almost like guitar and organ. Created in flstudio 11 with ni massive, flstudio effector, reverb, compression and eq. The note track is made by me for no good reason - i just thought it sounded pretty. *there is, now, a longer version on my harddrive.

Sb 9. 16. 24 — thus jamadagni, being worshiped by lord paraśurāma, was brought back to life with full remembrance, and he became one of the seven sages in the group of seven stars. Sb 9. 16. 25 — my dear king parīkṣit, in the next manvantara the lotus-eyed personality of godhead lord paraśurāma, the son of jamadagni, will be a great propounder of vedic knowledge. In other words, he will be one of the seven sages. Sb 9. 16. 26 — lord paraśurāma still lives as an intelligent brāhmaṇa in the mountainous country known as mahendra. Completely satisfied, having given up all the weapons of a kṣatriya, he is always worshiped, adored and offered prayers for his exalted character and activities by such celestial beings as the siddhas, cāraṇas and gandharvas. Sb 9. 16. 27 — in this way the supreme soul, the supreme personality of godhead, the lord and the supreme controller, descended as an incarnation in the bhṛgu dynasty and released the universe from the burden of undesirable kings by killing them many times. Sb 9. 16. 28 — viśvāmitra, the son of mahārāja gādhi, was as powerful as the flames of fire. From the position of a kṣatriya, he achieved the position of a powerful brāhmaṇa by undergoing penances and austerities.

My first upload! this sound i made using the zmors synth on my ipad air2 - i used audiobus which is a great routing software allowing many of a lot of awesome sounding synths that are now on ipad and can be played professionally via a usb keyboard controller (very handy for gigging) okay this is getting too wordy. . . I used audiobus overall with zmors in the first slot being routed through the wonderful aufx eq app in the center (effects) slot then ran the most useful of all ---> audioshare app in the 3rd or output slot to record it all. . . Keep in mind that the number of devices you can run in these three slots is virtually limitless - as much as your device can handle so you can get really nuts with several synths, a drum machine, etc all routing to the middle (fx) stop in the chain and picking up a fat 3 or 4 nice sounding effects devices then on to output to audioshare or you can now use just audioshare as host and run zmors in it directly (and probably more smoothly). I chose zmors because on a couple of other ipads (ipad mini, ipad 2 especially, and ipad air a little bit) i was noticing that it was a resource hog and was not playing correctly or there was a huge lag in the latency so with the new(er) ipad air 2 i wanted to hear the zmors synth and it really is an underappreciated majestic sounding beast if you ask me. I am going to experiment further with it as the unique architecture and just the way it sounds is totally different from any other synth i've yet to hear on ipad or in general. It kind of reminds me of a fatter, more modern. Sequential circuits 6 track. Which i've had a couple of and have a thick layered sound - kind of like a really nice turkey sandwich with a good portion of swiss cheese then you notice that there's still some roast beef left and put a good amount of that between bread as well. Hell, that's a sandwich that's gonna be filling! thanks for reading.

guardians of limbo (spectral voices, ethereal sounds, odd vocals) sample of fx preset from magnus choir vsti software. Virtual choir (musical instrument). Software description:. Magnus choir is a vst, vst3 and audio unit virtual instrument which can be used to create natural and synthetic choirs. The male and female choruses combine to form a mixed choir, featuring the classic satb (soprano, alto, tenor, bass) structure: women sing soprano and alto, while men sing tenor and bass. Versatile to generate a wide spectrum of choirs, vocal textures, choral pads and voices with modulation capabilities for a new level of realism in digital sound creation. • 54 preset sounds ready to use, including a vast array of natural and synthetic sounds, from oohs, aahs, men and women in mixed choirs to the celestial choir of angels, reso pads, dark atmos, creepy voices, ambient ghostly and birdsong effects, as well as cinematic and soundscapes. 01. - abbey ghost02. - ad infinitum formant03. - ad libitum chorale04. - aeternus lux lucis05. - alchemical signals06. - angelic vox07. - angels between us08. - apocalyptic chamber09. - astral singers10. - aurum vox pad11. - birds sonic sweep12. - caelestis kingdom13. - celestial choir14. - choral ensemble15. - choralis pad16. - cinematic padilius17. - cosmic odyssey voice18. - cryogenic dimension19. - dark cantus20. - digital voice21. - dystopian chorus22. - elves land23. - enchanted goblins24. - ethereal voices25. - guardians of limbo26. - lost souls in the dark27. - male & female aahs28. - morph dreams29. - morphed vowels30. - mystical vowels31. - nebula dark atmos32. - necromancer summons33. - neo choir34. - octave aahs choir35. - octave vox pad36. - oniric sequences37. - oohs choir38. - psychedelic vox39. - psychomanteum reso40. - quasi spatial voices41. - relaxing paradise42. - restless spirits43. - sanctus holy chant44. - sonorous skies45. - sopranvox c4-c646. - spatiotemporal atmos47. - spectral hell48. - synthetic chorus49. - synthesized vocals50. - underworld embryos51. - vinyl chorus52. - voices in the mist53. - vowelled soundscape54. - vox vocis texture. • low frequency oscillator section: these knobs apply modulation to the selected instrument. By using the lfo to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo. • adsr envelope generator with attack, sustain, decay and release parameters. • pitch bend: the pitch bend knob directly changes the pitch of the selected instrument. • reverb built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces. • filter section: with filter type box for low pass filter and high pass filter. • amplitude range parameters: it controls the loudness, the way in which we perceive amplitude. The sensitivity level is set by the user. • panning potentiometer control. • midi cc automation: implementation of midi continuous controller parameters for use with external hardware control via daw.