4.292 tracce audio royalty-free per "Midi"

Wer unterm Schutz des Höchsten steht (Gotteslob (1975) 291; Gotteslob (2013) 423)

Zu dir, o Gott, erheben wir (Gotteslob (1975) 462; Gotteslob (2013) 142)

Komm herab, o Heilger Geist (Veni Sancte Spiritus, et emitte caelitus), Gotteslob (2013) 343

Herzlich lieb hab ich dich, o Herr, Evang. Gesangbuch 397

Danket dem Herrn! Wir danken dem Herrn (Evang. Gesangbuch 333)

Jesu, geh voran, Evang. Gesangbuch 391; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 841

Der König siegt, sein Banner glänzt, Übertragung des Hymnus Vexilla Regis prodeunt; Gotteslob (2013) 299

Salve, sancta parens, Rätselkanon von Ludwig Senfl. Der lateinische Text lautet: "Salve, sancta parens, dulcis amor meus, virgo pia, salus mundi, coeli porta".

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Hinunter ist der Sonne Schein (Evang. Gesangbuch 467; Gotteslob 705)

ii-V-I turnaround in C, in four-part harmony.

V of V chord progression in "Sweet Georgia Brown". V/V/V-V/V-V-I: A-D-G-C. Note that the tempo is kept but the number of measures is cut in half.

Komm, o komm, du Geist des Lebens Evang. Gesangbuch 134

Gott mit dir, du Land der Bayern (Bayernhymne)

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Den lyse dag forgangen er Des Tages Glanz erloschen ist, Evang. Gesangbuch Niedersachsen 636

Nun jauchzt dem Herren, alle Welt (Evang. Gesangbuch 288; Gotteslob (1975) 474; Gotteslob (2013) 144)

Caribbean Our Father, German adaption Vater unser, Vater im Himmel, Evang. Gesangbuch 188

Morgenstern der finstern Nacht, Gotteslob (1975) 555; Gotteslob (2013) 372

Dein Lob, Herr, ruft der Himmel aus; Gotteslob (1975) 263; Gotteslob (2013) 381

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Kommt und lobet ohne End, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 886

Es ist das Heil uns kommen her (Evang. Gesangbuch 342)

A hip hop beat made with audacity's risset drum and a recording of a midi high hat. I don't know the bmp, i arranged it in audacity. Because of this, it may be slightly off beat, which gives it more swagga.

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Jesus lebt, mit ihm auch ich; Gotteslob (2013) 336

Ich ruf zu dir, Herr Jesu Christ (Evang. Gesangbuch 343)

Im Frieden dein, o Herre mein (Evang. Gesangbuch 222)

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Mit Fried und Freud ich fahr dahin (Evang. Gesangbuch 519)

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Singt dem König Freudenpsalmen, Eichsfelder Melodie, Gotteslob (1975) Hildesheim 825

Gib dich zufrieden und sei stille, Evang. Gesangbuch 371

Die beste Zeit im Jahr ist mein, Evang. Gesangbuch 319

Hymn The Church's One Foundation Die Kirche steht gegründet (Evang. Gesangbuch 264; Gotteslob (2013) 482)

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): s&h res action 96bpmishnote: e#3midi note: 53midi velocity: 96.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Wie herrlich gibst du, Herr, dich zu erkennen (Evang. Gesangbuch 271); Gott rufet noch (Evang. Gesangbuch 392)

Danket dem Herrn, denn er ist gut; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 814

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Wohl denen, die da wandeln, Gotteslob (1975) 614; Gotteslob (2013) 543

Ave Maria zart (Gotteslob (1975) 583; Gotteslob (2013) 527)

Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.

Singen wir mit Fröhlichkeit, Gotteslob (1975) 135; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 736

Time is running out track with nice and warm sound. Track features piano and guitar. Space pad. Plugins omnisphere. Ableton 9, 11 midi channels. Bpm 103.

Auf dich allein ich baue; Gotteslob (1975) 293; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 838