550 tracce audio royalty-free per "Neve"

Foley cloth movement. Akg 460 with ck-1 capsule into neve 1272 preamp, apogee mini-me converter. Edited in samplitude.

Foley cloth movement. Akg 460 with ck-1 capsule into neve 1272 preamp, apogee mini-me converter. Edited in samplitude.

Foley cloth movement. Akg 460 with ck-1 capsule into neve 1272 preamp, apogee mini-me converter. Edited in samplitude.

Waldorf micro q into fairchild/neve/ln1176 emulations on the uad, waldorf dpole filter and space designer ir of an api preamp were the components for this cue.

Performed foley recording of a person kneading or mashing corn dough in a metal pot. Sennheiser 416 into neve portico, reaper.

This is a stereo recording of a rain tube, foleyed by delisa m. White. Oktava 012 microphone xy pair into neve 1272 preamps and apogee mini-me converter.

Various click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.

This was created as the sound of bullets hitting robots. I dropped coins on a music stand and then pitch shifted them. Oktava 012 microphone through neve preamp and apogee mini-me a/d.

Various foley click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.

Various foleyed click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.

Various foley click sounds similar to the plastic butt of an assault rifle hitting beltbuckles, etc. Recorded with akg 451 with ck 61 capsule through neve 1272 preamp and apogee a/d at 48khz, 16-bit.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is some room tone i recorded in a thankfully quiet time in my studio. It's an oktava 012 microphone in our whisperroom with the door wide open. Signal path is a neve 1272 and an apogee mini-me. Recorded in 24-bit at 48khz.

These sounds came from a session where i needed to record very gentle clinking sounds with a tea set. The setup is an mxl3000 mic through a neve portico preamp. They are very soft by design.

This is a lead synth sound i made for the xs24 on the nord modular g2 and universal audio uad emulations of the neve eqs, ln1176 limiter, 88rs, fairchild, and pultec eqs. Also used the joe meek eq from protools.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a strong wind recorded in whalley range manchester with a calrec soundfield microphone using neve preamps into apogee converters. Encoded to stereo using the soundfield plugin.

This is a sample of a wooden flute my girlfriend gave to me in high school. I'm playing an a at 440hz. It was recorded using a townsend labs sphere l22 into my uad input chain: neve 1073 > sphere (u67) > la2a (grey) > oxide tape > pultec eqp-1a.

I recently found this awesome sounding metal cover in my workshop and decided to do some high quality recordings with it. I used akg c414, a neve portic 5012 preamp my rme bayface and some slight postproduction (compression and slight eq). The sound is open source and can be downloaded in 24bit wave here.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.