103 tracce audio royalty-free per "Noce"

This is me shaking 5 hazelnuts in my hands. Sounds a bit like dice. There is a unprocessed version of this recording as well.

Voi che sapete cosa è amor de l'opéra Les Noces de Figaro, interprété par Nellie Melba (1861-1931).

Foley for a bug scurrying along rocks in a glass tank. Quick, high pitched scurry in the pebbles. Made by shaking a plastic jar of almonds.

Edited version of "goldie the boar eating some nuts". Just played a litte bit around. . . For further informnation check the description of the original sound :-). Peace.

A few variations of a ratchet being used in a small garage. The sound is close mic-ed with still a little room ambience on it. Recording equipment: akg c214 / focusrite saffire pro 24.

A warning call of a coconut lorikeet.

Gravado no estúdio com um microfone condensador, de um socador de alho. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil. Recorded in the studio with a condenser microphone, from a garlic punch. Recorded for the discipline of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil.

Sound of an impact wrench. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d’une boulonneuse. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Clean, dry recording of a roughly half-filled metal can (the ribbed kind used for most canned food - probably steel, tin, or a blend of the two) containing dry oatmeal being shaken. A variety of forces and speeds were used to create a diverse assortment of sounds. Originally recorded specifically for canned oatmeal sounds, but could easily work for shaken cans containing most kinds of tiny, dry granules such as rice, nuts, grains, etc. A metal can was used for the unique, metallic timbre it produces - a glass jar or plastic container would sound different. Recorded with a behringer xm8500 directly into a steinberg ur22c interface at 48khz, 32-bit float. True 32-bit, not just 24-bit upconverted.