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a guitar composition

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

Sequential modulation through the circle of fifths in Haydn, Quartet Op. 3, No. 3, IV, Hob.III:15 (now considered spurious, perhaps by Roman Hoffstetter).

Ogg file of Awadagin Pratt playing Alexander Scriabin's Étude Op. 8 No. 12

Symphony no. 4 in b flat major, op. 60 - iv. allegro ma non troppo

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Symphony no. 8 in f major, op. 93 — i. allegro vivace e con brio

Cello concerto no. 1 in a minor, op. 33 - i. allegro non troppo

Klaviersonate Nr. 32 in c-moll, op. 111 - II. Arietta Adagio molto, semplice e cantabile

Symphony no. 6 in f major 'pastoral', op. 68 - ii. Andante molto mosso (Szene am Bach)

Sonata No. 13 in E Flat Major, Op. 27 No. 1 - IV. Allegro vivace - Tempo I - Presto by Daniel Veesey

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

“Jupiter, the bringer of jollity”, part of "The Planets", Op. 32, a seven-movement orchestral suite by the British composer Gustav Holst, Excerpt for timpani article on the English Wikipedia

Piano concerto no. 2 in c minor, op. 18 - i. moderato

Scheherazade, Symphonic Suite, Op. 35.