72 tracce audio royalty-free per "Processore"

Sci-fi mechanical atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarmrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi deep atmosrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi communicationsrecorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Heavily processed sounds form the symbiotic waves module by pittsburgh modular. Filtered through the intellijel atlantis filter. Effects were minifooger chorus and occasionally strymon delay or flint. The name give a hint which oscillator model and processor were used.

I recorded the fan on quite loud and i opened and closed the cd drive on my hp eletebook 8460p, different laptop models have a different frequency from the fan and different cd drives make a different sound when checking it. Recorded from the internal microphone.

Sonido de uso de teclado de ordenado.

After many months- and a trip to san clemente, ca and back- my qu-bit nebulae v1 is working! this is a snippet from qu-bit’s own double bass sample, run through a mimeophon and qu-bit’s own fdn reverb, with lashings of modulation wherever possible. My wonder at the sheer madness of the sonic experience here is only matched by my joy at having a working granular processor at last.

Computer cpu bleep buzz korg.

This loop was created in bitwig using multipule third party vsts and processors. This sample is free for anyone to use but if you find it useful, please think about a small donation through paypal: thedjj. Lee@googlemail. Com to fund future samples. We also offer a tailor made sampling service, just drop us a message on here for more details.

Recorded the sound of my cpu fan starting and shutting off. Recorded with a zoom h1.

The sound of my system unit in my bedroom starting up, recorded with a boblov v91 mini voice recorder.

This is an electromagnetic sound of an ubica lab (upf) robot cpu. This robot is able to take inventory of a shop without the need of any prior knowledge and with the minimal set of resources.

Sounds of esosvm, a virtual machine i wrote to run a simulation called endless sea of stars. These sounds accompany system events and auditorily describe system states.

Five minutes of rain, artificially created. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal done. Recorded some basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. Convolution reverb was added for a fairly realistic set-it-and-forget-it option. I've uploaded a dry version as well.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Five minutes of rain, artificially created. Same mix as my other "five minutes of rain" upload, but without the reverb in case you want to add your own. Process:. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal applied. Recorded basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. .

Lots of electrical noise. I got this sound using an aux cable from my laptop to a broken 3. 5mm to 5. 25mm adapter to my mixer. Noises were generated by my fingers scrubbing around the laptop's trackpad and clicking keys on the keyboard. Also my air conditioner is generating a constant noise. Every few minutes there is a neat glitchy sound, i'm guessing it's from some data being processed on the laptop. .

Random high-pitched tones. Created with audiomulch.

My toshiba laptop was on my cooler on my desk for added cooling as well as the internal fan. I recorded it from my iphone microphone.