906 tracce audio royalty-free per "Veloce"

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: pizzt_a2_v1_rr1. Wavinstrument family: stringsinstrument: cello sectionarticulation: tight pizzicatonote: a3midi note: 57midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: dcclar_suslong_a#2_v1_rr1_sum. Wavinstrument family: woodwindsinstrument: clarinetarticulation: long sustainnote: a#3midi note: 58midi velocity (center): 20location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, 1 royer r-101 close, 2x sdc's xy farperformer: dean coutsouridis.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: bkctbss_susvib_a#0_v1_rr1. Wavinstrument family: stringsinstrument: solo contrabassarticulation: vibrato sustainnote: a#1midi note: 34midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 akg d112 closeperformer: brittany karlson.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: mohorn_mute_a#1_v1_1. Wavinstrument family: brassinstrument: f hornarticulation: muted sustainnote: a#2midi note: 46midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 at pro 37 overhead, 1 se2200aii closeperformer: m. Oprean.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_harmonm-sus_a#2_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: harmon mute sustainnote: a#3midi note: 58midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: sum_shtrumpet_straightm-sus_a#2_v1_rr1. Wavinstrument family: brassinstrument: trumpetarticulation: straight mute sustainnote: a#3midi note: 58midi velocity (center): 31location: durham, ctroom type: large auditoriummicrophone: 2x rode nt1-a spaced pair, mixed close micsperformer: sam hebert.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: vlnens_susvib_a2_v1. Wavinstrument family: stringsinstrument: violin sectionarticulation: vibrato sustainnote: a3midi note: 57midi velocity (center): 63location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, royer r-101 closeperformer: lily lyons, meitar forkosh, brendan klippel, sadie currey, rosy timms.

Very high velocity stroke with 5a wooden mallet in paiste pst3 20" crash on stand. Recorded with pair of akg p120 mics on stands and tascam dr-60 mkii recorder. Middle-side recording technique. Middle mic next to crash, side mic in a distance of 1m. Recorded in tiny kitchen with doors closed. Few ringing partials were tamed with parametric equalizer. Sound faded out in flstudio edison. Recorded in 96khz and 24bit.

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.

A modern electric train is passing fast.

Rapid scrapes, as if writing, turning rhythmic and staccato near the end.

Fast ascend.

The sound of a thing cutting through air in a weird manner.

This is an attempt to create the sound of a high velocity handgun, the five seven by twenty eight milimeter, in which the first shot is normal, just edited for the echo associated with a larger caliber handgun, and second shot is editied slightly to mimick the effect of a "silencer". Recorded with samsung hmx-f90,. 22 magnum fired on private firing range, edited with windows movie maker. Enjoy.

Front channels of a 4ch-surround field recording of the interior of a german local commuter train, completely without human voices, heading from the towns of naumburg to weissenfels. The train is in full motion at the beginning of the recording, then stops, with squealing brakes and all, then starts up again and reaches full velocity. The recording was done with a zoom h2, the microphones (front) set to 90° dispersion.

Reversed sound of a saucepan being beated. Sample contains impurities because was recorded from an old tape.

This is the sound of a disposable camera flash charging up. This causes quite the interesting effect.

Someone typing on a computer keyboard fastly.

Cyber.

Based off the drumbeat from "mindfields".

This is fast typing.

--made in ableton--. 170bpm. My take on drum and bass (so it probably sucks. . . ). Thanks for reading everyone!.

This is just one of my drum n bass loops. This is about 260 bpm :).

. . Inside an intercity express (ice) between stuttgart and mannheim, sitting in an almost empty (three passengers) second-class broad-spaced compartment at around 9 pm. After a shaky first minute an even part follows for around 90 seconds. Interrupted by some road holes the steady sound continues, now with the frequency of the engine sound rising until the beginning of the fourth minute. Here the "main part" begins, starting with several moments of acceleration, deceleracion and breaking. From minute 5:15 to 7:35 the train reaches it's peak velocity, with only few bumps. After a short deceleration the train inceases velocity again, reaching a second peak, this time noticeably bumpier. Once in a while you can hear some element of the fitments rattling nervously along the track, depending on the constitution of the railways and the overall situation. During the last two minutes the train keeps on decelerating slowly and continuously until the end. Recorded in stereo with a portable stereo recorder (zoom); enhanced in audacity using a parallel dynamic eq (tdr nova), a compressor (vos density mkiii) and a binaural spacializer (auburn panagement).

I made by fl studio. You can use all for your own game (or whatever else).

The second version of a flurry of punches.

A sound i made for one of my games, that was used as a time travel sound effect. If you use it, i'd be happy to know about it.

Jaw harp beat.

A high-speed bass line i sorta made by accident.

Various instruments being triggered quickly enough to produce audible tones.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Shaking the dust out of a tshirt multiple times. Could also be used for a video game character landing on the ground, or for wings or flying as a flapping sound effect. Recorded on iphone. Processed with audacity to convert from m4a, with slight noise removal. 𝗟𝗜𝗖𝗘𝗡𝗦𝗘:this sound is 100% free to use for personal/commercial use, no attribution required. 𝗕𝗘𝗙𝗢𝗥𝗘 𝗬𝗢𝗨 𝗚𝗢:⬇︎ take a quick break! try my free game! ⬇︎. .

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

A synthetic bass multisample. I created it using the virsyn cube additive synthesizer (vsti). I applied some eq using the sonalksis sv-517 equalizer plugin. The sound was compressed by the sonalksis sv-315 and nomad factory blue tubes cp2s compressor plugins. All great quality plugs. The sound is a nice but rather static emulation of a bass guitar. Use your sampler's velocity and pitch bending options to bring this multisample to life. All samples in a 24 bit, 44. 1 khz resolution. Loop points were added for sustained notes.

This sound has been for fast movements, jump cuts in the film that i have designed the sound for.

Flashcore kick.

Camera shutter operating at fast pace.

Raptor claw knife stabbing motion against a plastic bag with cardboard & tin foil.

Recorded with neumann tml 103.

A server starting up.

Uk train station late nite train pass thru high speed.

Fast tools.

Using smartphone to record the charging sound of external camera flash.

Clicky keyboard sounds. I used cherry mx blue-switches.

Fast steps on wood.

Peeking and appearing fast from hide place.

Peeking and appearing fast from hide place.

It's free to use anywhere.

Steps fast but not running in a shopping center.

A fast snare roll.