2,572 ロイヤリティフリー オーディオトラック の "7月4日"

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03:35
Sousa's \
John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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03:24
Sousa's \
John Philip Sousa's "The Boy Scouts of America" (1916) as performed by the United States Marine Band. Track 75 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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02:33
Sousa's \
John Philip Sousa's "Imperial Edward" (1902) as performed by the United States Marine Band. Track 61 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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01:59
Sousa's \
John Philip Sousa's "Lambs' March" (1914) as performed by the United States Marine Band. Track 71 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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03:31
Sousa's \
John Philip Sousa's "The Invincible Eagle" (1901) as performed by the United States Marine Band. Track 59 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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03:18
Sousa's \
John Philip Sousa's "The Glory of the Yankee Navy" (1909) as performed by the United States Marine Band. Track 67 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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02:32
Sousa's \
John Philip Sousa's "The Federal" (1910) as performed by the United States Marine Band. Track 68 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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05:50
Felix Mendelssohn - symphony no. 4 in a major 'italian', op. 90 - iii. con moto moderato
Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.
著者: Untitled
00:00
01:59
Sousa's \
John Philip Sousa's "Lambs' March" (1914) as performed by the United States Marine Band. Track 71 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
02:32
Sousa's \
John Philip Sousa's "The Federal" (1910) as performed by the United States Marine Band. Track 68 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
02:19
Sousa's \
John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:35
Sousa's \
John Philip Sousa's "The Pathfinder of Panama" (1915) as performed by the United States Marine Band. Track 73 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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01:09
Sousa's \
John Philip Sousa's "Columbia's Pride" (1914) as performed by the United States Marine Band. Track 70 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:51
Sousa's \
John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
02:20
Sousa's \
John Philip Sousa's "The Man Behind the Gun" (1899) as performed by the United States Marine Band. Track 57 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
02:48
Sousa's \
John Philip Sousa's "Hands Across The Sea" (1899) as performed by the United States Marine Band. Track 56 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:22
Sousa's \
John Philip Sousa's "The Diplomat" (1904) as performed by the United States Marine Band. Track 63 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
02:28
Sousa's \
John Philip Sousa's "Jack Tar" (1903) as performed by the United States Marine Band. Track 62 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:22
Sousa's \
John Philip Sousa's "The Diplomat" (1904) as performed by the United States Marine Band. Track 63 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
04:41
Sousa's \
John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
04:41
Sousa's \
John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:51
Sousa's \
John Philip Sousa's "The New York Hippodrome" (1915) as performed by the United States Marine Band. Track 72 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
00:00
03:19
Sousa's \
John Philip Sousa's "Hail to the Spirit of Liberty" (1900) as performed by the United States Marine Band. Track 58 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.
著者: Untitled
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00:09
7 steps in 17-et on C
*7 steps in 17 equal temperament on C = F (Easley Blackwood's notation). Equal-tempered: 27/17:1 = 494.12 cents. MIDI pitch bend: 15,62
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on P4 on ~16,62 for 494.13 cents.
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00:09
Octave and septimal diatonic semitone on C
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.
著者: Created by Hyacinth (talk) 23:33, 13 December 2009 in Sibelius with midi pitch bend on 70 for 1318.75 cents rather than 1319.44. New version an P8+m2 on 28,70 for 1319.43359375 cents rather than 1319.44.
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00:09
Harmonic seventh on C
*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54
著者: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 3,54 for 968.823242 cents rather than 1000.
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00:09
7 steps in 19-et on C
*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.
著者: User:Hyacinth
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00:09
Major diatonic semitone on C
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.
著者: Created by Hyacinth (talk) 05:57, 21 January 2011 using Sibelius 5 with midi pitch bend on 28,70 for 119.433594 cents rather than 100.
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00:09
7 steps in 16-et on C
*7 steps in 16-et on C = F (Easley Blackwood's notation). Equal-tempered: 27/16:1 = 525 cents. MIDI pitch bend: 0,72
著者: Hyacinth
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00:09
Two secors on C
*Two secors on C. 18/52/19 = 233.43 cents.
著者: Created by Hyacinth (talk) 19:33, 13 December 2009 using Sibelius 5 with midi pitch bend on ~88,74 for 233.4 cents.
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00:09
Septimal diatonic semitone on C
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70
著者: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 70 for 118.75 cents rather than 119.44. New version a m2 on 28,70 for 119.43359375 cents rather than 119.44.
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00:09
7 steps in 15TET on C
*7 steps in 15 equal temperament on C = F↑ (Easley Blackwood's notation). Equal-tempered: 27/15:1 = 480 cents. MIDI pitch bend: 26,83 on a P4
著者: Created by Hyacinth (talk) 20:37, 16 December 2009 using Sibelius 5 with midi pitch bend on ~154,50 on Gb.
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00:09
Septimal chromatic semitone on C
*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU
著者: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 59 for 84.375 cents rather than 84.47.
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00:09
Septimal minor second on C
*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU
著者: Hyacinth
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00:09
Octave and septimal chromatic semitone on C
*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.
著者: Hyacinth at English Wikipedia
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00:09
Septimal major seventh on C
*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.
著者: Hyacinth
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00:06
3579 Harmonic Chord
Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).
著者: Sciurid
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02:29
Klaviersonate Nr. 7 D-Dur op. 10.3 - III. Menuetto \u0026 Trio
Klaviersonate Nr. 7 D-Dur op. 10.3 - III. Menuetto & Trio
著者: Untitled
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00:09
5 steps in 7-et on C
*5 steps in 7-et on C. Equal-tempered: 25/7:1 = 857.14 cents. MIDI pitch bend: 37,50
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on M6 on ~37,50 for about 857.14 cents.
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00:09
6 steps in 7-et on C
*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m7 on ~18,73 for about 1028.57 cents.
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00:09
Septimal major second on C
*Septimal major second on C = D- (Ben Johnston's notation). 8:7 = 231.17 cents. Limit: 7-limit. MIDI pitch bend: 125,73
著者: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 125,73 for 231.176758 cents rather than 200.
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00:09
Hundred-seventy-fifth harmonic on C
*Hundred-seventy-fifth harmonic on C = F♯+ (Ben Johnston's notation). Just: 175:128 = 541.45 cents. Limit: 7-limit. MIDI pitch bend: 33,45
著者: Hyacinth
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00:09
Septimal diesis on C
*Septimal diesis on C = D♭ (Ben Johnston's notation). 49:48 = 35.7 cents. Limit: 7-limit. MIDI pitch bend: 54,75
著者: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 54,43 for 35.693359 cents (49/48) rather than 0.
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00:09
3 steps in 7-et on C
*3 steps in 7-et on C. Equal-tempered: 23/7:1 = 514.29 cents. MIDI pitch bend: 73,68
著者: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on P4 on ~73,68 for about 514.29 cents.
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00:09
BP just J compound septimal diatonic semitone
*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70
著者: Hyacinth
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00:09
Septimal semicomma on C
*Septimal semicomma on C = D (Ben Johnston's notation). 126/125 = 13.79 cents. Limit: 7-limit. MIDI pitch bend: 53,68
著者: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 53,68 for 13.793945 cents rather than 0.
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00:09
Septimal comma on C
*Septimal comma on C = C- (Ben Johnston's notation). Just: 64/63 = 27.26 cents. Limit: 7-limit. MIDI pitch bend: 93,72
著者: Hyacinth (talk) at English Wikipedia using Sibelius 5 with midi pitch bend on 78,79 for 48.779297 cents rather than 0 (36/35)
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00:10
Barbershop secondary dominant
Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
著者: Hyacinth
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06:34
Klaviersonate Nr. 7 D-Dur op. 10.3 - I. Presto
Klaviersonate Nr. 7 D-Dur, op. 10.3 - I. Presto
著者: Untitled
00:00
04:56
Klaviersonate Nr. 4 Op. 7 E-Dur - III.Allegro
Klaviersonate Nr. 4 Op. 7, E-Dur - III. allegro
著者: Untitled
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