4,292 ロイヤリティフリー オーディオトラック の "Midi"

Ihr mögt den Rhein, den stolzen, preisen (Westfalenlied)

Orlando Gibbons: The silver swan (1612).

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

London Bridge Is Falling Down

Four-semitone tritone scale on C

Es stand ein Schloss in Österreich

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Schtil, di nacht is ojsgeschternt

Eighth octave on C. 16/1: 4800 cents.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

Korg m3 karma midi routed into arturia minibrutekey of e99 bpm.

Ratatech dark noise tested with a vst delay. Notes played with a virtual midi sequencer implemented in pure data.

Accrued when changing the actual patch of a midi-loop into a chord based patch.

A trilling c note flute sound. Can be used to import into sampler instruments and create midi melodies with.

4-26 (minor seventh chord) tetrachord on C

Shche ne vmerla Ukraina

Diatonic scale on C.

Schubert, Op. 4 n. 3.

Simple and compound major third (major third and major tenth).

4-15ZB (all-interval) tetrachord on C

*Grad on C. 531441:5242881/12≈886:885 = 1.955001 cents.

Glück auf, Glück auf, der Steiger kommt

4-29ZB (all-interval) tetrachord on C

Old MacDonald Had a Farm

Vi elsker vort land

Chopin Waltz in D flat, Op. 64, No. 1

4-24 (aug. seventh chord) tetrachord on C

Ich hab mich ergeben, Volkslied

Reggae one drop pattern, half-time variation.

4-20 (major seventh chord) tetrachord on C

4-10 tetrachord on C. Four note segment of the minor scale.

4-27A (dominant seventh chord) tetrachord on C

The Girl I Left Behind

midi file of song by Hedwige Chrétien - Comment veux-tu que je t'oublie? (first published 1897)

Non-Pythagorean scale on C.

Major triad on C. Created using Sibelius.

Single note sampled from a moog slim phatty analogue synthesizer. Slim phatty is a monophonic analogue synthesizer designed by moog music. Synthesizer: moog slim phattyfactory preset #: 1note: c-1midi note: 0midi velocity: 16.

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU

In dulci jubilo (Gotteslob (1975) 142; Gotteslob (2013) 253); Nun singet und seid froh (Evang. Gesangbuch 35)

So fahr ich hin zu Jesu Christ, Schlusschoral der Kantate Der Himmel lacht (BWV 31), Chorstimmen und Trompete

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

*Ninety-first harmonic on C = G♭ (Ben Johnston's notation). Just: 91/64 = 609.35 cents. Equal-tempered: 26/12:1 = 600 cents. Limit: 13-limit. MIDI pitch bend: 127,66

*3 steps in 5-et on C. Equal-tempered: 23/5=6/10=9/15:1 = 720 cents. MIDI pitch bend: 51,70

Gdy się Chrystus rodzi Als die Welt verloren (Gdy się Chrystus rodzi), Evang. Gesangbuch 53, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 739

Recreation of a handbell sample tha i found on this site https://freesound. Org/people/inspectorj/sounds/339809/.