4,289 ロイヤリティフリー オーディオトラック の "Midi"

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

Brobigdinian Gigue from Telemann's Gulliver Suite. Notated in 12/8, dotted quarter = 90.

O Jungfrau, wir dich grüßen; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 899

MIDI file of the piano reduction of No 2. of Johan Strauss, Sr.'s Täuberln-Walzer, Op. 1. The piece (section A) contains repeated anacrusis motifs.

Wie herrlich gibst du, Herr, dich zu erkennen (Evang. Gesangbuch 271); Gott rufet noch (Evang. Gesangbuch 392)

Mache dich, mein Geist, bereit (Evang. Gesangbuch 387); Herr, ich bin dein Eigentum (Gotteslob (2013) 435)

Jetzt, Christen, stimmet an, Trebnitzer Hedwigslied

Komm, Heiliger Geist, Herre Gott (Evang. Gesangbuch 125; Gotteslob (1975) 247)

Gott sei gelobet und gebenedeiet (Evang. Gesangbuch 214; Gotteslob (1975) 494; Gotteslob (2013) 215)

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. Play by clarinets.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Jesu, geh voran, Evang. Gesangbuch 391; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 841

Kanon Danket, danket dem Herrn; Evang. Gesangbuch 336; Gotteslob (1975) 283; Gotteslob (2013) 406

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

Was mein Gott will, gescheh allzeit (Evang. Gesangbuch 364)

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Gott mit dir, du Land der Bayern (Bayernhymne)

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

W. A. Mozart, Andante in C, for keyboard, K. 1a (1761), thought to be the first piece composed by him.

What shall we do with the drunken sailor

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: elektron analog fourpatch name (pack): a4 big 100note: c2midi note: 36midi velocity: 8.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): saw filter 1xnote: c1midi note: 24midi velocity: 4.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): vikings pad 2 oscnote: c3midi note: 48midi velocity: 64.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-3ppatch name (pack): on off stringsnote: c2midi note: 36midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): look ma no chorusnote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): noisy sqr filter velnote: e#1midi note: 29midi velocity: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): s&h res action 96bpmishnote: e#3midi note: 53midi velocity: 96.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): angry blipnote: e#2midi note: 41midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): changes lengthnote: e#2midi note: 41midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): soft to harshnote: f2midi note: 42midi velocity: 9.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): sample & hold itnote: c2midi note: 36midi velocity: 8.

All Morgen ist ganz frisch und neu (Evang. Gesangbuch 440; Gotteslob (1975) 666)

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Français:. Au début du trait prolongé, il serait exactement midi, heure normale de l'est. --. English:at the beginning of the extended note, it would be exactly noon, eastern standard time.

Die Sach ist dein, Herr Jesu Christ, Evang. Gesangbuch Baden/Pfalz 606

Four hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Carl Czerny. KV 626

Ave Maria zart (Gotteslob (1975) 583; Gotteslob (2013) 527)

ii-V-I turnaround in C, in four-part harmony.

Sonne der Gerechtigkeit (Evang. Gesangbuch 262; Gotteslob (1975) 644; Gotteslob (2013) 481)

Aus tiefer Not schrei ich zu dir (Evangelisches Gesangbuch 299)

Heilig, heilig, heilig ist der Herr, Gott Zebaot; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 715

Komm her, freu dich mit uns, tritt ein (Gotteslob (1975) 519; Gotteslob (2013) 148)

Ein neues Lied wir heben an, Melodiefassung in Johann Walters Geistlichem Gesangbüchlein (Schluss auf der Dominante)

Ihr Engel, kommtIhr Engel, kommt, zu hindern,wo irgend Gottes Kindernein Unheil drohtmit Leid und Tod:Ach helft, die ihr's könnt lindern!

O heiligste Dreieinigkeit; Gotteslob (1975) Hildesheim 838; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 789