4,289 ロイヤリティフリー オーディオトラック の "Midi"

Vom Himmel hoch, o Engel, kommt (Evangelisches Gesangbuch, Regionalteile; Gotteslob, Regionalteile)

5:7:9 is the first inversion of the major triad. Title refers to harmonics (fundamental=1:3:9:etc.).

Das Heil der Welt, Herr Jesus Christ, wahrhaftig hier zugegen ist (Gotteslob (1975) 547; Gotteslob (2013) 498)

O Lamm Gottes unschuldig; Evang. Gesangbuch 190.1; Gotteslob (1975) 470; Gotteslob (2013) 203

Verleih uns Frieden gnädiglich, Gotteslob (2013) 475; Gotteslob (1975) 310; Evang. Gesangbuch 421

In dieser Nacht sei du mir Schirm und Wacht, Gotteslob (1975) 703; Gotteslob (2013) 91

Der Tag der ist so freudenreich, Evang. Kirchengesangbuch 18, Evang. Gesangbuch Regionalteile Baden/Elsass/Lothringen, Nordelbien, Pfalz, Württemberg

Danket Gott, denn er ist gut, Gotteslob (1975) 227; Gotteslob (2013) 402; Evang. Gesangbuch 301

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Jesu, zu dir rufen wir; Gotteslob (1975) Osnabrück 861; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 751

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Im Frieden dein, o Herre mein (Gotteslob (1975) 473; Gotteslob (2013) 216)

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

Dich, König, loben wir; Gotteslob (1975) Hildesheim 853; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 798

Bis hierher hat mich Gott gebracht (EG 329); Wenn ich, o Schöpfer, deine Macht (EG 506; Gotteslob (2013) 463)

Hier liegt vor deiner Majestät im Staub die Christenschar, Gotteslob (2013) Regensburg 918

Nun saget Dank und lobt den Herren (Evang. Gesangbuch 294; Gotteslob (1975) 269)

Heilig, heilig sei gepriesen, Gotteslob (1975) Hildesheim 802; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 720

This tune is called Winchester New in English hymnals.Zum Mahl des Lammes schreiten wir; Gotteslob (2013) 642

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Hymn tune Duke Street ("Jesus shall reign where'er the sun") Jesus hat seine Herrschaft bestellt, Evang. Gesangbuch (Rheinland/Westfalen/Lippe) Nr. 610

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Wir wollen alle fröhlich sein (Evang. Gesangbuch 100; Gotteslob (1975) 223; Gotteslob (2013) 326)

Sei uns willkommen, Herre Christ, Gotteslob (1975) 131; Gotteslob (2013) Limburg 757

Nun bitten wir den Heiligen Geist (Gotteslob (1975) 248; Gotteslob (2013) 348)

Jetzt ist die große Gnadenzeit (Gotteslob (1975) Hildesheim 819; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 753)

Heilges Kreuz, sei hochverehret (Gotteslob (1975) Diözesananhang Hildesheim 823; Gotteslob (2013) Diözesananhang Kirchenprovinz Hamburg 759)

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Auf, Christen, singt festliche Lieder, Originalmelodie Fulda 1778

Heilig, heilig, dreimal heilig, Gotteslob (1975) Hildesheim 801; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 718

Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.

Ehre sei Gott in der Höhe, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 816

Send deinen Geist, Herr Jesus Christ, Gotteslob (2013) Paderborn 764; Gotteslob (1975) Hildesheim 836

Partie de pétanque un après midi en été dans le sud de la france/part of pétanque one afternoon in summer in the south of france.

Christe, du Lamm Gottes (Evang. Gesangbuch 190.2; Gotteslob (1975) 482; Gotteslob (2013) 208)

When you complete the level. The sound is created with reason 4. 0 and m-audio midi controller, recorded with reason 4. 0. It is made in 16 dec. 2014 in estonia.

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Ein schöne Ros im heilgen Land (Klausener Wallfahrtslied), Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 891

I really don't know that to do with this. Made it some time ago. Made using air ignite software with an axiom mini 32 midi. If you can make something good out of it i'd like to hear ;).

A self generated cue for a musical. Used xpand2 plug-in in pro tools 10. Features a medium attack gust with a long decay. Leaves can be heard underneath the whistle of the wind.

Sliding bassline in wet format, check my account for the dry signal. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Sliding bassline in dry format, check my account for the muffled one with reverb added. Fminor > g#major > d#major > d#majorfminor > g#major > d#major > cminor.

Christus, du bist der helle Tag (Friedrich Dörr nach Christe, qui lux es et dies), Gotteslob (2013) 90