170 ロイヤリティフリー オーディオトラック の "Sms"

Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Recorded with tascam dr-05, omnidirectional, stereo, germany, 2014, modification: reverb.

Jumbled voices in a small conference room, multiple conversations taking place during a break. Almost no individually distinguishable words.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Water freezing into ice. Recordist peter brucker / recorded 2/5/2019 / sm 58 microphone / edited in logic pro x / metal bristles against a pot.

One kick on an 80s ludiwg bass drum. Recorded with an sm 57. Slight muffling of echo with small pillow in drum. No compression added, nor any other effect.

Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Recording of a new hampshire country highway at the edge of the forest. Birds, insects, trees rustling in the breeze, and a distant car on the highway. Recorded with an sm-57.

Ugly piano chord, jarring stinger. Recordist peter brucker / recorded 4/19/2018 / sm 58 microphone / old out of tune piano in a basement.

Sound of diy didjeridoo. Recorded with two mics (shure sm-7 & oktava condenser mic). Daw - reaper. Interface - tascam us-1800. Didjeridoo is made of plastic plumbing pipes. Recorded at 25 july 2015.

Output sound obtained after frequency scaling and stretching along with time scaling of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) using transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,0. 6, 1. 5, 1. 2].

Recorded myself knocking a couple bowling pins together in my garage. Shure sm-7focusrite saffire pro 24 interface/preampmacbook prorecorded in logic at 16/44. 1normalized in soundtrack prono other processing.

Some rain. Recorded on 7-6-2015. Microphone used is a sure sm58. Interface is an m-audio fasttrack usb. Nothing fancy, feel free to use it as you see fit!.

The rusty screen door of an old house in the mountains gets caught in the breeze; it swings open and bobs open and close a couple times before closing. Recorded with an sm-57.

Synthesis resulting from the transformation process performed with the harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools) on the male speech sound http://freesound. Org/people/islijepcevic/sounds/329042/. The parameters used in the analysis are:window="hamming", m=1501, n=4096, t=-80, minsinedur=0. 1, nh=200, minf0=80, maxf0=200, f0et=7, hamrdevslope=0. 01, stocf=0. 4freqscaling = [0,1. 3,0. 82,1. 3,0. 825,1. 158,0. 99,1. 158,1. 0,1. 38,1. 1,1. 38,1. 12,1. 7,1. 2,1. 7,1. 21,1. 4592,1. 278,1. 73,1. 28,1. 5,1. 45,1. 8,1. 7,1. 8]freqstretching=[0,1,1,1]timescaling=[0,0,0. 6,0. 001,0. 67,0. 071,0. 83,2. 071,1. 0,2. 4043,1. 12,2. 7377,1. 2,4. 7377,1. 28,5. 4043,1. 45,8. 071,1. 7,8. 2]timbrepreservation=1.

Analysis of sound speech-female. Wav with short-time fourier transform:- parameters used in the analysis are: - window type = hamming, window size(m) = 601, fft size (n) = 1024, hop size (h) = 151.

A short signal for text message arrival. It's a monophonic, square wave synthesis. Made to sound like old times, when cellphones didn't play mp3 files. Synthesised with zynaddsubfx inside lmms, edited and normalized in audacity.

A dragon roaring. I created this effect for a production of shrek. I recorded several takes of an actress roaring, and mixed some of them together, adding eq, distortion, and reverb to create the resulting effect. Recorded with an sm-57. Actress: nicole lewis.

This is the low end and low end of my meinl bata drum! (iya)this sample was recorded onto a zoom h5 handy digital recorder using two shure sm 81 microphones at 16bit wav format.

A precise electronic synthesizer foundation underneath an analog non-compliant lo-fi electric guitar riff. Gritty, cheeky, free!.

Harmonic sinusoidal output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

I slapped some metal kitchen utensil with a wooden spoon. Recorded in 196 khz and 32 bit with a shure sm 57, preamp: art pro channel, interface: rme fireface uc. Thanks to everyone who provides freesounds with quality sounds. Greetings.

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Residual output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Zoom h6 48khz-24bit recording of small computer speaker picking up interference from the modem.

Synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

A reverse 20" mapex ride cymbal. Captured with a sure sm57. Noticeable lack of high end, however, it can still be used for song intros etc. (no reverb or any other effects were added to this sound).

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Stochastic synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Recorded using a zoom r 16 and a shure sm 81 mic, the only problem with the sample is me saying baap re(which means o my god) at the end, which fortunately can be edited out, the sample can also pass as a gunshot :).

Harmonic sinusoidal output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Audio recording of cars passing by. Recorded in stereo and 24 bits using two microphones: beyerdynamic mc930 (left channel), shure sm 57 (right channel). Captured using a metric halo lio-8 (using the internal uln-r preamps).

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: xylo_medium_c5_ff_01_far. Wavinstrument family: percussioninstrument: xylophonenote: c5midi note: 72midi velocity (center): 63location: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 overheads, 2x sm-57 spaced pairperformer: sam gossner.

Phone vibrate sound field recording. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Vocal syllables, created by recording somewhat rhythmic nonesense talk with an sm-58, followed by automated segmentation of the audio. Slices are numbered from 001-0xx (with slices that were too short taken out), l means long and s means short.

Live drum recorded 10 years ago with my sm 58 mic on the snare and another (kick) drum mic on the bass drum, fed into some mixer then into my line 6 tone port that went into my ableton live session at the time. Sorry i dont recall any other details.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.