1,052 ロイヤリティフリー オーディオトラック の "アイシング"

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Ice 9 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 8 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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00:09
Ice 8 - slow. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 4 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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00:05
Ice 3derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 3 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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00:10
Ice 10 - slow. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 5. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 5 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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00:04
Ice 4. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 6 - slow. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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00:18
Ice 5 - slow. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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Ice 6 - reverse. Derived from a wildtrack whilst recording some ambiences. - jarred gibb.
著者: Jarredgibb
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04:19
Claudio S. Grafulla's march Washington Grays, performed by the U.S. Army Band
著者: Composition: Claudio S. Grafulla (1810–1880) Performance: U.S. Army Band
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01:13
Walking in crunchy, icy snow along the side of a tarmack road. Recorded in stereo 24 bit 96 khz with the internal mics on a sony m10 with windjammer. Please use this sound for whatever you want, completely free, no restrictions. Although i really appreciate a comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).
著者: Augustsandberg
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00:30
Walking softly on the snow covered ground in the early morning.
著者: Cj
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00:42
Walking on frozen puddles.
著者: Sonicquinn
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03:55
Washington Grays (1861), composer Claudio S. Grafulla's most popular march, composed for the 8th Regiment, New York State Militia near the start of the American Civil War. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
著者: Claudio S. Grafulla (Composer, 1810–1880) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham - Greeley, CO Manager: Chief Master Sergeant James H. Moseley II - Beaumont, TX PICCOLO MSgt Ardyth Scott - Shreveport, LA FLUTE MSgt Lawrence Ink* - Rockville, MD MSgt Lucille Johnston Snell - Albuquerque, NM TSgt Sharon Weinberg - Philadelphia, PA OBOE MSgt Ronald Erler* - Falls Church, VA CMSgt Robin Forrester-Meadows - Evansville, IN ENGLISH HORN CMSgt James Moseley II - Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried - Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* - Simi Valley, CA TSgt George Stoffan - Norwalk, CT MSgt Carl Long - Hanover, NH MSgt Elizabeth Campeau - Pinckney, MI MSgt Sandra Haton* - Columbia, SC TSgt Richard Drew - Joliet, IL TSgt Brian Jones - Panama City, FL MSgt Kay Schultz - Skaneateles, NY MSgt Lorraine Haddad* - Poughkeepsie, NY TSgt Shawn Buck - Brookside, PA SMSgt Robert Little - Houston, TX BASS CLARINET TSgt David Aspinwall - Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy - Virginia Beach, VA BASSOON CMSgt Danny Phipps* - Annapolis, MD TSgt Lawrence Burke - Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* - Ellisville, MS MSgt William Marr - Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely - Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George - Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* - Dallas, TX TSgt Leslie Mincer - Charlottesville, VA TSgt Kent Wyatt - Arlington, TX TSgt Philip Krzywicki - Philadelphia, PA CORNET TSgt Andrew Wilson* - Gambier, OH SMSgt David Golden - Bethlehem, PA TSgt Michael Bosch - Bethlehem, PA MSgt William Adcock - San Jose, CA TSgt Curt Christensen - Mt. Clemens, MI MSgt Clarence Mitchell - Portsmouth, VA TRUMPET TSgt Robert McConnell - Wadsworth, OH MSgt James Bittner - Harrisburg, PA TROMBONE SMSgt Mark Williams* - Okemos, MI MSgt Jeffrey Gaylord - Western Springs, IL MSgt Lindsey Smith - Williamston, MI TSgt James VanZandt - Austin, TX EUPHONIUM MSgt Ann Baldwin* - Canton, OH TSgt Lance LaDuke - Niles, MI TUBA MSgt Jan Duga* - Columbus, OH SMSgt Edward McKee - Roselle, NJ MSgt David Porter - Alcoa, TN TIMPANI MSgt Patrick Shrieves - Freehold, NJ PERCUSSION MSgt Aubrey Adams* - Medford, OK SMSgt Mark Carson - East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison - Louisville, KY * Principal CREDITS Colonel Lowell E. Graham - Commander/Conductor/Producer Major Frank J. Grzych II - Deputy Commander/Producer Captain Scott A. Guidry - Staff Officer/Co-Producer Mr. Bruce Leek - Engineer/Digital Editing Master Sergeant Kendall S. Thomsen - Assistant Engineer Chief Master Sergeant Dana L. Steinhauser - Director of Public Affairs Master Sergeant William D. Porter II - Recording Production Technical Sergeant Robert K. McConnell - Graphic Layout Master Sergeant Elizabeth K. Campeau - Liner Notes Technical Sergeant Sharon B. Weinberg - Booklet Editor Crabtree + Company (Arlington, VA) - Cover Design Mark Custom Recording Service (Clarence, NY) - Disc Replication Lion Recording Services, Inc. (Springield, VA) - Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807
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Damaged smartphone screen protector being broken and crushed in bare hands (should've used gloves. . . ). Recorded with behringer b-1 microphone into focusrite scarlett 2i2 3rd gen. Into audacity on arch linux at 192 khz/24 bit. The recording was not processed or edited in any way to retain maximum flexibility to sound artists who will use this as an element. This can be useful as a sound effect for freezing or burning or deep-frying or even rain (when slowed down). Thanks to extremely wide frequency range the recording can be cleanly slowed down up to 25% speed. There's clean frequency content up to 80 khz in the recording. In a few places the mic gain was too much and a pop is clipped, but could still be useful for sound of braking or snapping something (bone?). No denoising was applied - perform your own if needed, though the sounds are mostly free of background hum (a bit of pc noise can be heard in the first minute before i turned down the gain).
著者: Unfa
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10:39
An ice storm moves in to the deep woods of north carolina on 01/30/2014. As the small particles of ice and sleet fall through the pine trees, they land on a bed of pine straw on the ground below. This is that sound. It's cold, solitary, and gives you a feeling of total isolation. Enjoy!. Christopher c. Courter.
著者: Courter
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03:31
Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).
著者: Composition: Claudio S. Grafulla; Performance: United States Air National Guard Band of the Southwest, Concert Band; Recording: United States Air Force
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Footsteps on an icy sidewalk recorded in january 2018. Nice crunching walking sound. There is a converted mp3 version available if you can't use m4a or just don't want to mess with the conversion.
著者: Obxjohn
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Footsteps on an icy sidewalk recorded in january 2018. Nice crunching walking sound. This was originally recorded on a m4a format and converted. The original m4a is also posted.
著者: Obxjohn
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Der Tag bricht an und zeiget sich; Evang. Gesangbuch 438; Wach auf, wach auf, ’s ist hohe Zeit; Evang. Gesangbuch 244
著者: Melodie: Melchior Vulpius 1609; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
著者: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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00:32
Voice actor: mr rotpbrecorded tascam dr-05xsfx conversion edited: adobe + fxs + mastered.
著者: Szegvari
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Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.
著者: Untitled
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Short sound effects made with minikorg 700s + kenton midi to cv converter.
著者: Hast
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02:43
著者: John McCormack
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02:44
著者: John McCormack
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Manipulated recording of the back of headphones being rubbed together.
著者: Ismailmasha
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Fork being scraped around in a trash can.
著者: Evanmack
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Students talking between classes, near microphone.
著者: Claudiooliveira
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Glass bottle shattering.
著者: Sgarrison
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Recording of a phone screen being flicked.
著者: Ismailmasha
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Struck the back side of a metal tablespoon with another spoon, and let it ring.
著者: Bcimmet
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Tapping of hand on plastic sheet film. Recorded with mono microphone and ensemble. No post processing.
著者: Amrita
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A slowed down hit on a trash can with added reverb.
著者: Evanmack
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Telephone 70s circle dial dialing recorded using a sennheiser wireless dynamic ew135g2 microphone through a yamaha dm1000 digital console with cubase software.
著者: Yakkall
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